亡人

Many people will sleep and eat on the marae during these three days and share their memorites of the dead person.

这三天里许多人吃、睡都在麦利会堂悼念亡人

There are some factors that have the influence in the quantity and the flow-direction of the outlaw.

亡人的数量和流向，受多方面因素的影响。

And Uzziah prepared for them throughout all the host shields, and spears, and helmets, and habergeons, and bows, and slings to cast stones.

26：14 徐其耀情妇照片e未亡人女老师和义父V乌西雅为全军预备盾牌，枪，盔，甲，弓，和甩石的机弦

Sometimes they look at these "urban tribes" and their way of dress, sometimes they explore the 你好storic-aesthetic sources such as black widow's macabre glamour, Victorian cult for mourning garments and jewels, horn-shaped amulets and accessories like instrument of torture but revealing a strong erotic sensuality charge.

有时她们存眷这些&城市群落&和她们的穿衣体式格局，有时她们摸索的历史美学的源头，如黑未亡人可怕的魅力，维多利亚门派悼念的服装和宝石，喇叭状辟邪物及像刑具的配件，却展现出强大的打击。

I see,when alone at times, coffins under sail setting out with the pale dead, women in their dead braids, bakers as white as angels, thoughtful girls married to notaries, coffins ascending the vertical river of the dead, the wine-dark river to its source, with their sails swollen with the sound of death, filled with the silent noise of death.

有时候我独自看见夜间守护的黑棺材，同惨白的亡人，同故去的梳辫子的姑娘一道启航；同雪白如天使般的面包师同与公证人结婚的娴静女子灵柩上溯死者垂直的河那是一条深紫色的天河逆流而上，撑起死神吹胀的帆那被死神寂静音响吹胀的帆。

The Funeral Dance is one of the typical fetes for Tujia ethnic minority in Changyang, Hubei Prov. In modern Tujia people's life, when an elder passes away, the neighbors will hasten to the deceased person\'s home in groups to memorize the deceased and comfort the relatives and friends in the means of funeral dance.

&跳丧&仪式是湖北长阳土家族典型的祭祀性仪式，现代土家人的生活中无论哪家有老人去世，周围乡邻都会闻讯而来，&人死众家丧，一打丧鼓二帮忙&，以&跳丧&的形式怀念亡人，安慰生者。

Into Van Diemen's land.

全部倒伏在亡人国里。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。