二分

The spatial narrative structures in Calvino's fictions can be divided into three types :"the building of two worlds "is the main way in the earlier writing phase of Neorealist and Fairy tale .Dimidiation and mergence is the art feature .It signs that the sense of the world and the creative ideas of the writer start to form;"Synchrony and Juxtaposition "and "Crystal pattern "are the prominent characteristics during his Postmodernism writings phase. The writer takes the complex and diverse form of space art, such as segments、juxtaposition、defamiliarization、crystal's combination and derivatives, ect. to represent the essence of the world, and to exprsee the writer's confusion and efforts to understand and build a sense of it.

卡尔维诺小说的空间叙事结构具有阶段性，可以分为三种不同的类型：&两个世界的构建&是早期新现实主义和童话寓言创作阶段的主要方法，二分和弥合是其艺术特点，标志作家世界感和创作观念开始形成；&共时并置&和&晶体模式&则是后现代主义小说创作时期的突出特征，作家以片断、并置、陌生化、晶体组合衍生等复杂多样的空间化艺术形式来表现世界的本质以及自身理解世界、构建意义的困惑和努力。

Candy will be half plus half of the candy to the first block of a child; of the remaining one-third of the candy with candy third block to the second child; candy will be left with the fourth quarter to the third block candy child; candy will be left with the fifth block fifth candy to the fourth child; the last remaining 11 candy to the fifth child.

将全部糖果的一半再加二分之一块糖果发给第一个小孩；将剩下糖果的三分之一再加三分之一块糖果发给第二个小孩；将剩下糖果的四分之一再加四分之一块糖果发给第三个小孩；将剩下糖果的五分之一再加五分之一块糖果发给第四个小孩；将最后剩下的11块糖果发给第五个小孩。

In order to compensate the depolarization effects of optical component such as the dichroic mirror, we used the combination of a half-wave plate and a quarter-wave plate to rotate the polarization angle of the laser incident on the sample.

因此，我们使用了二分之一波长片及四分之一波长片来弥补这种效应，同时也藉此旋转雷射的偏振角度。

When Liang Sicheng and his wife to produce a draft of the final design, construction Wong Yu-sheng is no alternative but to tell him that the school's research, apart from the roof of the Library can use Qingwa, some teachers and the principal's office can use the tin roof of the , The other building will be covered grass, mud wall to use a base of clay, brick and wood used to cut half.

当梁思成夫妇交出最后一稿设计方案时，建设长黄钰生很无可奈何地告诉他，经校委会研究，除了图书馆的屋顶可以使用青瓦，部分教师和校长办公室可以使用铁皮屋顶之外，其它建筑一律覆盖茅草，土坯墙改为用粘土打垒，砖头和木料使用再削减二分之一。

Unit Fraction of a Continuous Whole.

吕玉琴(民82 )。影响分数二分之一概念的因素。

Unit fraction concepts: The description problems of language of halves are easier than the problem of symbol of 1/2. Students have the habit to deal with unit of things of all contents. When they face the problem of remaining to divide again, they would by oneself increase or reduce the thing of contents. And students were inclined toward each fraction appearing in the same contexts of assumption of ego to have the same deal of unit. When facing comparing problems could be influenced by intuition rules of Same A — Same B and solving problems incorrectly.

单位量概念的表现：一半语言叙述的问题的表现优於具二分之一符号的问题，较习惯用全部内容物当单位量，面对余量再分问题时会自行增减内容物改变单位量，会倾向於自我假设在同一情境中出现的各个分数具有相同的单位量，面对比较问题时受直观规律Same A─Same B的影响而错误解题。

Yes. But after that you got the two-point advantage needed to win the game.

嗯，但是后来你首先连续得二分赢了这场比赛。

Two-cent piece and the smallest is the one-cent coin.

二分和最小值的一分硬币。

Wittgenstein's critique of his phenomenology , however, revives the celebrated Tractarian dichotomy between "unspeakablity" and "speakablity" in a new context by denying any attempt to employ any linguistic tool to designate or describe the absoluteness of the data which could be only "shown".

通过否认任何试图用语言手段来标示或描述予料的企图，并通过对于予料自身的绝对性的展示，维氏对于他自己的&现象学&观念的批判实际上乃是复活了他在《逻辑哲学论》时代就已作出的对于&不可说性&与&可说性&的二分法。

The author would further argue for the theses listed below:(1) Wittgenstein's"phenomenological period"could be regarded as the beginning of his lasting interest in"the philosophy of psychology"into the end of his life, whereas the interest of this kind didn't appear obviously in Tractatus;(2) By interpreting the"atomic propositions"as the simplest description of the data instead of avoiding illustrating what it is as Tractatus did, Wittgenstein's "phenomenological period"does show us an amazing affinity between his own standpoint at that time and that of the Russellian logical atomism, which is surely under the influence of the empiricist tradition;(3) Wittgenstein's critique of his phenomenology, however, revives the celebrated Tractarian dichotomy between"unspeakablity"and"speakablity"in a new context by denying any attempt to employ any linguistic tool to designate or describe the absoluteness of the data which could be only"shown".

本文所试图论证的要点可以被概括为：(1)维氏的&现象学阶段&可以被视为他关于&心理学的哲学&的长期学术兴趣的发端点——这一兴趣一直延续到他生命的终点，却并未体现于其早年作品《逻辑哲学论》之中；(2)通过将&原子命题&解释为对于感觉予料的最简单的描述（而不是像《逻辑哲学论》那样回避对于&原子命题&之所是的正面解说），维氏的&现象学阶段&乃是向我们展现了他该时期的哲学立场与罗素的经验论版本的&逻辑原子主义&之间的令人惊讶的亲缘关系；(3)通过否认任何试图用语言手段来标示或描述予料的企图，并通过对于予料自身的绝对性的展示，维氏对于他自己的&现象学&观念的批判实际上乃是复活了他在《逻辑哲学论》时代就已作出的对于&不可说性&与&可说性&的二分法。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。