亡灵

She was also linked with Anubis during Greek Times as Sopdet-Anubis, probably because of the iconography of her as a god, or riding on the back of a dog.

她在希腊时期期间也跟导引亡灵之神联系在一起成为Sopdet-导引亡灵之神，或许因为她被视为神的肖像，或骑在狗背上的原因。

At the height of a black incantation, I took thelives of every last one of them. In the bloody

在他们死后血腥的觉醒中，这些亡灵法师终将为我完成最终的亡灵手下提供养料。

The interesting inclusion of the Undead, recently many fans have asked why the hell we chose to do that, or why if in the continuity if Orcs and Tauren are relatively noble races, why would they ever ally with these creepy, maggoty, rotting Undead?

新加入的亡灵最近受到玩家的质疑为什么这样做，为什么兽人和牛头人延续了高贵的种族的设定，却要和这些爬虫般的、多蛆的、腐烂的亡灵联盟呢？

Once I had seen the darker side of Necromancy, I began to speak with those souls, to animate the soulless, to quench the lives of the living...

当我看到了亡灵法术的黑暗面之时，我开始与那些亡灵对话，复活那些无灵魂者，再扑灭复活的生命……/*？？

Until recently, modern religion experts thought of this state or place reserved for the unbaptized dead, including good people who lived before the first coming of Christ, as a relic from a less enlightened past.

现代天主教教义的争论中，对于「狱边缘区」著墨较少，而「狱边缘区」个名词源自拉丁文中的「界」「缘」直到最近，现代宗教专家认为将「狱边缘区」种状态或区域保留予未受洗礼的亡灵--包括在耶稣基督降临前已存于人世的良善人类的亡灵--乃宗教思想较未开化的过往时代遗物。

Most of the dead buildings on the barren calls, which is a degeneration of power, which can make the dead settlements surrounding land become decomposed, grassless.

绝大多数亡灵建筑物必须在荒芜上召唤，这是一股堕落的力量，可以使亡灵定居点周围的土地变得腐烂、寸草不生。

They were dead, and I lived; their murderer also lived, and to destroy him I must drag out my weary existence. I knelt on the grass and kissed the earth, and with quivering lips exclaimed, By the sacred earth on which I kneel, by the shades that wander near me, by the deep and eternal grief that I feel, I swear; and by thee, O Night, and the spirits that preside over thee, to pursue the daemon who caused this misery until he or I shall perish in mortal conflict.

他们死了，我却还活著；杀害他们的凶手也还活著，而为了杀死这个凶手，我必须苟延我疲惫的生命，我在草地上跪了下来，亲吻著脚下的土地，用颤抖的唇呐喊：以我膝下这神圣的土地的名义；以这些徘徊在我身旁的死者亡灵的名义；以这深深的永远无法忘记的悲痛的名义；我发誓；向妳，噢，这漆黑的夜，亡灵主宰下的漆黑的夜，我要追踪这个制造不幸的凶手，直到我与他之间有一人在决死的冲突中毁灭。

They were dead, and I lived; their murderer also lived, and to destroy him I must drag out my weary existence. I knelt on the grass and kissed the earth, and with quivering lips exclaimed, By the sacred earth on which I kneel, by the shades that wander near me, by the deep and eternal grief that I feel, I swear; and by thee, O Night, and the spirits that preside over thee, to pursue the daemon who caused this misery until he or I shall perish in mortal conflict.

他们死了，我却还活着；杀害他们的凶手也还活着，而为了杀死这个凶手，我必须苟延我疲惫的生命，我在草地上跪了下来，亲吻着脚下的土地，用颤抖的唇呐喊：以我膝下这神圣的土地的名义；以这些徘徊在我身旁的死者亡灵的名义；以这深深的永远无法忘记的悲痛的名义；我发誓；向你，噢，这漆黑的夜，亡灵主宰下的漆黑的夜，我要追踪这个制造不幸的凶手，直到我与他之间有一人在决死的冲突中毁灭。

If you venture even further into undead territory, you'll find the seat of the undead race's power, lined with ziggurats and halls of the dead.

如果你继续深入亡灵的领地，你会发现亡灵种族力量所在之处，排列着满是死人的神塔和大堂。

Daniela : That's pan de muerto, a Day of the Dead 2specialty .

旦妮叶拉：这是亡灵面包，亡灵节的特殊食物。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。