乐观的

Music gave her confidence, and her identity as a Taiwanese aborigine gave her the optimistic attitude she possesses.

音乐给予她信心，台湾原住民的身份给了她乐观。

I am optimistic and active, and I am confident that I can pass the test.

我是个乐观和积极的，我相信我能通过这次考试。

He contradictions Boza is optimistic about the idea of self-confidence of the commander-in-chief character, his life experience makes him the idea of continuous improvement, more personalized, more optimistic self-confidence of his character.

他的矛盾驳杂的思想是其乐观自信性格的总指挥，他的生平经历又使他的思想不断完善，更具个性化，更能体现他乐观自信的性格。

Many studies proved that there is correlation between humor and optimism and they both related closely to mental health but no researcher put humor and optimism together to find out the effect of them to mental health, so this paper focuses on finding out the relationship between mental health, humor styles and dispositional optimism.

众多的研究已证实，幽默与乐观存在着一定的相关，并且二者都与心理健康有着密切的关系考察以往的研究却未发现把幽默风格和乐观人格特质结合起来分析与心理健康关系的研究。

Conversely, the luminous images of the Sophoclean heroes--those Apollinian masks--are the necessary productions of a deep look into the horror of nature; luminous spots, as it were, designed to cure an eye hurt by the ghastly night.

只有在这一意义上，我们才能相信掌握了所谓&希腊的乐观&这庄严卓越的概念之真谛，但是在今日我们居然随处都会遇见一种错误的见解，说是这种乐观乃是安枕无忧的愉快心情的结果。

The author reviews the concept of traditional Chinese music, especially, the Ideals of the Confucian rites and music and the Taoistic thought emulates nature.

回顾了中国儒家礼乐合一的音乐观和道家道法自然的音乐观，以及西方音乐哲学产生、发展的历程和重要的思潮、流派。

Little fluctuation in respect of listed companies for the future is obviously not very optimistic about exports, but many professionals believe that the pharmaceutical industry belonging to a rigid demand for the market, will not be the same as the steel industry collapse of the decline, even if the decline in the rate will not be too great, most of them are cautiously optimistic.

在未来上市公司方面的一点波动，显然不是很乐观，出口，但许多专业人士认为，制药业属于一个市场的刚性需求，将不会作为下降钢铁业的崩溃一样，即使在利率的下降将不会太大，大多是谨慎的乐观。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

In offices, where blind optimism is more forgivable than even mild pessimism, staffers wait for the time when their head hopers won't know what hit them -- but it usually ends up being a promotion.

在办公室这样的环境下，即使是盲目的乐观也会比轻微的悲观更容易被接受，乐观主义者的同事等着看他们大祸临头的样子──但结果却常常是获得晋升。

The degree of market irrationality being perceived by the overoptimistic and overconfident manager increases as the degree of manager's irrationality increase, so they will deem that the stock price is over-evaluated rather than underestimated,then.would like to issue equity.

对于过分乐观与过分自信的管理者来说，其感知的市场非理性程度随着其乐观与自信的程度增加而增加，因此他会认为股票价格被高估而不是低估，因而倾向发行股票。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。