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九十四

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I explained to the man immediately, and then I wrote asentence on a slip of paper.

从一九二九年到一九四八年这二十年中间,我写得很快,也写得多。

Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

为了营造这个虚拟舞台,张艺谋影片中的采用了时间的滞后性策略,影片中的故事本文时间均选择了过去:十九世纪三十、四十年代,抗战前期,六七十年代;影片中的本文空间均选择了远离文化中心的边缘地带,通过时间的滞后策略和空间的边缘策略来满足一个停滞的、凝固的、静止的落后而由愚昧野蛮的中国传统文化语境;将处于社会边缘的女性放置在其中,利用观众位置的双重性认同结构,巧妙利用女性这一表层可见视觉中心和读解影片时意义渐隐的策略来遮掩和移位其真正的作者意识形态:即重复再一次对女性的观看,满足东西方男性的窥视欲望。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962)and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯(Richard Strauss,1864-1949)正是欧洲人文发展空前灿烂的年代,无论在哲学思想、文学、美术以及音乐方面,都有辉煌的成就。在他音乐学习历程中,结合了古典时期及浪漫时期两种音乐风格,发展出独特的作曲风格。本论文分成五章:第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨;第二章则从对理查史特劳斯生平的详实记载中,了解他创作作品的时代背景和心情;第三章则就浪漫时期艺术歌曲作家舒伯特(Franz Schubert1797-1828)、舒曼(Robert Schumann1810-1856)、布拉姆斯(Johannes Brahms1833-1897)、沃尔夫(Hugo Wolf1860-1903)及马勒(Gustav Mahler1860-1911)等,以诗人、旋律、伴奏型态及曲式和声,稍加整理并说明,以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整,藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析,则探讨此部作品诗人赫塞(Hermann Hesse 1877 - 1962)及艾辛朵夫(Joseph von Eichendorff﹐1788-1857)的生平和作品特色,以及诗的结构与格式,和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法,创作出一组宁静感人又深刻的终曲。

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术;第二首是赋予了肖邦典型技术特征的指法;第三首与第六首是多声部织体的演奏;第四首是以其速度和音乐进行的尖锐性而独具难度;第五首是"黑键"练习曲;和声的创新手法在第七、第十以及第十一首里都有明显地体现;第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律;第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

Chapter 4 ----the theory of literature influence, exclusively discusses about the influence picaresque novel has on the European literature in 17th and 18th century, and the influence picaresque novel has on the American-European literature in 19th and 20th century.

第四章《文学影响论》,通过对历代欧美文学的检视与梳理,分别论述了流浪汉小说对十七与十八世纪欧洲文学的影响,流浪汉小说对十九与二十世纪欧美文学的影响。

In the eighteen fifties, an expert with a telegraph key could send about thirty-five to forty words in a minute. It took several hours to send a lot of information.

在十九世纪五十年代,一位电报专家每分钟大约能够发送三十五至四十个字,要发送大量消息需要好几个小时。

Their developing process went through four major periods. They are the germination period in ancient Greece, the forming period from 17 century to 19 century, the revival period during 1920"s and 1930"s in America, and the whoopee period during 1970"s and 1980"s which the contemporary naturalism philosophy of science developed sufficiently.

其发展大致经历了四个时期:古希腊萌芽时期;十七——十九世纪的形成思潮时期;二十世纪二、三十年代在美国的再度兴起以及在同世纪七、八十年代得以充分发展的当代自然主义科学哲学。

This bar chart shows the top four companies and their market shares: the American Jonny%26amp;Jammy Company leads the pack with 29%, followed by the domestic firm, V08, at 21%.

从这个条形图表可以看出四家最大的公司以及他们的市场占有率。美国的Jonny%26amp;Jammy公司以百分之二十九领先群雄,其次是本地的厂家V08,拥有百分之二十一的市场占有率;再下来是日本的MARUMI,拥有百分之十七;法国的La-Rose居末,占了百分之十二的市场。

Article缓交parties to apply for the forty-ninth the cost of litigation by the review in line with the 47th Article of the way, the people's court should be allowed to decide on file before缓交decision.

第四十九条当事人申请缓交诉讼费用经审查符合本办法第四十七条规定的,人民法院应当在决定立案之前作出准予缓交的决定。

In 1857, the College moved from Park Place, near the present site of city hall, to Forty-ninth Street and Madison Avenue, where it remained for the next forty years.

在1857年,学院已从公园广场附近的市政厅现址,到第四十九街和麦迪逊大道,在那里未来四十年仍然存在。

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