乱用

Denisov, puckering up his face as though he were smiling, and showing his short, strong teeth, began with his short-fingered hands ruffling up his thick, black hair, that was tangled like a forest.

杰尼索夫蹙起了额头，似乎含着一丝微笑，露出坚固的短牙齿，开始伸出两手，用那短短的手指搔乱树林般蓬松的浓浓的黑发。

They use false breakouts to make losers jump like Pavlov's dogs, buying high and selling low.

他们用假突破让输家像巴浦洛夫的狗一样乱跳，高买低卖。

In contrast, Diogenes, one of Antisthenes most famous followers carried the cynical philosophy to its farthest extreme. Diogenes was not known merely as one of "The Dog Philosophers," his personal nickname was "The Dog" and Plato referred to him as "Socrates gone mad." He denied all physical wealth and pleasure; he lived in a barrel and his only possessions were a robe to cover himself and a walking stick. There is an antecdote of questionable historical accuracy that demonstrates the character of Diogenes: One day Diogenes was sitting on a hill next to his barrel enjoying the warm rays of the sun when he was approached by Alexander the Great. Alexander asked Diogenes if he was the infamous Diogenes of whom the Athenians had spoken. Diogenes replied that he was. Alexander asked Diogenes if it was true that he had no desire for anything. Diogenes looked up at Alexander and said that he only wanted one thing, with that he asked Alexander to move a little to one side because he was blocking the sun. After the encounter, Alexander reportedly stated that if he could be anyone other than Alexander he would want to be Diogenes. Although Diogenes' behavior was sometimes amusing, he was not well liked in Athens primarily because of his writings encouraging incest and cannibalism.

和他形成对比的是带奥珍妮丝，他最著名的一个把犬儒哲学发扬到极致的追随者，带奥珍妮丝不光被看成犬儒哲学家，他自己的外号是狗并且柏拉图称他为疯了的苏格拉底，他漠视一切身体健康和愉悦，他住在一个罐子里，所有的财产是用来遮盖自己的一挂长袍，和一只拐杖，曾有一个轶闻能够体现带奥珍妮丝的性格，尽管历史准确性存在争论：有一天带奥珍妮丝坐在小山坡上，身边是他的罐子，正在沐浴和煦的阳光，这是亚历山大王走到他的身边，亚历山大问带奥珍妮丝是不是雅典人所热论的那个声名不佳的带奥珍妮丝，带奥珍妮丝回答是，亚历山大接着问你什么东西都不想要是否属实，带奥珍妮丝抬头看看亚历山大王，说道，除了一样东西，说着，他请亚历山大挪开一点因为他挡住了他正在享受的阳光，据传言，这次邂逅以后，亚历山大说过，如果给他一个不是亚历山大的机会，他愿意成为带奥珍妮丝，尽管带奥珍妮丝所为有时趣味横生，但是他还不是很见爱于雅典人，主要是因为他的著述里面提倡乱伦和食人

BY ROGER EBERT / May 5, 2006

无极》可以说是一部挺糟糕的电影：表演过于用力，情节太过繁乱，编造痕迹太重，至于电脑特效，我知道现在很多人都可以在家里的地下室用个人电脑做出很棒的效果，但此片的特效就象是通过拨号上网做出来的一样。

He innovations in the use of songs in Western classical music: as in "Shuangjie Gun" in the style of Mozart's Sonata in the field,"Blue Storm" the beginning of the Gregorian chant, have rich Chinese Wushu (Such as "Shuangjie Gun,""Long Quan" and "Fearless") or the characteristics of Chinese music (in the "Snake Lady", the guitar on the field with a round that played the pipa; use of folk music instruments:"Luanwu the Spring and Autumn","As snow," etc.).

他创新地在歌曲里使用西方古典音乐：如在&双截棍&中的莫扎特奏鸣曲风格的过场；在&蓝色风暴&开端的格列高利圣咏，也有富中国武术(如《双截棍》、《龙拳》和《霍元甲》)或中国音乐特色的(在《娘子》中，过场的吉他就用了琵琶的轮指奏法；使用民乐乐器：《乱舞春秋》、《发如雪》等)。

He innovation in the use of songs in the Western classical music: as in "Shuangjieao" in the style of Mozart's Sonata field in the "Blue Storm" beginning of the Gregorian chant, but also the rich Chinese martial arts (eg,"Shuangjieao","Long Quan" and "Fearless") or the characteristics of Chinese music (in the "wife", a guitar on the field with a round that played the pipa; use of folk music instruments:"Luanwu Spring and Autumn","as snow," etc.).

他创新地在歌曲里使用西方古典音乐：如在&双截棍&中的莫扎特奏鸣曲风格的过场；在&蓝色风暴&开端的格列高利圣咏，也有富中国武术(如《双截棍》、《龙拳》和《霍元甲》)或中国音乐特色的(在《娘子》中，过场的吉他就用了琵琶的轮指奏法；使用民乐乐器：《乱舞春秋》、《发如雪》等)。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。