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Only at the end of the movement, in a quiet coda, are these mosaic-like fragments seen to have been the building blocks of a single cantilena ; the psychological climax – the final synthesis of the entire melody – is thus shifted to the tranquil closing pages of the movement.

只有在乐章的末尾一个安静的结束句里,马赛克式的片段构成了单声部的坎蒂列那;情感上的高潮——整个旋律的汇总——然后转换到乐章安静的尾声。

Buxtehude's principal contributions to the organ chorale are his 30 short chorale preludes.

对器官的乐章特许的主要贡献是他的30短乐章的前奏。

Both the first and second movements demonstrate the composer's contrapuntal ingenuity in combining themes; the capstone of the second is an extended fugato comprising the central section of a three-part design.

第一和第二乐章显示出了作曲家在主题对比上对位的精巧性。第二乐章的顶点是一个包含了三部体裁的中部的扩展性赋格段。

Besides the motto-theme of each movement comes from the dactylic rhythm of the piano part in the lied "Der Wanderer", the theme used in the six- section thematic variation of the second movement also derives from the melody of the lied "Der Wanderer".

除了每个乐章的「引导主题」皆来自於歌曲《流浪者》钢琴声部长–短–短的节奏型态之外,其第二乐章六段式主题变奏所使用的主题也取材自歌曲《流浪者》旋律。

So much in this place do men live by pain that my friendship with you, in the way through which I am forced to remember it, appears to me always as a prelude consonant with those varying modes of anguish which each day I have to realise; nay more, to necessitate them even ; as though my life, whatever it had seemed to myself and to others, had all the while been a real Symphony of Sorrow, passing through its rhythmically-linked movements to its certain resolution, with that inevitableness that in Art characterises the treatment of every great theme.

这里的人们是如此的苦中度日,所以我同你的友谊,照我那样被迫去记住的样子,总显得像是一支序曲,与眼前变换着的痛苦一脉相承。这些痛苦每一天我都得体会领悟;不仅如此,甚至得靠它们度日;似乎我的生活,不管在我本人还是在别人眼里曾经是什么样子,从来就是一部真正的悲怆交响曲,一个乐章一个乐章有节奏地推向其必然的结局,一切是那样的必然,简直就是艺术上处理每个伟大主题的典型手法。

So much in this place do men live by pain that my friendship with you, in the way through which I am forced to remember it, appears to me always as a prelude consonant with those varying modes of anguish which each day I have to realise; nay more, to necessitate them even[18b]; as though my life, whatever it had seemed to myself and to others, had all the while been a real Symphony of Sorrow, passing through its rhythmically-linked movements to its certain resolution, with that inevitableness that in Art characterises the treatment of every great theme.

这里的人们是如此的苦中度日,所以我同你的友谊,照我那样被迫去记住的样子,总显得像是一支序曲,与眼前变换着的痛苦一脉相承。这些痛苦每一天我都得体会领悟;不仅如此,甚至得靠它们度日[18b];似乎我的生活,不管在我本人还是在别人眼里曾经是什么样子,从来就是一部真正的悲怆交响曲,一个乐章一个乐章有节奏地推向其必然的结局,一切是那样的必然,简直就是艺术上处理每个伟大主题的典型手法。

Of the symphony was played just a shade too fast and not quite insubstantially enough to convey the full, hollow horror of its implications.

交响乐的最后一个乐章演奏阴暗面时太快了,没有充分表现出乐章暗含的无尽的空虚和恐怖。

Sonata A composition for one to four instruments, one of which is usually a keyboard instrument, usually consisting of three or four independent movements varying in key, mood, and tempo.

奏鸣曲:由一种到四种乐器演奏的乐曲,其中一种通常为键盘乐器,通常由三个或四个独立的乐章构成,这些乐章在调、调式及速度上各不相同

Sonata:A composition for one to four instruments, one of which is usually a keyboard instrument, usually consisting of three or four independent movements varying in key, mood, and tempo.

奏鸣曲:奏鸣曲由一种到四种乐器演奏的乐曲,其中一种通常为键盘乐器,通常由三个或四个独立的乐章构成,这些乐章在调、调式及速度上各不相同。

It is an unbalanced work, the opening Largo much longer than the remaining two movements, which can seem as mere appendages.

这样的结构可能使人想起古典的四个乐章的交响曲中的第二,第三和第四乐章的排列。

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