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Viewed from the perspective of modern history, this type of fiction was in the specious process firstly, and be given the role as a literary embodiment of enlightenment. It seems that country people were the "other" who was slept by the self-awareness of enlightenment. Villagers were signed as "country". This type of fiction actually incarnated the new culture ideology of May Four clerisy, therefore these enlightenment novels about "country" weren\'t "country literature", but "native literature" which didn\'t make effect of coming into country. However, their burden function and habit to ideology was inherited and extended by country novel.

单从对现代历史发展的镜像反映上看,它似乎最初曾被赋予了"启蒙"的文学载体的角色,好像乡村人是被启蒙的自我意识沉睡的"他者",村民被符号化为"国民",这种创作实际上体现的是五四知识分子的新文化意识形态,属于未对乡村发生参与效应的"乡土文学",但是,它对意识形态的承载功能和习惯为乡村小说所接续并放大。

The dissertation,under the guidance of historic materialism and by means of combiningtheoretical and positivist analysis,employs the method of analysis in institutional economics so as todissect the composition and interaction of social forces and displays the changes of social structure andthe process of social institutions in rural China of different periods.

论文以历史唯物主义为指导,借鉴制度经济学的分析方法,通过理论分析和实证分析相结合,深度剖析不同时段(以公社体制突破后为重心)乡村中国的社会力量组合和交易情形,动态地展示乡村中国的社会结构变动和社会组织演进过程,力图揭示乡村组织演进中的困境和走出困境的路径。

As the genre progressed, old time music evolved into the rhythmic guitar-and-fiddle driven traditional country that became the foundation of modern country music, from honky tonk and Western Swing to the pop-oriented Countrypolitan and rock-inflected Bakersfield Sound.

随着此种音乐门类的发展,早年的音乐发展成为节奏感的吉他-提琴为基本演奏形式的,传统乡村为基础的当代乡村音乐,并涵盖了从honky tonk和西部摇摆,到基于流行的都市乡村乐和受摇滚影响的贝克斯费尔德之声。

This article summarizes the domestic and foreign researches on the present situation and problem in rural area tourism. It also brings up the significance, directions, and methodologist of performing researches on rural area tourism.

本文首先对国内外学者对乡村旅游发展现状及存在问题的研究进行简单的概述,并提出乡村旅游的研究意义,以及乡村旅游的研究路线和研究方法。

They were indentified as examples who promoted the country societies to think highly of cultures and gibing presents to their elders and to change corrupt customs, which made people acted spontaneously under the leading of Confucian thoughts and turned to shape good social customs spontaneously.

隋唐时期乡村社会势力在乡村传播儒学和改变民风方面起着积极作用,他们以榜样的力量带动乡村社会重视文化和孝行,改变陋习,使乡民自发的行为有了儒家思想的指导,转向自觉塑造良好的社会风气。

Take this as the chance, the path that put forward your moderate is to strengthen the cultural approbation feeling, the perfect and decided autonomy system and related household register, the farmer lands hold the power etc. the kit system, create an argument of sex to have the modern reasonableness characteristic of autonomy system want the development in country economy, health, must be radicate in the country to practice, draw to take the agrestic factor in with mutual compromise of agrestic culture, whet match, struggle, then can develop have the mud breathing of the country" citizenry society" and" harmonious society".

以此为契机,提出两者协调的途径是加强文化认同感,完善既定自治制度和相关户籍、农民土地持有权等配套制度,创造性地论证具有现代理性特质的自治制度要在乡村经济、健康的发展,必须扎根于乡村实践,在与乡土文化互相妥协、磨合、斗争中汲取乡土因素,才能培养出具有泥土气息的乡村&市民社会&和&和谐社会&。

And the Philistines, forcing their way into the towns of the lowlands and the south of Judah, had taken Beth-shemesh and Aijalon and Gederoth and Soco, with their daughter-towns, as well as Timnah and Gimzo and their daughter-towns, and were living there.

28:18 非利士人也来侵占高原和犹大南方的城邑,取了伯示麦,亚雅仑,基低罗,梭哥和属梭哥的乡村,亭纳和属亭纳的乡村,瑾锁和属瑾锁的乡村,就住在那里。

And the Philistines raided the cities of the lowlands and the south of Judah and took Beth-shemesh and Aijalon and Gederoth and Soco with its villages and Timnah with its villages and Gimzo with its villages; and they dwelt there.

28:18 非利士人也来侵占低陆和犹大南方的城邑,取了伯示麦、亚雅仑、基低罗、梭哥和属梭哥的乡村、亭纳和属亭纳的乡村、瑾锁和属瑾锁的乡村,就住在那里。

While the Philistines had raided towns in the foothills and in the Negev of Judah. They captured and occupied Beth Shemesh, Aijalon and Gederoth, as well as Soco, Timnah and Gimzo, with their surrounding villages.

非利士人也来侵占高原和犹大南方的城邑,取了伯示麦,亚雅仑,基低罗,梭哥和属梭哥的乡村,亭纳和属亭纳的乡村,瑾锁和属瑾锁的乡村,就住在那里。

As the genre progressed, old time music evolved into the rhythmic guitar-and-fiddle driven traditional country that became the foundation of modern country music, from honky tonk and Western Swing to the pop-oriented Countrypolitan and rock-inflected Bakersfield Sound.

随着此种音乐门类的发展,早年的音乐发展成为节奏感的吉他-提琴为基本演奏形式的,传统乡村为基础的当代乡村音乐,并涵盖了从honky tonk和西部摇摆,到基于流行的都市乡村乐和受摇滚影响的贝克斯费尔德之声。连庆译自AMG

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