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也不是那

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But if anyone do otherwise, and whilst he is cruel and implacable towards those that differ from him in opinion, he be indulgent to such iniquities and immoralities as are unbecoming the name of a Christian, let such a one talk never so much of the Church, he plainly demonstrates by his actions that it is another kingdom he aims at and not the advancement of the kingdom of God.

但是,如果有人更热心于消除分立,而残酷和不宽容的对待那些与他意见不同的人,那就是纵容这些邪恶与不道德而不配基督徒的名,纵使对教会所言不多,他的行为也清楚的表明了他的目标是另外一个王国不是上帝王国的发展。

Of course,the most important and most ominous devel.opment in these chapters,foreshadowed countless times in theearlier sections of the novel,is the reappearance of the convict,nOW a rugged old man,and the revelation that he,not MissHavisham,iS Pip's secret benefactor.

当然,这些章节中最重要、最具不详预示的情节发展,也是小说前几部分多次所预示的情节发展,那就是,现在那个已是饱经磨难的老人的逃犯再次出现,并道破匹普的秘密恩人是他,而不是郝薇香小姐。这在小说前几部分也曾多次预示。

Well there was a time when you let me know what's really going on below but now you never show that to me do you but remember when i moved in you and the holy dove was moving too and every breath we drew was hallelujah well, maybe there's a god above but all i've ever learned from love was how to shoot somebody who outdrew you it's not a cry that you hear at night it's not somebody who's seen the light it's a cold and it's a broken hallelujah hallelujah...

井那里是时候当您告诉我 what's 下面真正地继续但您从未现在显示那对我做您但记住我搬走了您并且圣洁鸠行动也是并且我们画的每呼吸是哈利路亚很好,可能there's 神上面但所有i've 曾经学会了从爱是怎么射击某人outdrew 您 it's 不是您听见在晚上的啼声 it's 不是某人who's 被看见光 it's 寒冷和it's 一残破的哈利路亚哈利路亚。。。

For the nobler plants are valued for the fruit they bear at last in the air and light, far from the ground, and are not treated like the humbler esculents, which, though they may be biennials, are cultivated only till they have perfected their root, and often cut down at top for this purpose, so that most would not know them in their flowering season.

因为那些更高贵的植物的价值是由远离地面的、最后在空气和日光中结成的果实来评定的,而不是像对待那低卑蔬菜的那样。蔬菜就算是两年生的植物,那也只是被培植到生好根以后,而且常被摘去顶枝,使得许多人在开花的季节都认不得它们。

Dobbins straightened himself up, yawned, then unlocked his desk, and reached for his book, but seemed undecided whether to take it out or leave it.

他否认是自己干的,一来是为了走过场;二来也是惯例;另外死也不承认自己有错,那是为了坚持原则。

No matter how we could imagine or see the images, we should not misunderstand the images as ambiguous ones purposely created by the author among the small number of paintings mentioned before or other paintings such as "sea horse" or "huge ant"; instead, it should be viewed as the carryover effect of writing operation.

我们也不应该认为那少数画中,或是其他画中,不管我们可以猜想或见到的形像,如「海马」「大蚂蚁」等是作者刻意营造其形象之暧昧,那应该是笔迹运作的后遗效应。

Or, if it had been no other, I should have been the cause, and then the dark part of my life would have cast its shadow beyond myself and would have fallen on you.

若不是查尔斯,也会是别的什么人的,或者,若是连别的人也没有,原因就落在我身上了,那就会是我生命中黑暗时期的阴影落到了我的身体之外,投到你的身上了。

I am a wilful child perhaps My mother was spoiled child I wayward I hope Every moment As beautiful as crayons I hope The white paper in love can draw Draw clumsy freedom Draw a never Tears in eyes Sky A sky plumage and leaves A green night and apples I want to paint in the morning Under the picture Can see the smile Under the picture all the young No pain of love She hadn't seen clouds Her eyes are clear color She looked at me forever Forever, watching Never suddenly fell away I want to paint distant scenery Under the picture of the horizon and the water is clear Painted many happy river Under the picture Lightly covered with fluff I let them get very close Let them fall in love Let each one Each a silent spring throb Have become a little birthday I also want to paint in the future I haven't seen her, it is impossible But know that she is very beautiful I painted her coat of autumn Under the burning candle painting and maple leaf Painted many because love her And out of the heart Under the picture Draw a woke up early The glass wrappers above And the fairy tales illustrations I am a wilful child I want to wipe away all the unfortunate I think in the earth Painted with Windows Let all habits dark eyes All light I want to paint surface Draw a frame under a higher than the mountains Draw down the Orient Under the picture A voice of limitless Finally, in the paper Angle I also want to paint Draw a koala He sat on the dark jungle in Victoria Sit quietly branches Become speechless He had no home No one in the distance He only, many The same dream. Berries And a big, big eyes I hope think But I wonder why I didn't receive crayons Don't get a color moment I only have me My fingers and trauma Only the pieces Love her Let them go looking for a butterfly Let them vanish from today I was a child A mother is spoiled child fantasies I wayward

我是一个任性的孩子也许我是被妈妈宠坏的孩子我任性我希望每一个时刻都像彩色蜡笔那样美丽我希望能在心爱的白纸上画画画出笨拙的自由画下一只永远不会流泪的眼睛一片天空一片属于天空的羽毛和树叶一个淡绿的夜晚和苹果我想画下早晨画下露水所能看见的微笑画下所有最年轻的没有痛苦的爱情她没有见过阴云她的眼睛是晴空的颜色她永远看着我永远,看着绝不会忽然掉过头去我想画下遥远的风景画下清晰的地平线和水波画下许许多多快乐的小河画下丘陵长满淡淡的绒毛我让它们挨得很近让它们相爱让每一个默许每一阵静静的春天悸动都成为一朵小花的生日我还想画下未来我没见过她,也不可能但知道她很美我画下她秋天的风衣画下那些燃烧的烛火和枫叶画下许多因为爱她而熄灭的心画下婚礼画下一个个早早醒来的节日上面贴着玻璃糖纸和北方童话的插图我是一个任性的孩子我想擦去一切不幸我想在大地上画满窗子让所有习惯黑暗的眼睛都习惯光明我想画下风画下一架比一架更高大的山岭画下来东方民族的渴望画下大海无边无际愉快的声音最后,在纸角上我还想画下自己画下一只树熊他坐在维多利亚深色的丛林里坐在安安静静的树枝上发愣他没有家没有一颗留在远处的心他只有,许许多多浆果一样的梦和很大很大的眼睛我在希望在想但不知为什么我没有领到蜡笔没有得到一个彩色的时刻我只有我我的手指和创痛只有撕碎那一张张心爱的白纸让它们去寻找蝴蝶让它们从今天消失我是一个孩子一个被幻想妈妈宠坏的孩子我任性

On Mondays and Thursdays I also see the little boy at the church playgroup.

对了,我知道小男孩的名字,可那不是很普遍的名字,靖恒似乎也不怎么记得,提起他时总爱说'boy-boy'(那是我知道他的名字之前用的)。

Thomas Aquinas argues that the beginning of the world can not be demonstrated but is a truth knowable only through revelation. Bonaventura not only holds that we know by faith and revelation that the world has a beginning; he also asserts that reason can demonstrate it.

托玛斯阿奎那认为,世界有开端乃信仰的对象,属於教理神学的信条,理性对之无能为力,自然理性既不能证明世界的永恒性,也不能证明世界不是永恒而有开端的;波纳文图拉则坚持&世界有开端&是理性可以证明的。

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