亚当的

Cain's real father was not Adam, but one of the demons Pire R.

该隐的真实父亲是不是亚当，但其中一个恶魔

We'll portray the new parents as the first family, a 21st century Adam and Eve.

我们将把这对新父母描绘成第一家庭 21世纪的亚当和夏娃。

Adam and Eve voluntarily followed the temptation because of their prideful fascination with the thought that they would become like God.

亚当和夏娃自愿接受诱惑，因为他们对他们能像上帝那样的想法充满了骄傲和迷恋。

Adam: Good, I think you can see how easy that is and how it extends to other pronouns.

亚当：好的，但我认为你可以看到如何容易，以及它如何延伸到其他代词。

The Gospel of Thomas and the Protevangelium of James contain many legends about Jesus and Mary and show the influence of Gnosticism, as does the Apocalypse of Adam.

福音托马斯和protevangelium詹姆斯包含许多传说耶稣和玛丽和显示的影响，诺斯替教，作为是否启示亚当。

But let's not forget the recent Punch-Drunk Love, starring Adam Sandler and Emily Watson.

但我们不要忘记，最近糊里糊涂的爱，主演亚当桑德勒和埃米莉沃森。

Adam Raki is the cutest guy in the office. How's that?

亚当·莱科是公司里最帅的男生这个怎么样？

What happened was this: Adam and Eve rebelled against god.

那次发生的事：亚当和夏娃背叛了上帝。

During his studies Liwei won numerous prizes including the first prize in the Adam International Cello Competition in 1997, a special Distinction in the Rostropovich International Cello Competition. In 2000, Liwei has performed as guest artist for the World Cello Congress III USA.

在他的学习期间，曾赢得了许多音乐比赛奖项，其中包括澳大利亚ABC广播公司青年音乐家奖、1997年新西兰亚当国际大提琴比赛第一名、罗斯特洛波维奇国际大提琴比赛特别优秀奖、英联邦最佳音乐家金质奖章。2000年秦立巍曾被美国第三届世界大提琴会议邀请作为客席艺术家举办音乐会。

In the meantime, of course, there and been Rowena, who eclipsed less immediate matters , and Adam had an unease, too, about facing Erica after that.

另一方面，不用说，心里念念不忘罗韦娜，有了她，一些不太急的事都无所谓了，但是，经过了那件事，亚当也觉得要跟埃莉卡见面，总有点儿不自在。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。