乡土的

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来透视凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

In the historical context nowadays, art works on show this time will not be featured by rage and bloodiness of the scar age, the pain and grief or hometown art, confrontation and mockery of popular art, desperation and hardness of cynicism, or the scoff and larkishness of raffish paintings; what the artists provide with will be an experiment, an exploration, a technology, a conception and a new beautiful visual enjoyment.

在今天的历史的语境下，本次提名展所奉献的作品将再也看不到伤痕时代的愤怒与血腥，乡土艺术的疼痛与忧愁、政治波普的对抗与嘲笑、玩世现实的绝望与无赖、艳俗绘画的调侃与嬉戏，艺术家们提供的是一种实验、一种探索、一种技术、一种观念和一种新的美丽的视觉经验。

Proud frog pond owners can enjoy the melodious calls of frogs during the breeding season, seeing masses of wriggling hungry tadpoles in their pond and tiny newly emerged froglets taking their first hops to their new land-loving life. Building a frog pond and planting native vegetation is fun and provides a wonderful environment to enjoy native wildlife in your own backyard.

一个将自己的青蛙池塘维护得很好的主人，会很自豪的观察到从青蛙们开始鸣叫、交配，到它们所生的青蛙卵变成可爱得小蝌蚪，直到变态成幼蛙并发出第一声鸣叫走出池塘步入它们的陆地时代建造一个青蛙池塘并种植乡土植物是一件能给你不断带来惊喜的事情，让我们来一起感受能观察野生动物的小花园吧！

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来****凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

In Tibet there are exotic and snowy landscape of the roof of the world,azure and deep lakes in plateau,dense virginals forest and rare animals and birds unique to the plateau,furthermore,there is social and humainity full of the flavors of the plateau and snow land.

西藏有著世界屋脊白雪皑皑的奇异地貌、湛蓝深透的高原湖泊，也有茂密的原始森林和高原地带特有的珍禽异兽；更有别具一格、具有淳厚的高原气息、浓重的乡土特质和明丽的雪域色彩的社会人文景观。

With Sholokhov's words, every kind of sadness is due to not only the wrong policy of Soviet government, but also the flaw of Cossack's temperament, super-class humanitarianism and homeland attachment. It's a fact that backward traditional factors has become a kind of internal nature standing on the way of people's development, which is in conflict with the demand of historic development. Thus, people's development is a complicated course.

在肖洛夫霍夫笔下，悲剧中种种的悲哀与无奈除因历史上苏联政府的错误政策外，更多在于哥萨克气质、超阶级的人道主义精神、乡土情结等熔铸于主体内部的自身缺陷阻碍着人的发展，表现出人在历史发展潮流中突破自身局限、调节社会巨变与个性的强烈冲突的艰难。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了