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When out first record came out, we opened for Incubus on an arena tour. It was a two-band bill and something we'll never forget. Something about what 30 seconds to Mars have to offer seemed to work well in that environment, as well as in the very small places that we were playing. I grew up enamored and inspired by many of the arena bands of the 70s and '80s – everything from Pink Floyd to Iron Maiden. It's exciting to start thinking about presenting ourselves in this way. It allows for a bit more spectacle.

当我们发行第一张专辑的时候,我们替Incubus在一个巡回演唱中做开场乐团,只有两个乐团演出,而有些事情是我们永远也不会忘记的,有些30STM表演的东西在那样的环境下同样可以做的很好,跟我们在一些场地比较小的地方所做的表演一样的好,我是在一些70和80年代的巡演乐团像是— Pink Floyd、Iron Maiden等乐团的薰陶和启发下长大的,开始考虑用这样的方式来呈现我们的乐团是很让人兴奋的一件事,这可以让表演更壮观一些。

He has appeared as a soloist with many orchestras, like Filarmonica della Scala, Philarmonie der Nationen, Bochumer Symphoniker, Oriol Ensemble, Mozarteum Orchester, Orchestra di Padova e del Veneto, Kammerakademie-Potsdam, Filarmonica di Torino, Orchestra Regionale del Lazio, Nuova Orchestra Scarlatti di Napoli, performing with famous conductors, like Justus Frantz, George Pehlivanian, Daniel Russel Davies.

他曾在与许多乐团的合作中担任独奏,其中包括波鸿交响乐团、奥里奥尔乐团、莫扎特乐团、都灵爱乐乐团、拉齐奥地区乐团、新拿不勒斯史卡拉第乐团,他也曾和贾斯特斯·弗朗茨、乔治·彼里凡年、丹尼尔·戴维斯多等著名指挥家合作演出。

As a soloist Pepe Romero has appeared in the United States, Europe, and many countries around the world with the Philadelphia, Cleveland, Chicago, Houston, Pittsburgh, Boston, San Francisco and Dallas Symphony Orchestras, as well as with the Orpheus Chamber Orchestra, the New York and Los Angeles Philharmonic Orchestras, the Boston Pops Orchestra, the Hong Kong Sinfonietta and the London Symphony Orchestra, the Academy of St. Martin-in-the-Fields, the Monte Carlo Philharmonic Orchestra, I Musici, the Zurich Chamber Orchestra, Philharmonia Hungarica, the Hungarian State Orchestra, the Spanish National Orchestra, the Spanish National Radio/Television Orchestra, L'Orchestre de la Suisse Romande, The New Moscow Chamber Orchestra, the Lausanne Chamber Orchestra, the American Sinfonietta and the Bournemouth Symphony.

作为独奏佩佩出现了美国,欧洲,和周围的费城,克利夫兰,芝加哥,休斯敦,匹兹堡,波士顿,旧金山和达拉斯交响乐团,以及与奥菲斯室内乐团世界上许多国家,在纽约和洛杉矶爱乐乐团,波士顿流行乐团,香港小交响乐团和伦敦交响乐团,圣马田点上,领域,蒙特卡洛爱乐乐团,三大奖得主,苏黎世室内乐团,爱乐乐团Hungarica,匈牙利国家交响乐团,西班牙国家管弦乐团,西班牙国家广播电台/电视乐团,欧莱雅管弦乐瑞士罗曼,新莫斯科室内乐团,洛桑室内乐团,美国交响乐团和伯恩茅斯交响乐团

In September 1981, he was invited by Center of U.S. China Arts Exchange to the United States, where he studied with Prof. Otto Muller of Yale University. In 1982, he successfully conducted at Aspen Festival in the United States. Commissioned by French Music Sound Records Corporation, he made the recording of Beethoven's Symphony No. 1 and No 4. From September 1983 to January 1985, he was involved in the production of the Song Cycle of Chinese Revolutions. Since 1985, he has toured Russia, Japan, Italy, the United States, Britain, Switzerland, South Korea, Democratic People's Republic of Korea, Thailand, Singapore, Australia and Germany, as well as such places as Hong Kong, Macao and Taiwan. In January 1998 and February 1999, Chen Xieyang visited Austria, Germany, and Denmark with Central Nationalities Orchestra of China. He gave concerts on the New Year's Eve of the lunar calendar in the Golden Hall in Vienna, Berlin Philharmonic Hall and so on. In August 2000, with the Central Nationalities Orchestra of China Chen Xieyang participated in the project 'Chinese Culture Touring in the United States', during which they presented concerts in Lincoln Center.

