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Xiao Qian pursue the fighting and the sociality in his novel creation, but the melancholy temperament of individual, the tragedy of novel content make Xiao Qian"s novel formed melancholy keynote in whole; lyrics in the art, the psychology distance of create aesthetic, the feelings of writing are controlled and objective, it make his novel write sober; construction the image of poetry and interweave with feeling, symbolism and the poetry of language make Xiao Qian"s novel formed poetry.

指出萧乾在创作中追求小说的社会性、战斗性与艺术性的和谐,由于个体的忧郁气质,小说内容的悲剧性使萧乾小说在整体上形成忧郁的基调;艺术上的抒情写意,创作审美的心理距离的运用,书写的情感节制,让萧乾的小说叙写上冷静客观;诗意意象的塑造,并与情感相交织,象征手法的运用以及语言的诗意质感使其小说具有诗意美。

In the vast cosmic exchanges the universal life goes and comes in unknown quantities, rolling entirely in the invisible mystery of effluvia, employing everything, not losing a single dream, not a single slumber, sowing an animalcule here, crumbling to bits a planet there, oscillating and winding, making of light a force and of thought an element, disseminated and invisible, dissolving all, except that geometrical point, the I; bringing everything back to the soul-atom; expanding everything in God, entangling all activity, from summit to base, in the obscurity of a dizzy mechanism, attaching the flight of an insect to the movement of the earth, subordinating, who knows?

在宇宙广袤无边的运动中,无量数的空间活动交相往来,把一切都卷进那神秘无形的散漫中,并也利用一切,即使是任何一次睡眠中的任何一场梦也不放弃,在这儿播下一个微生物,在那里撒上一个星球,摇摆,蛇行,把一点光化为力量,把一念变成原质,散布八方而浑然一体,分解一切,而我,几何学上的这一点,独成例外;把一切都引回到原子棗灵魂,使一切都在上帝的心中放出异彩;把一切活动,从最高的到最低的,交织在一种惊心动魄的机械的黑暗中,把一只昆虫的飞行系在地球的运转上,把彗星在天空的移动附属于棗谁知道?

In the vast cosmic exchanges the universal life goes comes in unknown quantities, rolling entirely in the invisible mystery of effluvia, employing everything, not losing a single dream, not a single slumber, sowing an animalcule here, crumbling to bits a planet there, oscillating winding, making of light a force of thought an element, disseminated invisible, dissolving all, except that geometrical point, the I; bringing everything back to the soul-atom; expanding everything in God, entangling all activity, from summit to base, in the obscurity of a dizzy mechanism, attaching the flight of an insect to the movement of the earth, subordinating, who knows?

在宇宙广袤无边的运动中,无量数的空间活动交相往来,把一切都卷进那神秘无形的散漫中,并也利用 www.8 t t t8。 com 一切,即使是任何 dd dtt。 com 一次睡眠中的任何 dd dtt。 com 一场梦也不放弃,在这儿播下一个微生物,在那里撒上一个星球,摇摆,蛇行,把一点光化为力量,把一念变成原质,散布八方而浑然一体,分解一切,而我,几何学上的这一点,独成例外;把一切都引回到原子棗灵魂,使一切都在上帝的心中放出异彩;把一切活动,从最高的到最低的,交织在一种惊心动魄的机械的黑暗中,把一只昆虫的飞行系在地球的运转上,把彗星在天空的移动附属于棗谁知道?

It was of no avail that the pavements of Paris were there on every side, the classic and splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne and of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, and red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; and the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment and widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy and rapid insects; to cause to spring forth from the depths of the earth and to reappear between those four walls a certain indescribable and savage grandeur; and for nature, which disconcerts the petty arrangements of man, and which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as much rude force and majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕,华伦街上的那些典雅富丽的府第相隔才两步路,残废军人院的圆顶近在咫尺,众议院也不远,勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华,驶来驶去,黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路口交织奔驰,卜吕梅街却但是冷清清的;旧时财主们的死亡,一次已成过去的革命,古代豪门望族的崩溃、迁徒、遗忘,四十年的抛弃和寡居,已足使这个享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草,还有那种叶子宽大、颜色灰绿、斑驳的高大植物,蜥蜴、蜣螂、种种仓皇急窜的昆虫,使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来,再次展现在那四道围墙里,使自然界棗阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界,在巴黎的一个陋劣的小小园子里,如同在新大陆的处女林中那样,既犷悍又庄严地炫耀着自己。

There are two clues in the dissertation demonstratively. One is the master line and it is about the evolution course of the university model from prototype university in the Mediaeval Ages, the preliminary differentiation in earlier modern times to nationa-style university models as well as US's research university model today.

