二战

Otto Nathan Deutsch, a Jewish businessman, lost his personal belongings as he fled Nazi Germany at the onset of World War II, including a painting by the German expressionist Emil Nolde .

Otto Nathan Deutsch，一个犹太商人，当他在二战时逃离德国时丢失了他的个人财产，包括一幅德国表现主义画家 Emil Nolde 的油画。

Stakes rise for art looted by Nazis as lawyers move in 律师的介入,让纳粹搜刮的艺术品问题更棘手 Otto Nathan Deutsch, a Jewish businessman, lost his personal belongings as he fled Nazi Germany at the onset of World War II, including a painting by the German expressionist Emil Nolde.

二战爆发时，犹太商人Otto Nathan Deutsch为了躲避纳粹德国的袭击，逃离过程中，失去了包括德国艺术家Emil Nolde的油画在内的个人财产。

The invasion of Normandy was a significant battle in World War II.

诺曼底 登陆是二战中的一次重要战役。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

By the end of World War II he was a major and a veteran of Okinawa.

二战结束时他已经是一名少校，同时也是一名冲绳战场上的老兵。

He had been arrested instead, on the eve of war.

然而就在二战的前夜，他被捕了。

His third film The English Patient catapulted him to international stardom, an adaptation of the novel of the same name by the Canadian author Michael Ondaatje set in Italy and North Africa during WWII.

他导演的第三部电影《英国病人》突然使他成为国际明星，该影片改编自加拿大作家迈克尔·翁达杰的同名小说，背景是二战期间的意大利和北非。

Haunting and beautiful, Ondaatje's award-winning novel tells the story of four war-damaged souls living in an Italian monastery at the end of WWII, and the love story between two of them, the exhausted nurse Hana, and the severely burned unnamed English patient.

感人至深、充满魅力，翁达杰这部屡获殊荣的小说讲述了二战结束后，意大利疗养院里四个被战争所伤的灵魂的故事，而其中精疲力竭的护士哈娜和重度烧伤的无名英国病人发生了一段令人难以忘怀的爱情故事。

The English Patient by Michael Ondaatje(1992)Haunting and beautiful,Ondaatje's award-winning novel tells the story of four war-damaged souls living in an Italian monastery at the end of WWII,and the love story between two of them,the exhausted nurse Hana,and the severely burned unnamed English patient.

迈克尔·翁达杰著，1992感人至深、充满魅力，翁达杰这部屡获殊荣的小说讲评了二战结束后，意大利疗养院里四个被战争所伤的灵魂的故事，而此中精疲力竭的护士哈娜和重度烫伤的无名英国病人发生了一段令人难于忘却的恋爱故事并世无双

Haunting and beautiful, Ondaatje's award-winning novel tells thestory of four war-damaged souls living in an Italian monastery at theend of WWII, and the love story between two of them, the exhaustednurse Hana, and the severely burned unnamed English patient.

感人至深、充满魅力，翁达杰这部屡获殊荣的小说讲述了二战结束后，意大利疗养院里四个被战争所伤的灵魂的故事，而其中精疲力竭的护士哈娜和重度烧伤的无名英国病人发生了一段令人难以忘怀的爱情故事。

By the time of its fall, most of the prisoners were writers who had written against the corruptions of the government.

到它被攻陷的时候，里面多数的犯人是写了反对政府贪污文章的作家。

The most obvious variation to ovum morphological character was that the color was changed from light green to sepiaceous in embryonic development, and all the ovums were almost hatched after 96h.

在胚胎发育过程中卵的形态特征最明显的变化是颜色从淡绿到深褐色，卵在发育96h后卵基本全部孵化。