五

Tom: How about two dollars in quarters and the rest in dimes and nickels?

汤姆：二十五美分的换两元，其余的换成十美分和五美分的。

How about two dollars in quarters and the rest in dimes and nickels?

汤姆：二十五美分的换两元，其余的换成十美分和五美分的。

This paper analyzed the configuration of the five-axis machine tool with a nutating head whose rotational axis is in an inclined plane.

分析两个旋转轴非正交的倾斜旋转轴结构的五轴机床结构，运用机构学理论建立该类型五轴机床机构学模型。

A study of 49 island countries found 55 percent of their coral reefs overfished.

一个针对四十久个岛屿国家的研究发现，百分之五十五的珊瑚礁区已被过度捕捞。

The scroll paintings include 'One Hundred Tigers'(36000MM*700MM),'One Hundred Panders'(58000MM*700MM),'One Hundred Eagles'(12000MM*1500MM),'One Hundred Chickens'(12000MM*850MM),'One Hundred Horses'(26000MM*400MM),'One Hundred Donkeys'(26000MM*400MM),''One Hundred Sparrows'(12000MM*400MM),'One Hundred Shrimps'(8000MM*400MM),'One Hundred and Fifty-five Monarches'(50000MM*400MM, line drawing),'Twelve Beauties Wear Golden Hairpin'(500MM*520MM and 4000MM*680MM),'Eighteen Songs of a Nomad Flute'(8000MM*520MM),'The Story of the Stone'(9800MM*420MM and 9800MM*220MM),'One Hundred Buddhas','Ascending the River at Qingming Festival','Five hundreds Arhats','Shaolin Dharma Eighteen Palms','Eighty-seven Immortals','Shaolin Tongzi Kung Fu', four scroll of 'The Four Literature Masterpiece','The West Chamber','The Eight Fairies','Twelve Beauties in Red Mansions','The history of Han palace','Eighty Scholars','the justice victory', etc.

长卷有长36000MM*700MM的《百虎图》和长58000MM*700MM长的《百熊猫图》，长5M5000*3000MM的按中华人民共和国地图画的《百虎图》和长12000MM*1500MM《百鹰图》，长12000MM*850MM的《百鸡图》，长26000MM*400MM《百马图》，长26000MM*400MM的《百驴图》，长12000MM*400MM《百雀图》，长8000MM*400MM的《百虾图》，白描型的，长50000MM*400MM《一百五十五帝王图》，长500MM*520MM和4000MM*680MM的《十二金钗》，长8000MM*520MM《胡笳十八拍》，长9800MM*420MM和9800MM*220MM的《石头记》。《百佛图》。《清明上河图》，《五百罗汉》。《少林达魔十八手》。《八十七神仙图》。《少林童子功》。《四大名著》四样。《西厢记》。《八仙过海》。《红楼十二钗》。《红楼十二美》。《汉宫春秋》。《十八学士》。《正义胜利》等。

The experimental results showed that there were higher yield and bromine content when the bromine/peroxides method was used.

采用溴／过氧化物法和NBS法对五溴甲苯进行苄位溴化，合成了五溴苄基溴，比较了两种方法的优缺点。

Article 29. Anyone who poaches on or seizes others' aquatic products, or damages others' aquaculture water bodies and facilities shall be ordered by the department of fishery administration or its subordinate fishery superintendency agencies to compensate for the damages and shall be concurrently fined. In serious cases or if the damages are great, criminal responsibilit

第二十九条偷捕、抢夺他人养殖的水产品的，破坏他人养殖水体、养殖设施的，由渔业行政主管部门或者其所属的渔政监督管理机构责令赔偿损失，并处罚款；数额较大，情节严重的，依照《刑法》第一百五十一条或者第一百五十六条的规定对个人或者单位直接责任人员追究刑事责任。

Anyone who poaches on or seizes others' aquatic products, or damages others' aquaculture water bodies and facilities shall be ordered by the department of fishery administration or its subordinate fishery superintendency agencies to compensate for the damages and shall be concurrently fined.

第二十九条偷捕、抢夺他人养殖的水产品的，破坏他人养殖水体、养殖设施的，由渔业行政主管部门或者其所属的渔政监督管理机构责令赔偿损失，并处罚款；数额较大，情节严重的，依照《刑法》第一百五十一条或者第一百五十六条的规定对个人或者单位直接责任人员追究刑事责任。

The porticoes of the gateways around the inner court were twenty-five cubits wide and five cubits deep.

周围有廊子、长二十五肘、宽五肘。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。