乐章

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

The third movement is one of Borodin's most brilliant gossamer scherzos, making effective use of harmonics and left-hand pizzicato, and the finale is rhythmically energetic.

第三乐章是鲍罗丁最华丽和轻柔的谐谑曲，充分的运用了和声学和左手的拨奏。终乐章在节奏上充满活力。

Desire to possess is the cardianl temptation in Tolkien's cosmology, and possessiveness the great transgression.

马尔寇的祸根在于想要拥有自己的大乐章而不是把自己的创造力奉献给埃汝的乐章。

The chorale fantasias are large-scale virtuosic sectional compositions that cover a whole strophe of the text and are somewhat similar to chorale concertos in their treatment of the text: each verse is developed separately, allowing for technically and emotionally contrasting sections within one composition.

幻想曲的乐章是大型演奏截面组成的覆盖了整个案文strophe和有些类似在其文本治疗乐章协奏曲：每个诗是分开发展，技术和情感上的对比，允许部分在一个组成。

Part one studies the sequence techniques, including the original sequence and its magic cube table, the sequence distribution in each movement and the sequence application techniques in different parts; Part two is a study of chord structure, consisting of fourth-fifth chords that are comprised of tritone, polychords, tall chords, note-cluster chords, as well as whole-tone scale chords; Part three is to analyze the techniques of polyphony, involving the counterpoint of melody and that of rhythm; Part four examines techniques of orchestration, such as those of conventional orchestration and of unconventional orchestration, and the figure of changing track of orchestration acoustics; Part five is a research of musical form structure, including illustrations of musical form structures in all movements, in addition to the effects of timbre, performing methods, dynamics, and density on musical form structural force.

本文将从五个方面来分析研究王西麟《第三交响曲》：第一，序列技术研究，其中包括原始序列及其魔方表、序列在各乐章的分布、多声织体中的序列应用手法；第二，和弦结构研究，其中包括三整音叠置的四五度和弦、复合和弦、高叠和弦、音块式和弦、全音音阶纵合化和弦；第三，复调技法研究，其中包括旋律对位、节奏对位；第四，配器手法研究，其中包括常规配器手法、非常规配器手法、配器音响效果变化轨迹图；第五，曲式结构研究，其中包括各乐章曲式结构图示，以及音色、演奏法、力度、织体密度对曲式结构力的影响。

Since these arpeggios are the most challenging parts of this movement, by outlining them, you can now practice the entire movement at any speed.

由于这些琶音是这个乐章的最具挑战性的部分，通过用轮廓法练习琶音，你现在有可能以任何速度来练习整个乐章。

His recording of the C-minor concerto, again with Leonard Bernstein, met with general approval, even if Gould "yields more to his own nature than he shoud in the Largo" and "meanders and rhapsodizes without thinking that this movement, too, is by Beethoven."

即使古尔德&在广板乐章里过多的发挥了他的个性&并且&随意的表现闲散和狂想的情绪而丝毫不顾忌这是贝多芬的乐章&，但是他和伯恩斯坦录制的C小调协奏曲仍然获得了广泛的认同。

In some souls, the discordant note becomes harsher and harsher and finally overwhelms or submerges the main melody.

在芸芸众生中这些循环往复的乐章几乎都一样，但是我们对乐章的谱曲却各不相同。

The up-leaping motif in the first bar, comes from the 8th bar of the first movement.

而第二乐章最主要的素材（即第一小节，所谓向上腾跃的那个动机）又脱胎于第一乐章的第八小节。

It was originally written for bandoneon, guitar and orchestra.

组曲由四个特性鲜明的乐章组成，每一乐章源于一种舞蹈风格，献给献给过去四位合唱大师。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。