二元文化的

By metaphorically invoking the photographic terminology in the spirit of Bergsonian / Deleuzian time-movement interpretation as inspiration, the exhibition Timelapse in which a dozen artists from both Switzerland and China will participate, attempts to examine the fundamental constituent of digital media: the concept of time and its embodiment in space, its evocation of passage and memory, its movement of differentiation and its state of representation in diverse formal grammars to reveal the social implications of the fast in the disguise of the slow, the multiplicity in temporality and disparity in spatiality, both psychologically and geographically, stirring up a desire to scrutinize the nuances and ramifications in regards to the construct of cultural being in the disparate framework of time in distance and space in locality and the potential collapse of such time-space duality.

本次展览以柏格森以及德卢兹（ Deleuze，均为法国哲学家）有关时间－运动的解释为契机，含蓄地缓引"延时"这一摄影术语，在瑞士和中国两国艺术家的参与中，试图检验数字媒体的根本构成因数，及时间的概念以及其在空间中的体现，其对于过程和记忆的启示，其运动所产生的差异，以及其在运用形式语言时所呈现的不同表象，从而揭示被缓慢所遮掩的亟速之社会内蕴，其在时空中之心理与地理间的多样化和差异性，激起我们对于细察在不同的时空概念的框架下文化的构建，以及对于这种时空二元性之崩溃的可能性的欲念。

Because of Japan's geographic ecological environment and cultural exchange mode of"margilized zone",the living mode and special form of"cultural connotation"of Japanese form the dual characteristics of Japan culture.

如果我们再继续细究这种二元性的形成，又会发现，这矛盾的两个侧面：一方面被外来文化强烈的同化，另一方面则是自身的复兴和强有力的肯定。

After seriously analyzing the system of Marxism Intercourse Theory in detail, the author makes the contemporary reading on Marxism Intercourse Theory, which breaks through the traditional duality method (it holds Marxism Intercourse Theory is the intercourse based on physical/spirituous or the relation of male/female),then puts forward Marxism Intercourse Theory represents four constituents in the period of globalization, that is economy intercourse, political intercourse, cultural intercourse and social intercourse, among which economy intercourse is the base and core, political and cultural intercourse play the important role to economy intercourse, and social intercourse is the final purpose of all intercourse. From above the thesis give prominence to the contemporary significance of Marxism Intercourse Theory.

在对马克思交往理论体系进行认真、详细的分析之后，认为我们以前对马克思交往理论所进行的二元划分并不能全面反映现阶段经济全球化时期的交往形式与过程(二元划分结构认为马克思交往理论体系就是物质交往与精神交往以及建立在男女关系之上的两性交往)，因此，我进行了对马克思交往理论的当代解读，认为马克思交往理论在全球化时期表现为四大组成部分：经济交往、政治交往、文化交往和社会交往。

This dualistic antagonism between man's natural essence and rational essence determines the absurdity of culture.

人的自然本质与理性本质的这种二元对立，决定了文化的悖谬。

Some features of religion,including the dual dimension opposite thought mode,strong irrationalism,endurability and stability,multinationalization and globalization,etc.,possibly give rise to clashes and wars,and enlarge their scale.

宗教的某些特征如二元对立的思维模式、政教合一、强烈的非理性、作为文化形态的持久性与稳定性，地域上的跨国性与世界性等，都可能成为诱发冲突与战争，扩大冲突与战争的规模的重要原因。

The culture communication relationship that based on the view of essencism and oppositionism is uneco,it is the constructure of culture-eco-beauty that can rectify this kind of relationship.

基于本质主义与二元对立观念上的文化交往关系是非生态的，这种非生态的文化交往关系的纠正就是文化生态美的建构。

The chief significance of this novel is that it destructs three main"era myth": 1/the myth of social revolution 2/the myth of romantic love and beauty and satanic hedonim 3/the rationalism which makes opposition between subject and object this is the core of modern culture.

本章首先论述了《无名书》把握时代的独特的宇宙视角，并将《无名书》纳入到其所产生的时代社会语境中去考察，认为其意义主要在于，它破解了其时代流行的&三大时代神话&：社会改造主义的&神圣化&神话；浪漫主义的&爱和美&以及&恶魔主义&的&感官享乐&神话；以及现代性文化的最深内核——主客体二元对立的唯理主义神话。

It broke dualistic barracks between mind and body for its unfaltering materialism and monism. And so forth it redraws the lines between genetics and culture, between emotion and reason, between science and religion, between determinism and freedom, between human being and the other animals.

其采取的科学唯物主义的态度打破了身心二元的壁垒，填平了由此引发的遗传与文化、理性与情感、科学与宗教、决定论与自由、人与动物等传统世界观分割出的二元对立鸿沟。

It brokedualistic barracks between mind and body for its unfaltering materialism and monism.And so forth it redraws the lines between genetics and culture, between emotion andreason, between science and religion, between determinism and freedom, betweenhuman being and the other animals.

其采取的科学唯物主义的态度打破了身心二元的壁垒，填平了由此引发的遗传与文化、理性与情感、科学与宗教、决定论与自由、人与动物等传统世界观分割出的二元对立鸿沟。

By metaphorically invoking the photographic terminology in the spirit of Bergsonian / Deleuzian time-movement interpretation as inspiration, the exhibition Timelapse in which a dozen artists from both Switzerland and China will participate, attempts to examine the fundamental constituent of digital media: the concept of time and its embodiment in space, its evocation of passage and memory, its movement of differentiation and its state of representation in diverse formal grammars to reveal the social implications of the fast in the disguise of the slow, the multiplicity in temporality and disparity in spatiality, both psychologically and geographically, stirring up a desire to scrutinize the nuances and ramifications in regards to the construct of cultural being in the disparate framework of time in distance and space in locality and the potential collapse of such time-space duality.

本次展览以柏格森以及德卢兹（ Deleuze，均为法国哲学家）有关时间－运动的解释为契机，含蓄地缓引&延时&这一摄影术语，在瑞士和中国两国艺术家的参与中，试图检验数字媒体的根本构成因数，及时间的概念以及其在空间中的体现，其对于过程和记忆的启示，其运动所产生的差异，以及其在运用形式语言时所呈现的不同表象，从而揭示被缓慢所遮掩的亟速之社会内蕴，其在时空中之心理与地理间的多样化和差异性，激起我们对于细察在不同的时空概念的框架下文化的构建，以及对于这种时空二元性之崩溃的可能性的欲念。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。