二拍子

Second, most of the content of the assigned chorus piece were chosen to meet to the elementary students' musical abilities. The form was referred to as AB; two parts songs were usually selected; the meter signature was referred to as quarter note gets one beat and beats can be grouped in twos or fours, it remained stablely in the whole tune; the tempo of assigned chorus piece almostly based on "Moderato" and "Allegretto"; the tonality are combined with the major and minor scales and also present as the pentatonic scales, the minor scale were rarely used.

二 、九十二至九十六学年度国小合唱指定曲的内容，大部分与国小音乐能力指标相符：乐曲曲式明确，以二段式居多；编制以同声二部为主；拍号以单拍子的二拍、四拍为主，少有拍号变化；速度以中板、稍快板为主；调性不完全偏向大小调乐曲，仍兼顾调式乐曲，转调变化的不多，小调乐曲较少出现。

It was in the opening decades of the next century that music felt in a tactus(think of the modern time signature) of two semibreves-to-a breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.

接下来的几十年是一个开放的年代，音乐开始在全音符-二全音符的tactus（对有现今拍子记号的观念了）技法运用运用普及上加快了步伐（开始是与三个全音符-二全音符取得同样普遍的要运用），这种运用在那段时期之前就占据了优势。

It was in the opening decades of the next century that music felt in a tactus(think of the modern time signature) of two semibreves-to-a –breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.

$ J/ E l8 p# _8 }/ r《读者》杂志官方论坛，读者文章阅读交流——读者出版集团期刊论坛接下来的几十年是一个开放的年代，音乐开始在全音符-二全音符的tactus（对有现今拍子记号的观念了）技法运用运用普及上加快了步伐（开始是与三个全音符-二全音符取得同样普遍的要运用），这种运用在那段时期之前就占据了优势。

It was in the opening decades of the next century that music felt in a tactus(think of the modern time signature) of two semibreves-to-a –breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.《读者》杂志官方论坛,读者文章阅读交流——读者出版集团期刊论坛1 f+ p;

接下来的几十年是一个开放的年代，音乐开始在全音符-二全音符的tactus（对有现今拍子记号的观念了）技法运用运用普及上加快了步伐（开始是与三个全音符-二全音符取得同样普遍的要运用），这种运用在那段时期之前就占据了优势。

The form was referred to as AB; two parts songs were usually selected; the meter signature was referred to as quarter note gets one beat and beats can be grouped in twos or fours, it remained stablely in the whole tune; the tempo of assigned chorus piece almostly based on "Moderato" and "Allegretto"; the tonality are combined with the major and minor scales and also present as the pentatonic scales, the minor scale were rarely used.

二 、九十二至九十六学年度国小合唱指定曲的内容，大部分与国小音乐能力指标相符：乐曲曲式明确，以二段式居多；编制以同声二部为主；拍号以单拍子的二拍、四拍为主，少有拍号变化；速度以中板、稍快板为主；调性不完全偏向大小调乐曲，仍兼顾调式乐曲，转调变化的不多，小调乐曲较少出现。

Two rhythms that generate duple meter.

产生二拍子节拍的两个节奏。

The scherzo's main section suggests Berlioz's 'Queen Mab' from Roméo et Juliette , and its trio is redolent of folksong (alternating triple and duple metre, a repetitive melodic pattern, frequent rising or falling 4ths, a drone bass).

谐谑曲部分的主题让人想起柏辽兹《罗密欧与朱丽叶》中的《玛布皇后》，而三重唱具有民间音乐的意味（三拍子和二拍子的交替，重复的旋律型，频繁的上下四度和雄浑的低音）。

The scherzo's main section suggests Berlioz's 'Queen Mab' from Roméo et Juliette , and its trio is redolent of folksong (alternating triple and duple metre, a repetitive melodic pattern, frequent rising or falling 4ths, a drone bass).

谐谑曲部分的主题让然想起柏辽兹《罗密欧与朱丽叶》中的&玛布皇后&，而三重唱具有民间音乐的意味（三拍子和二拍子的交替，重复的旋律型，频繁的起伏和雄浑的低音）。

As to the fourth grade, most of the songs in Kang-Hsuan and Han-Lin are four beats and three beats, but in Nan-I and Jen-Lin, most of the songs are four beats and two beats.

四、各版本三年级歌曲均以四拍子和二拍子为主，四年级康轩版和翰林版以四拍子和三拍子为主，南一版和仁林版仍以四拍子和二拍子为主。

Music in march time composed for dancing the paso doble; often played a bull fights.

跳快步二拍子舞厅舞时用的进行曲；常常在斗牛时演奏。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。