产生生命的

You said, trustingly and knowingly, from your Nonphysical Perspective, I'll go forth into this perfect Earth time/space reality because I know that it is the perfect environment to produce, within me, natural asking, and I know that when I, in a vibrational way, ask, that God, if you want to call it that, or Nonphysical Energy or Creative Life Force or All-That-Is, answers the vibrational request.

你在来到这个物质世界以前，从你的非物质视角，曾经坚信不疑而且胸有成竹地说过，"我将前往这完美的地球时空现实中，因为我知道，这是能使我自然产生'要求'的完美环境，而且我知道，当我以振动的方式要求时，那个人们常常称之为无所不能的上帝的，那个非物质能量，那个创造生命的力量，那个涵盖一切的真理，就会响应我的振动方式的要求。"

Rather than time being an objective given, or else, an a priori form of sensibility, rhythm is what generate lived, non chronometric time.

与时间作为一种给定的目标，或作为感性的优先不同的是，节奏是产生有生命的、而非精密计算的时间的。

In considering that he likes to experience everything for himself, it is quite natural that he prefers expressionistic energy.

对他来讲，人的自由意志与神的绝对意志相遇而产生的所有的生命的奥秘，都毫无例外地成为艺术家亘古不变的好奇心所要探求的对象，或是激情的抒发。

Urban forest is the lively infrastructure of a city. As citifying process develops, it is impossible to develop large-scale green land in the downtown of a city. What s more, the efficient city ecological green-land system, which doesn't equal to the simple that expansion, requires considerable proportion of suburb green space and city forest resources, in order to deeply control the space-time development of those resources and accurately understand the various influence that natural and unnatural factors bring to those resources.

城市森林是有生命的城市基础设施，随着城市化进程的推进，城市中心区不可能大规模地发展绿地，而且，高效的城市生态绿地系统不是简单的成片扩展，要求含有相当比例的近郊绿色空间和市域林带，因此，为了更好地掌握城市森林资源的时空动态，准确了解自然因素和非自然因素对城市森林资源产生的各种影响，就必须对城市森林资源实施动态监测。

Urban forest is the lively infrastructure of a city. As citifying process develops, it is impossible to develop large-scale green land in the downtown of a city. What s more, the efficient city ecological green-land system, which doesnt equal to the simple that expansion, requires considerable proportion of suburb green space and city forest resources, in order to deeply control the space-time development of those resources and accurately understand the various influence that natural and unnatural factors bring to those resources.

城市森林是有生命的城市基础设施，随着城市化进程的推进，城市中心区不可能大规模地发展绿地，而且，高效的城市生态绿地系统不是简单的成片扩展，要求含有相当比例的近郊绿色空间和市域林带，因此，为了更好地掌握城市森林资源的时空动态，准确了解自然因素和非自然因素对城市森林资源产生的各种影响，就必须对城市森林资源实施动态监测。

Facing the indifference, the painter has a depression. It is this depression that prompts him to face the things bravely, whose silence and loneliness are far superior to human beings'. Humans divide themselves and break down themselves. Paintings' task is just to bring humans to an inorganic world, the border of life, where things are concrete and frozen, and where they have new understanding of the world.

绘画在面对这种漠然时感到一种深深的绝望，正是这绝望触动了画家去面对这些物，物的沉默和孤独远远超越我们人类，绘画不过是把已经自我分裂与自身分解的人类带往物的坚实和凝固，在无机物那里，在生命的边界上，产生对世界之新的感觉。

With so many different creatures leaving eggs lying around waiting to be fertilised, perhaps it is not surprising that an occasional misfertilisation takes hold and produces something totally unexpected.

随着许多不同的有生命的活体把它们的卵子扔在海洋里的各个地方去等待受精，也许这并不奇怪，一次偶然的卵子接受了别的物种的精子，产生了完全意想不到的某些生物品种。

When we resonate with, or are tuned into wavebands of positive, life-enhancing beliefs and possibilities, our whole experience of life spirals up to a higher energy state, giving us new perspectives, transformed experiences, and opening us to unlimited possibilities.

当我们的能量共振转换到积极心态的波段上时，我们便处于支持积极信念的生命状态，完整体验人生升华到高能量的阶段，使我们产生全新的视野、全新的体验以及无限可能的开放心态。

His record for the velocity of life expansion was a giant puffball, which, he said, produced spores at such a rate that if materials were provided fast enough for the developing fungus, in only three generations puffballs would exceed the volume of Earth.

他的生命扩张速率的记录如同一个巨大的马勃菌，他这样说，其产生孢子的速率如此之大，只要有供给速度足够快的物质满足这真菌发展的需要，只须繁殖三代，马勃菌的体积就能超过地球。

In this research analysis four movies,"Secret Window" lead Mort is situated between the deconstruction and the establishment, thus becomes one to penetrate 「fantasized」 that survives the human who gets down;"Misery" of because Annie the life projection to the writer of fiction Paul work''s in character, has painstakingly with the real life is separated from, finally steps onto the death;"The Shawshank Redemption" of Andy when grown-up studies adapts the new culture, along with the time and desire''s vicissitude, establishes conforms to the new social culture system''s new main body;"Hearts in Atlantics" of Bobby is in Ted Brautigan and in library article character number accompanying, found itself, real feeling 「existence」 and life significance.

本研究分析的四部电影中，《秘窗》的主角莫特就是介於毁灭与建立之间，因而成为一个透过「幻想」而存活下来的人；《战栗游戏》的安妮因将人生投影至小说家保罗作品中的人物苦儿，与现实生活产生脱离，最后走上死亡；《刺激1995》中的安迪在成年时重新学习适应新文化，随著时间/欲望的变迁，建立起符合新社会文化制度的新主体；《勿忘我》中巴比是在泰德与图书馆文字符号的陪伴中，找到自己，真实的感受到「存在」与生命的意义。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。