亚伯尼歌

He has translated works by many authors including Goethe, Arthur Schnitzler, Bertolt Brecht, Peter Weiss and Thomas Bernhardt into Greek.

他还曾将包括歌德、亚瑟·施尼茨勒、贝尔托·布莱希特、彼得·魏斯、托马斯·伯恩哈特等在内的众多作家的作品翻译成希腊文。

Then Shadrach, Meshach, and Abed-nego came out of the fire.

沙得拉、米煞、亚伯尼歌就从火中出来。

Then the king caused Shadrach, Meshach, and Abed-nego to prosper in the province of Babylon.

3：30 那时王使沙得拉、米煞、亚伯尼歌在巴比伦省得亨通。

And these three men, Shadrach, Meshach, and Abed-nego, fell into the midst of the blazing furnace of fire bound up.

3：23 沙得拉、米煞、亚伯尼歌这三个人，都被捆着落在烈火的窑中。

And he commanded certain mighty men who were in his army to bind Shadrach, Meshach, and Abed-nego, and throw them into the blazing furnace of fire.

3：20 又吩咐他军中的几个壮士，将沙得拉、米煞、亚伯尼歌捆起来，扔在烈火的窑中。

Then Shadrach, Meshach, and Abednego, came forth of the midst of the fire.

沙得拉，米煞，亚伯尼歌就从火中出来了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。