亚当的

The Perfection of the Protanthropos is also sometimes seen as a result of a non material emanation from God, called the Son of God and seen as the prefigurement for the appearance of Jesus, who, even in Conventional Christian literature is often referred to as "The Second Adam".

完美的Protanthropos有时候也被看成是一种由神所散发的，非物质的结果，称为神的儿子，也被看成是耶稣出现的预示。而耶稣，即使在传统的基督教著作里面，也经常被指为"第二亚当"。

Other pseudepigrapha give further details of their life outside of Eden, in particular, the Life of Adam and Eve (also known as the Apocalypse of Moses) consists entirely of a description of their life outside Eden.

其它的圣经的伪仿作品，更进一步地详细描述他们在伊甸园以外的生活，尤其是，亚当和夏娃的生活（也被称为是《摩西伪经》），完全是对他们在伊甸园以外的生活的描写。

In his tall stalwartness, Adam was a Saxon, and justified his name, but the black hair, made the more noticeable by its contrast with the light paper cap, and the keen glance of the dark eyes that shone from under strongly marked, prominent and mobile eyebrows, indicated a mixture of Celtic blood.

亚当高大结实，够得上称为撒克逊人，但是在浅色纸帽的对照下，乌黑的头发更加引人注目，在凸出的、灵活的浓眉下闪亮的黑眼睛目光敏锐，这些都表明他身上还有凯尔特人的血统。

He built his great artificial world with the tenaciousness of Satan, the bravery of Adamand Eve, the fortitude of Jesus, and the firmness of Samson. In doing so, Milton presented his thoughts and integrity to the readers.

他以耶稣的坚毅，撒旦的顽强，亚当、夏娃的勇敢和参孙的刚烈构筑起自己独具魅力的艺术世界，并将自己的思想和气节通过这些圣经人物揭示在读者面前。

In the" Genesis "God's punishment of Adam, so that he was subjected to the land, overgrown with thorns and torture, we must work hard to have to harvest until the attribution of dust; Jane ? love away, the male protagonist in Rochester as" original sin "of embodiment of punishment to hear prophecy:"No, you want to own their own away, no one would help you, you have to own your right eye gouged out, you have to cut off your right hand; your heart will be victim, and by the priest to transfix it."

在《创世记》中上帝惩罚亚当，让他遭受长满荆棘的土地的折磨，必须辛勤劳作才得收获，直到归于尘土；简·爱出走后，男主人公罗切斯特也作为"原罪"的化身听到惩罚的预言："不，你要自己把自己拉走，没有人会帮助你，你要自己把你的右眼球挖出来，你要自己把你的右手斩去；你的心将是牺牲品，而由牧师来把它刺穿。"

Two of Calvino's first fictional works were inspired by his participation in the Italian Resistance: the Neorealistic novel Il sentiero dei nidi di ragno (1947; The Path to the Nest of Spiders), which views the Resistance through the experiences of an adolescent as helpless in the midst of events as the adults around him; and the collection of stories entitled Ultimo viene il corvo (1949; Adam, One Afternoon, and Other Stories).

卡尔维诺最早的作品都与他参加抵抗组织的经历有关：新现实主义的小说 Il sentiero dei nidi di ragno （《通往蜘蛛巢的小路》，1947年出版）通过一个未成年人的经历审视了抵抗运动，这个少年人面对周围的成年人和一系列事件，感到无助；名为 Ultimo viene il corvo 的短篇小说集（《亚当，午后和其他故事》，1949年出版）。

The auxilium quo, on the other hand, is a supernatural help which bears immediately on the actus secundus (ie the performance of the action) and in this grace, in so far as it is distinguished from the grace of Adam, must be included the whole series of efficacious graces by which man works out his salvation, or the gift of actual perseverance, which gift conducts man infallibly and invincibly to beatitude, not because it suppresses liberty, but because its very concept implies the consent of man.

该auxilium现状，另一方面，是一种超自然的帮助负有立即对现实secundus ，并在此宽限期，只要它是区别於亚当宽限期，必须包括一系列有效的青睐，其中男子工程拯救了他，或馈赠的实际毅力，这名男子的礼物进行infallibly和战无不胜，以beatitude ，这不是因为它抑制了自由，但由於其本身的概念意味著同意的人。

Augustine, Jansenius based his argument chiefly on two Augustinian conceptions: on the distinction between the auxilium sine quo non granted to Adam, and the auxilium quo, active in his descendants; and on the theory of the "victorious delectation" of grace.

为了提出这一学说的赞助下圣奥古斯丁， Jansenius根据他的论点主要集中在两个奥古斯丁概念：区分必要的auxilium现状不给亚当和auxilium现状，活跃在他的后代；和理论的&胜利的欢乐&的宽限期。

With over fifty caps for England, Adams was a key figure in Hoddle's famous "spine" and although he was at fault for Romania's first goal his performances in general were excellent.

在代表英格兰出场超过50次后，亚当斯成为霍德尔著名的&脊背&计划中的关键角色，虽然在对罗马尼亚的比赛中的第一个失球付有责任，然而他的总体表现却是出色的。

Burns , Gérard Depardieu as Cook Didier , Jane Adams as Rochelle , Michael Estime as Marlon , Susan Kellermann as Gunther , Jascha Washington as Darius , Matt Ross as Adamian , Ranjit Chowdhry as Dr .

伯恩斯，热拉尔德帕迪约的拉罗谢尔，由于库克迈克尔埃斯蒂梅迪迪埃，简亚当斯的马龙，苏珊克勒曼的冈瑟，雅舍华盛顿的阿达米安，兰吉特乔杜里的大流士，马特罗斯的医生。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。