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五四

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Tintered with the color of the times, May 4th female writers abandoned the mysteriousness of Godology which goes against Chinese ideology, and created different images of God with strong emotions, personality, even female features. They include the Creator, God as Mother or Woman, audient to the holy words, and the target of spiritual reliance, etc.

在时代影响下,五四女作家舍弃了基督教上帝学说中不合中国观念且不合常理的神秘部分,在创作中表现了更具情感色彩、人格色彩、性别色彩的上帝形象,主要有造物者、母性或女性的上帝、圣言的倾听者、精神寄托的对象等上帝形象。

Home country in motherland, is is our generation from generation to generation the book is multiply greatly with existence of that land, but definitely is a political entity not, hence bosom's loving hometown is the natural emotion that the everyone all has, trying to see, all ages how much writer the person wear here, endowing with ﹑ from Chu's in the long river of the boundless and Chinese literary history six the dynasty text ﹑ Tang the poem ﹑ Sung ﹑ dollar song to modern poetries, produce excessive and little touch the heart, 100 cantillate and be disgusted with of think of home to sing ﹗ extremely

祖国﹑故土﹐乃是我们祖辈世世代代籍以生存繁衍的那片土地﹐而决非是一个政治实体﹐故而怀恋乡土是人人皆有的自然情感﹐试看﹐古往今来多少墨客骚人着墨于此﹐在漫漫中国文学史的长河里﹐从楚辞﹑汉赋﹑六朝骈文﹑唐诗﹑宋辞﹑元曲到&五四&新诗﹐产生过多少感人肺腑﹐百诵不厌的思乡绝唱

He has first and foremost argued that relationship between Taiwan and Chinese new literatures is one between the mainstream and distributary,and put forward his contestation about the Taiwan language construction from the angle of cultural affiliation and unification.

他将&五四&文学火种引入台湾,与日本奴役下的台湾旧文坛激烈交战;他最早明确指出台湾新文学与祖国大陆新文学的支流与主流关系,并且从文化归属与统一的角度提出台湾语言建设的主张。

The contestation had overstepped new and old; elite and the public, enlighten and save, which has reflects the backlog and conflict from society and literature realm since" Wu Si".

论争已超越了简单的新与旧、精英与大众、启蒙与救亡、资产阶级与无产阶级之间的对立和分野,反映了自五四以来社会与文学领域所积累的症结和冲突。

The Chinese traditional culture which has once been regarded as the opposite of the May 4th new culture had constituted the most stabilized psychologic fluid of the Group of New Trend members. And the extremely deviative environment had once moulded their spiritual attitudes and thinking ways of action of killing our traditional culture.

曾经是&五四&新文化&对立物&的中国传统文化构成了新潮社成员最为稳定的心理之流,偏至的文化语境又一度塑造了其&文化弑母&行为的精神姿态与思维方式。

The high-efficiency stainless corrugated and threaded tubes—patented product developed by our company has obtained popular approval for its outstanding diathermanous capacity. It has been listed in Torch Plan of 2000 by State Science Committee, the listing code is OOD231D7600709. As a new generation of steel tubes, they have been implemented in more than 100 condensers improvement projects of Hanchuan Power Plant, Victory Power Plant, Baotou First Thermal Power Plant, Datong Second Power Plant, Chongqing Power Plant, Zhongxin 541 Power Plant, Zunyi Power Plant and other plants and achieve great success.

由本公司研制开发的专利产品——高效不锈钢波螺管以其优异的传热性能已经得到了广大用户的认可,并被国家科委列入2000年火炬计划项目,立项批号为OOD231D7600709,成为钢管更新换代产品,在汉川电厂、胜利发电厂、包头第一热电厂、大同第二发电厂、重庆发电厂、中信五四一电厂、遵义电厂等单位的100多台凝汽器改造项目投入使用,并获得成功。

Present woman writers, with the same resistence as the WuSi movement advocators to the old-fashioned tradition, advanced ideas of independent feminie, rooted their experiences in to their composition, destructing the divine mother myths in all aspects, has expressed their ideals in their works both on the outline of woman cultural space and the woman society.

当代女性作家秉承着五四以来的反抗传统,有着先进的女性独立思想,把自己人生经验植入到创作当中,从各个方面解构着&母性神话&,作品中充斥着对女性文化空间的勾勒和女性社会理想的表达。

Since the inchoation of the modern literature starting at the Wusi Era, the modern Chinese literature history substantively is a flexuose history of literature modernization.

五四时代开始的现代文学史实质上是中国文学现代化的曲折历史。

He inherited literary tradition from ancientry to "May 4th movement" and absorbed some trend of literary thought and creative skill of fremdness and formed compatible and implicit style.

他的创作,继承了古代直至&五四&以来的文学传统,并吸收了某些外国文艺思潮和创作技法,形成一种兼收并蓄、蕴藉和谐的风格。

Starting off from the "the agreement of language and expression" pursuit of late-Qing intellectuals and concrete poetry creation to the flourish of free verse written in vernacular during the May 4th Movement of 1919, the article reviews the complex genesic intertwinement and concrete view of modern Chinese poetry from the interactive angle of experience, language and form.

对这一形态的辨析,会发现&现代汉诗&的&发生&的内在机制和隐藏的问题。本文倾向于诗歌本体内部的语言、形式与现代性语境中的个体经验的纠结、互动对诗歌发生的影响:在论述方式上,注重的诗歌文本和语言、形式理论的分析。在晚清至&五四&这一中国现代知识分子追求现代性的语境下,本文试图通过对知识分子对新的汉语言说方式的追求和具体诗歌创作情况来考察&现代汉诗&的&发生&的语言脉络和形式依据。

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