在论文的具体论述中,论文形成了交叉进行的两条线索,一条线索是大学模式的演变历程,从中世纪的原型大学到近代早期的初步分化,再到近代以来的国别特色的大学模式的产生和现代时期美国的研究型大学模式,这是论文的主线;另外一条线索是大学知识生产的历史变迁,这是一条暗线,交织在对每个阶段大学模式发展变化的分析之中。

The entire proletariat prosperous Si area has the differentcommon charm - weather because of the extremely rich change cloudyclear not to decide, warm wind genial, cold wind wild, topographyunconstrained fluctuation, plain broad, mountain ridges precipitous,lonely canyon, the desolate old castle, winds the sierra and is livelycan - all deduct ten thousand kind of characters and styles in on thisFrance's earth. During 7-8 month aspic blooms against the wind,浓艳the color decoration Paris green mountain valley, slightly the pungentfragrance mixes is being exposed to the sun the burnt green grass tobe fragrant, interweaves south France most the unforgettable breath.

整个普罗旺斯地区因极富变化而拥有不同寻常的魅力--天气阴晴不定,暖风和煦,冷风狂野,地势跌宕起伏,平原广阔,峰岭险峻,寂寞的峡谷,苍凉的古堡,蜿蜒的山脉和活泼的都会--全都在这片法国的大地上演绎万种风情。7-8月间的薰衣草迎风绽放,浓艳的色彩装饰翠绿的山谷,微微辛辣的香味混合着被晒焦的青草芬芳,交织成法国南部最令人难忘的气息。

And as in childhood, when existence had no toil beyond the day's simple lesson, no ambition beyond the neighboring approval of the night, I brought to you the morning's task for the evening's sanction, so now I bring to you this self-appointed taskwork of maturer years; less confident indeed of your approval, but not less confident of your love; and anxious only to realize your presence between myself and the public, and to mingle with those severer voices to whose final sentence I submit my work the beloved and gracious accents of your own.

并在童年时,存在没有辛劳超出了一天的简单的教训,没有超出夜间邻近批准的雄心,我为您带来的是晚上的制裁上午的任务,所以现在我给你们带来这个自封taskwork的成熟年;缺乏信心确实是你的批准,但不小于你的爱有信心,并渴望实现你的只有我自己和公众之间的存在,并与这些严厉的声音交织到其最后一句提交我的工作和亲切的心爱你自己的口音。

In art manifestation, we may conclude several kinds of styles interweaving mutually. Besides the reappearance of medieval esthetics, the extremely profound naturalism initiated by Pre-Raphaelites, the inspiration of classical sculpture and Italian Renaissance art, as well as the aestheticism occurred in fin-du-siècle, those make Victorian medieval love painting graceful, sensual, sentimental, and most, exclusively unique.

在表现形式上,可归纳出几种常见的风格互为交织,除了中世纪美学的再现之外,拉斐尔前派画家们所倡导的自然主义影响极为深远,加上古典雕刻及义大利文艺复兴的启发,以及世纪末唯美主义的感染,使得维多利亚时代的这些「中世纪之爱」作品,凭添许多抒情、优雅、感官的怀古情调,为十九世纪的英国绘画创造了一种专属的独特风貌。

The author of this paper holds the view that Dimmesdale, different from Hester, is a contradictory character with conflicting emotions and that the sharp conflicts intricately demonstrated between his conscience and reality, between reality and his ideal, and in turn, his ideal and conscience finally fall into an inextricable knot in which Dimmesdale wrestles, wriggles, and is strangled.

内心世界的矛盾在良心、现实与理想之间非常复杂地展开。三个方面的矛盾交织,纠缠,结成一个解不开的结,使丁梅斯德走向毁灭的边缘。他的灵魂在心灵的炼狱里经受着痛苦与折磨。他最终走向示众台,以死亡的方式使自己的灵魂得以净化。

From the jagged string stabs thatunleash mutant disco-glam opener 'Kriss Kross', to the desolatelate-night pulse of final track 'Take Me Home', it's a tour-de-forcethat marries Guillemots' natural melodic flair with a sense ofdancefloor abandonment, not heard since Prince's '80s wild popadventures.

从由破碎的弦乐演奏交织着异军突起的 disco-glam 变调的开场曲&Kriss Kross&到有着深夜的那种寂寞感觉的结束曲&Take Me Home&,这是 Guillemots 原有的旋律风格混合舞曲的那种放荡不羁的奇特产物,自 Prince 80 年代狂野的流行音乐实验风格以来,这种风格差不多已成绝响。

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Do you know, i need you to come back

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