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He wrote occasional vocal works and numerous symphonies, harpsichord concertos and sonatas, many of which were published.

他说偶尔的声乐作品和大量交响曲,协奏曲和大键琴奏鸣曲,其中许多是出版。

Heartbreak and starting over are major themes on the album, and some songs are simply about wild weekends we had.

伤感'和'重新开始'是'交响曲'的主旋律,但也有一些歌曲仅仅是关于我们所共同度过的愉快的周末。

Mendelssohn had a great liking for Scotland, which is shown in his 'Scottish Symphony' and the overture 'The Hebrides'.

苏格兰是门德尔松的至爱,这一点表现在他创作的"苏格兰交响曲"和序曲"赫布里底群岛"之中。

Brahms , who was living in the late period of Romantic music , maintained the classical ideality well and followed the histrionic and oneness of sonata or symphony .

而生活在晚期浪漫主义时期的勃拉姆斯仍旧沿袭奏鸣曲和交响曲的戏剧性和统一性,维系着古典主义的理想,却在19世纪被定论为浪漫主义时期牛保守的,落后的"古典主义者"。

In early spring, scattering along the endless stretches of black soil land dotted with traces of waning snow, a tough plant called "ice slush flower" sprouts out of ice slush and blooms its celebration of life. The mid-summer mountains are thickly blanketed with myriads of luxuriant trees. Across the marshes in late fall are unknown wild flowers and fruits competing in a delightful contrast, like a radiant symphony of colors of lemon yellow, rose, lilac, pink, light blue… In the coldest days of winter, the fields and mountains are a gleaming white immensity of snow.

初春,广袤的黑土地上残雪遍布,冰凌花顶开冰碴子顽强的张显着生存的力量;仲夏,万木扶疏,群山苍郁;深秋,沼泽里不知名的杂花野果相映成趣,柠黄、玫红、淡紫、粉红、浅蓝……汇成了一支缤纷的色彩交响曲;隆冬,山舞银蛇,寒妆素裹,白茫茫大地一片真干净——这就是孕育着张成艺术启蒙的原初营养。

Three of the four piano concertos are in ineradicable part of the romantic repertory, and the symphonies, though long overshadowed by the piano works, have gained esteem and popularity.

拉氏一生创作了四首钢琴协奏曲,其中三首被奉为浪漫乐派的经典之作,其交响曲的锋芒虽不及钢琴协奏曲,也逐渐为人所熟悉,且备受推崇。

So much in this place do men live by pain that my friendship with you, in the way through which I am forced to remember it, appears to me always as a prelude consonant with those varying modes of anguish which each day I have to realise; nay more, to necessitate them even ; as though my life, whatever it had seemed to myself and to others, had all the while been a real Symphony of Sorrow, passing through its rhythmically-linked movements to its certain resolution, with that inevitableness that in Art characterises the treatment of every great theme.

这里的人们是如此的苦中度日,所以我同你的友谊,照我那样被迫去记住的样子,总显得像是一支序曲,与眼前变换着的痛苦一脉相承。这些痛苦每一天我都得体会领悟;不仅如此,甚至得靠它们度日;似乎我的生活,不管在我本人还是在别人眼里曾经是什么样子,从来就是一部真正的悲怆交响曲,一个乐章一个乐章有节奏地推向其必然的结局,一切是那样的必然,简直就是艺术上处理每个伟大主题的典型手法。

So much in this place do men live by pain that my friendship with you, in the way through which I am forced to remember it, appears to me always as a prelude consonant with those varying modes of anguish which each day I have to realise; nay more, to necessitate them even[18b]; as though my life, whatever it had seemed to myself and to others, had all the while been a real Symphony of Sorrow, passing through its rhythmically-linked movements to its certain resolution, with that inevitableness that in Art characterises the treatment of every great theme.

这里的人们是如此的苦中度日,所以我同你的友谊,照我那样被迫去记住的样子,总显得像是一支序曲,与眼前变换着的痛苦一脉相承。这些痛苦每一天我都得体会领悟;不仅如此,甚至得靠它们度日[18b];似乎我的生活,不管在我本人还是在别人眼里曾经是什么样子,从来就是一部真正的悲怆交响曲,一个乐章一个乐章有节奏地推向其必然的结局,一切是那样的必然,简直就是艺术上处理每个伟大主题的典型手法。

A brief pause to inquire of these "antis" if all Christians agree as to the meaning of their Teacher's message; all musicians as to the "correct" interpretation of a Brahms symphony; all doctors as to the "right" treatment of infantile paralysis; all parents as to the "perfect" way of raising children.

用一个简短的暂停问一下所有的反星象学者,是不是所有的基督信徒都是用同样的方式理解主的信息,是不是所有音乐家都用同样的"正确的"方法去诠释Brahms交响曲,是不是所有的医生都用同样的"正确的"方法治疗小儿麻痹症,是不是所有的父母都用同样的"完美"的方式去养育孩子。

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视,还有少数俄罗斯作曲家,比如Shostakovich,(他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力,这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响,那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。)Prokofiev(他格外出色天才一般的旋律影响了我,但是Sting肯定也获益匪浅,因为他也在自己的热门单曲"Russians"俄罗斯人中借用了Prokofiev 的"Lieutenant Kijé"三驾马车[4]),和Mosolov[5](他创作于1920年中期的作品"Iron Foundry"是纯粹的前卫摇滚à la Magma,Art Zoyd,Univers Zero)。

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