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乔伊斯

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There is no heresy or philosophy so abhorrent to the church as a human being.——James Augustine Aloysius Joyce

詹姆斯·奥古斯汀·艾洛依休斯·乔伊斯(1882-1941,爱尔兰作家和诗人):对教堂来说最令其厌恶的异端和哲理就是人类本身。

The beginning acoustic effect, which moves sluggishly, is to reminisce Joyce and Proust who initiated the composing technique of "stream of consciousness". Whilst the pile of sound piece, the unharmony tone and the application of "noisy music" in the ending part, are to show my pessimistic respect to Nuonuo, Pendereck, Schnittke, Pierre·Henry.

启始的凝滞的音响效果,是对开创了"意识流"写作技巧的乔伊斯、普鲁斯特等人背叛性的缅怀;后尾大段的音块、不谐和音程、"噪音音乐"的运用,又是对于诺诺、潘德列斯基、施尼特凯、皮埃尔·亨利悲观的致敬。

It stands alongside James Joyce's Ulysses and Laurence Sterne's Tristram Shandy as a novel that appears bizarre to the point of being unreadable but proves to be infinitely open to interpretation and discovery.

它与詹姆斯乔伊斯的尤利西斯和劳伦斯斯特恩的狄传作为一种新型的出现奇怪的一点是不可读的,但证明是无限开放的解释和发现。

He learned the experimental writing of James Joyce and of the ideas of Sigmund Freud.

当他得知实验乔伊斯写作的思路和弗洛伊德。

James Joyce's 'Ulysses' challenged the literary tradition s of his day.

詹姆斯。乔伊斯写的《尤利西斯》打破了他那一时代的文学传统。

James Joyce's 'Ulysses' challenged the literary traditions of his day.

詹姆斯·乔伊斯写的《尤利西斯》打破了他那壹时代的文学传统。

James Joyce uses the topos of the wandering jew in his ulysses.

詹姆斯·乔伊斯在他的《尤利西斯》中采用了流浪的犹太人这一传统主题。

U.S. federal judge John M. Woolsey rules that the James Joyce novel Ulysses is not obscene.

1933年,美国联邦大法官约翰 M·沃尔斯裁决詹姆斯·乔伊斯的小说《尤利西斯》并非淫秽猥亵品。

Not at all, argues Mr Kundera. Great novels—and his exemplary figures are Rabelais, Cervantes, Henry Fielding, Laurence Sterne, Flaubert, Tolstoy, Kafka and James Joyce, as well as two lesser known authors, Witold Gombrowicz, a Pole, and the Viennese-born Hermann Broch—help us to understand "the ineluctable defeat called life".

他申辩道,不管是作为典范的拉伯雷,塞万提斯,亨利·菲尔丁,劳伦斯·斯特恩,福楼拜,托尔斯泰,卡夫卡,詹姆斯·乔伊斯,还是不甚出名的波兰作家维托尔德·贡布洛维奇和越南出生的赫尔曼·布罗克,只要是伟大的小说都能帮助理解生活这个无法逃避的失败。

The beginning acoustic effect, which moves sluggishly, is to reminisce Joyce and Proust who initiated the composing technique of "stream of consciousness". Whilst the pile of sound piece, the unharmony tone and the application of "noisy music" in the ending part, are to show my pessimistic respect to Nuonuo, Pendereck, Schnittke, Pierre·Henry.

启始的凝滞的音响效果,是对开创了&意识流&写作技巧的乔伊斯、普鲁斯特等人背叛性的缅怀;后尾大段的音块、不谐和音程、&噪音音乐&的运用,又是对于诺诺、潘德列斯基、施尼特凯、皮埃尔·亨利悲观的致敬。

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