亡灵

They currently stand at the front line of the undead invasion, with the humans, Halflings and Vulmane already having been forced to move elsewhere and it is a task they readily accept.

他们目前坚守在亡入侵的最前线，当人类，半身人和狼狼早就被迫迁移到他处时，矮子毫不畏惧的接受了档住亡灵大军的艰巨任务。

Tricks Known: As an undead minion, the skeletal horse follows any command its master gives.

已知习惯：作为亡灵仆从，骷髅马遵循主人的任意命令。

Footage of luxurious casino interiors is intercut with clips of the same locations overrun by the undead, with the slightest glimpse of possible gameplay.

一会儿，拖车播放器显示在美国角斗士风格的男子大球保龄球的亡灵。

Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mache form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors.

相传旧历七月，所有在阳世的亡灵，都归「大士爷」管理。

They build shrines on the tombs and plce the trets there so the dead can consume the spirit of the foods.

人们在坟墓上建造神龛并在那里摆上供品，这样亡灵就能享用实物的灵魂。

So, barring any unexpected stowaways and, of course, the undead horde that handles our security and coffee, that is the current roster of our team.

因此，不包括任何突发偷渡者，当然，部落的亡灵，处理我们的安全和咖啡，这是目前我们的团队名册。

As with all wars, the starkest toll of Chechnya's are the dead, who as well as the slaughtered Chechens officially include around 10,000 federal troops, and unofficially many more.

就像在所有战争中一样，车臣最明显的钟声就是为那些亡灵，除了那些遭到屠杀的车臣人，其中也包括官方公布的约1万名联邦军人，而非官方的数字就更大了。

III. The Cemetery - Sarabande of the Dead 07:13

4：墓地—亡灵的萨拉班德舞

In some texts we find Anubis, the gaurdian of the tomb being referred to as "He who is upon his mountain."

某些文献里我们发现导引亡灵之神，坟墓的守卫被谈到犹如&在他山脉之上的他&那样。

He is then led to the scales of balance by Anubis ,the jackal-headed god of mummification and the afterlife.

他被导引亡灵之神阿努比斯——木乃尹化的来世、有着豺狗一样头颅的的神明，引导至一个有刻度的天平面前。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。