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五四

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On the external characteristics of language, Chinese May 4th "Europeanized" was showed mainly on two aspects: Firstly, a large number of new words and phrases carrying modern western ideology were systematically translated or created. Secondly, in the range of Chinese could be allow to change, the Western grammar was referenced and transplanted into China, which changed the structure of Chinese grammar and make Chinese expression more precision.

从语言的外部特征来说,五四汉语的&欧化&主要集中在两个方面:一是在词汇上,系统地翻译或创造了大量承载西方近代思想的新名词;二、借鉴、移植西语语法,在汉语可以变动的范围内,改造汉语语法结构,使汉语表达趋于精密。

The Song of Maple-poplar Village deconstructs the ideology of nation and family, revealing the man's exiling anxiety in face of the difficulties, it breaks through the limit of rational imagination of nation-state which is based on democratic and science since"May 4th", by discussing the original desire for survival of the individual , it also offers one kind of reflective method of imagination.

枫杨树山歌》解构家国意识,揭示了人面对存在困境的一种&逃亡&焦虑,并通过对个体原始生存欲望的探讨打破了&五四&以来以民主、科学建构起来的理性民族国家想像,提供了一种反思性的想像方式。

In the long run, the academia had made so called rich and colorful researches on various social meliorating thoughts in the times of May 4, but less and not systematically only on cooperation economic thoughts.

长期以来,学术界对五四时期各种社会改良思潮的研究可谓是丰富多彩,惟独合作经济思潮的系统性研究却比较少。

Then, a comparison was made of the usage of "quanli" in La Jeunesse with its usage in literature published in late Qing and the 1911 Revolution. The comparison shows that the concept "quanli" was getting more and more moralized and even became a new standard of morals.

我们发现五四时期「权利」观念日益道德化,权利一开始被当作一种新道德,人们甚至用道德的种种属性来评判权利。

To be brief, the English romanticism on the one hand further pushes ahead the project of modernity in the artistic or aesthetic field, but on the other hand it also launches a vehement aesthetic critique of modernity, thus resulting in the birth of aesthetic modernity; the Chinese romantic movement represented by the Creation Society is characterized by a different Janus'face: like English romanticism, it is a significant artistic articulation of the principle of subjectivity (which is the kernel of modernity) in its initial stage, yet influenced by the interaction of individual enlightenment and the national salvation, a pair of conflicting themes typical of China's modernity project, the Creation Society gradually turns to the left and consequently not only radically politicizes its romantic spirit but also ironically suppresses the search of modernity.

简言之,英国浪漫主义思潮一方面在艺术和审美领域内进一步推进了现代性工程,而另一方面又反戈一击,对现代性工程进行了猛烈的审美批判,从而催生了现代性之另一对立性形态——审美现代性的最早萌芽,并因此而造成了现代性的分裂;以创造社为代表性个案的五四新文学中的浪漫主义思潮在中国的现代性语境下则又呈现出另一种两面性:一方面,创造社的初期也象英国浪漫派一样,通过在艺术和审美领域内竭力弘扬现代性的主体性原则,从而积极地推进了新文化运动所致力构建的现代性工程,但另一方面,个体启蒙和民族救亡两大中国现代性主题的纠结使得创造社在后期逐渐将其前期的启蒙浪漫主义进行了民族主义化和意识形态化,从而放弃了对现代性作更深入的追求。本文在结构上总共分为八章三部分。

The mass mediums propagandized the concept of democracy and freedom and surged the trend of democratic thought with unprecedented scale, which played a significant part in the development of democratic thought and democratic politics after the May - 4th period.

大众媒体以空前的规模宣传了民主自由的观念,掀起了民主思潮,对我国五四后民主思想和民主政治的发展起到了重要作用。

In the 5000 years' history of the Chinese culture there have been only two real cultural revolutions. One is the "proscribing all non Confucian schools of thought and espousing Confucianism as the orthodox state ideology" in the Han dynasty, hoisting the only banner of Confucianism through eliminating the other hundred schools.

纵观五千年的中国文化发展史,真正意义上的文化革命只有两次:一次是汉代的&罢黜百家,独尊儒术&,通过革文化百家之命,树儒学一家之帜,儒家文化从此成为中国文化的主流;另一次就是彻底地把儒学掀翻下马的&五四&运动。

Prior to the May Fourth Movement, women in China, suffering from the fetters of feudalism, used to be marginalized and reified as the non-humans.

&五四时期&之前,女人从来都处于一个边缘化的位置,特别是几千年来封建文化的欺凌,女性已异化为物。

On the other hand, in criticism of the traditional opera, scientific thoughts are always simplifized and vulgarized.

第三章围绕五四新文学观的内容价值,评价达尔文生物进化论思想的理论奠基意义。

In this paper, the author takes the ballad campaign as background, focuses on the relationship between new times poetry and ballad of Zhu Ziqing, and the position of ballad in the academic research; to probe into the development factors the May Fourth Literature by the research to Zhu Ziqing's ballads.

本文以歌谣运动为背景,着重分析朱自清的歌谣和新诗的关系,以及歌谣在其学术研究中的地位;通过对朱自清歌谣的研究,探讨五四新文学的发展因素。

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