亚当的

The Age of Adam coincided with the early stages of industrialization so that people like Hepplewhite, Wedgwood and Boulton were greatly influenced by the spirit of Adam.

亚当风格发展的时期恰好处于工业化前期，赫伯怀特、维基伍德和波顿都受到亚当风格的极大影响。

In spite of their Unitarian proclivities and their masks of conservative broadmindedness, they were two generations behind interpretative science: their mental processes were mediaeval, while their thinking on the ultimate data of existence and of the universe struck him as the same metaphysical method that was as young as the youngest race, as old as the cave-man, and older - the same that moved the first Pleistocene ape-man to fear the dark; that moved the first hasty Hebrew savage to incarnate Eve from Adam's rib; that moved Descartes to build an idealistic system of the universe out of the projections of his own puny ego; and that moved the famous British ecclesiastic to denounce evolution in satire so scathing as to win immediate applause and leave his name a notorious scrawl on the page of history.

同时，他也感到，他们看待生命和宇宙的终极事实的方法还是形而上学的，那种看法阻地球上最年轻的种族的看法一样幼稚；也跟穴居人的看法一样古老，甚至更古老--那看法使第一个更新世的猿人害怕黑暗；使第一个匆促的希伯来野蛮人用亚当的肋骨造成了夏娃；使笛卡尔通过反射渺小的自我建立了唯心主义的宇宙体系；使那有名的英格兰传教士用尖刻的讽刺来谴责进化论，并立即博得了喝彩，从而在历史的篇章里草草留下了一个臭名。

Hence Genesis, notwithstanding the compilatory character of its sources, the many repetitions and divergent versions of one and the same event, the duplications and digressions, makes on the whole the impression of a coherent work, aiming at the presentation of a well-defined view of history, viz., the selection of the sons of Israel as the representative exponents of Yhwh's relations to the sons of Adam, a selection gradually brought about by the elimination of side lines descended, like Israel, from the common progenitor Adam, the line running from Adam to Noah-to Abraham-to Jacob = Israel.

P的方法，正确地被视为下神学意图（" Tendenz "），也即河因此成因，尽管compilatory的性质及其来源，在许多重复和不同版本的同一个事件，重复和digressions ，使得整体上的印象是一个连贯的工作，旨在提出一个明确的历史观，即。，选择的儿子，以色列的代表指数的Yhwh的关系的儿子亚当，选择逐步所带来的副作用线消除的后裔，如以色列，从共同的祖先亚当，该行从亚当到诺亚，亚伯拉罕到雅各=以色列。

In comparing microevolution with Darwin's macroevolution, Chinn says that living organisms within their genera and species could have a limited amount of freedom to vary.

他说︰"然而从亚当到摩西，死就作了王，连那些不与亚当犯一样罪过的，也在他的权下；亚当乃是那以后要来之人类的预像"(罗五14)。

Of, relating to, or characteristic of the neoclassic style of furniture and architecture originated by ''.

亚当式的由罗伯特·亚当和詹姆士·亚当开创的家具和建筑的新古典主义风格的，与这一风格有关的，具有这一风格特征的

Of, relating to, or characteristic of the neoclassic style of furniture and architecture originated by Robert and James Adam .

亚当式的由罗伯特·亚当和詹姆士·亚当开创的家具和建筑的新古典主义风格的，与这一风格有关的，具有这一风格特征的

Man's origin; The Magism of God; Man, the continuation or recommencement of God; Door of Light and love in Man; How to attain God's Action; The Fall; Human institutions derive from above; Blood of clean animals; The Exodus; Law of Sacrifices; Three degrees of abominations; Mosaic law preparatory to spiritual law; Man delivered from prison of his blood; The Eucharist; Progress of individual man towards Canaan; The perfecting of our faculties hereafter requires sacrifice of all here; God's love and Man's insensibility; The work of the man of faith reacts on the whole tree of Man; On the Word: The Word sustains all things; The Words requires an apprenticeship; The true Cross; The substance of men's words; Power of the enemy during night; Duties, responsibilities, and misdirection of literary men; Religious literature; Gradations in Adam's fall; Demonstration of God and the soul; The sublime is God, and all that connects us with Him; Ministers of the Word withholding the key of knowledge; Desire, the principle of movement; Three degrees of the Word; Progressive names, stat es, and processes; Who should teach the deep things of God; Eternity in a point of time.

人类的起源；magism的上帝；男子持续或恢复上帝；门光与爱的人；如何实现上帝的行动；秋季；人文机构从以上；血液清洁动物；逃亡；法牺牲；三度的弊病；镶嵌法预备修行法；男子交付监狱，从他的血液；圣；进度个别男子对迦南；完善的院系称需要牺牲一切在这里；上帝的爱的人，不识时务；工作的人，信仰的反应，对整个树文；就两个字：字支撑一切事物；字需要一个学徒；真正的跨越；物质男人的话；政权的敌人在夜间；职责，并55/155文人；宗教文献；等级亚当的堕落；论证上帝和灵魂；妙的是上帝，一切联系在一起，同他合作；部长字扣压的关键知识；欲望的原理，运动；三度的词；进名字，和stat权证和过程；谁教的深层的东西，上帝；永恒的，在一个时间点。

Observing the ceiling of the Sistine Chapel and the hugely familiar and awkward encounter between Michelangelo's God and Man through their index fingers, Tallis identifies an intuitive indication of the central role of the index finger in making us unique.

其中《创造亚当》是整个天顶画中最动人心弦的一幕，这一幕没有直接画上帝塑造亚当，而是画出神圣的火花即将触及亚当这一瞬间：从天飞来的上帝，将手指伸向亚当，正要像接通电源一样将灵魂传递给亚当。

Apocalypses of Adam are mentioned by Epiphanius; the Gelasian Decree names a book on the Daughters of Adam, and one called the Penitence of Adam.

启示亚当都提到埃皮法尼乌斯；该法令名称Gelasian一本书的女儿亚当，和一个称为亚当忏悔。

Then Eve hearkened to Adam, and went, she and her daughter.

14夏娃听从了亚当的话，与她的女儿去了，亚当仍然留在财富洞中。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。