1981年9月,陈燮阳应邀赴美国考察,师从耶鲁大学奥托·缪勒教授进修指挥课并指挥多个美国乐团演出。1982年他在美国阿思本音乐节指挥音乐节乐团获得成功。1983年8月,他应法国"音乐之声"唱片公司之约,指挥中央乐团录制了贝多芬的第一、第四交响曲。1983年9月至1985年1月,陈燮阳参加大型音乐舞蹈史诗《中国革命之歌》的指挥工作。1985年以来,陈燮阳先后赴前苏联、日本、意大利、美国、英国、瑞士、韩国、朝鲜、泰国、新加坡、澳大利亚、德国等国家和港、澳、台地区举办音乐会,均受到欢迎和赞誉。1998年1月和1999年2年,陈燮阳率中央民族乐团赴奥地利、德国、丹麦等地,在世界著名的维也纳金色大厅和柏林爱乐大厅以及其他城市音乐厅举办中国新年音乐会。2000年8月,他又率中央民族乐团赴美国参加"中华文化美国行"的巡回演出,其中包括在纽约著名的林肯艺术中心举办音乐会。

She has performed with, among many others, Takács Quartet, WDR Symphony Orchestra, the City of Birmingham Symphony, Camerata Salzburg, Warsaw Philharmonic, Israel Philharmonic, Strasbourg Philharmonic, China Philharmonic, China National Symphony Orchestra Shanghai Symphony Orchestra, Polish National Radio Symphony Orchestra, Fort Worth Symphony Orchestra, Bern Symphony Orchestra, Latvian National Symphony Orchestra, Hong Kong Philharmonic Orchestra, and Singapore Symphony Orchestra.

她与以下乐团有过合作,包括科隆西德广播交响乐团、伯明翰城市交响乐团、萨尔兹堡室内乐团、华沙爱乐乐团、以色列爱乐乐团、斯特拉斯堡爱乐乐团、中国爱乐乐团、中国交响乐团、上海交响乐团、波兰国家广播交响乐团、沃斯堡交响乐团、伯尔尼交响乐团、拉脱维亚国立交响乐团、葡萄牙古本江管弦乐团、香港管弦乐团、新加坡交响乐团等。

He has performed in Europe, North America, Asia, Africa, Australia and New Zealand and has appeared with such orchestras as the Royal Philharmonic, Czech Philharmonic, Vienna Symphony, I'Orchestre National de France, the Scottish and Stuttgart Chamber Orchestras, the Israel Camerata, the NHK, Yomiuri, Kyushu, Kyoto and Sapporo Symphonies in Japan, the KBS Symphony in Seoul, the Singapore Symphony, the New Zealand Symphony, and the orchestras of Cleveland, San Francisco, Dallas, Detroit, Indianapolis, Seattle, Toronto, Montreal, Tampa and Washington DC in North America.

约翰-奥柯诺曾在欧洲,北美洲,亚洲,非洲,大洋洲举办过演出,先后与英国皇家爱乐乐团,捷克爱乐乐团,维也纳交响乐团,法国国家交响乐团,以色列,苏格兰及斯图加特室内乐团等闻名世界的乐团同台演出,而且还与日本,韩国,新加坡,新西兰,美国,爱尔兰的众多知名乐团有过良好的合作。

She has performed with, among many others, Takács Quartet, WDR Symphony Orchestra, the City of Birmingham Symphony, Camerata Salzburg, Warsaw Philharmonic, Israel Philharmonic, Strasbourg Philharmonic, China Philharmonic, China National Symphony Orchestra Shanghai Symphony Orchestra, Polish National Radio Symphony Orchestra, Fort Worth Symphony Orchestra, Bern Symphony Orchestra, Latvian National Symphony Orchestra, Hong Kong Philharmonic Orchestra, and Singapore Symphony Orchestra.

福斯特、汤沐海、余隆、扬?科兰兹、霍华德?格里菲斯等。她与以下乐团有过合作,包括科隆西德广播交响乐团、伯明翰城市交响乐团、萨尔兹堡室内乐团、华沙爱乐乐团、以色列爱乐乐团、斯特拉斯堡爱乐乐团、中国爱乐乐团、中国交响乐团、上海交响乐团、波兰国家广播交响乐团、沃斯堡交响乐团、伯尔尼交响乐团、拉脱维亚国立交响乐团、葡萄牙古本江管弦乐团、香港管弦乐团、新加坡交响乐团等。

She has performed with, among many others, Tak cs Quartet, WDR Symphony Orchestra, the City of Birmingham Symphony, Camerata Salzburg, Warsaw Philharmonic, Israel Philharmonic, Strasbourg Philharmonic, China Philharmonic, China National Symphony Orchestra Shanghai Symphony Orchestra, Polish National Radio Symphony Orchestra, Fort Worth Symphony Orchestra, Bern Symphony Orchestra, Latvian National Symphony Orchestra, Hong Kong Philharmonic Orchestra, and Singapore Symphony Orchestra.

福斯特、汤沐海、余隆、扬?科兰兹、霍华德?格妫幓紫央C她与以下乐团有过合作,包括科隆西德广播交响乐团、伯明翰城市交响乐团、萨尔兹堡室内乐团、华沙爱乐乐团、以色列爱乐乐团、斯特拉斯堡爱乐乐团、中国爱乐乐团、中国交响乐团、上海交响乐团、波兰国家广播交响乐团、沃斯堡交响乐团、伯尔尼交响乐团、拉脱维亚国立交响乐团、葡萄牙古本江管弦乐团、香港管弦乐团、新加坡交响乐团等。

Li Jian's solo engagements have included appearances with the Atlanta Symphony, the Berlin Radio Symphony, the BBC Concert Orchestra, the Orchestre de Nice, the Hong Kong Philharmonic, the Singapore Symphony, the New Japan Philharmonic, the National Philharmonic of China, the Shanghai Symphony and the St. Petersburg Philharmonic of Russia.

李坚与乐团的合同包括亚特兰大交响乐团、柏林广播交响乐团、BBC音乐会管弦乐团、尼斯管弦乐团、香港爱乐乐团、新加坡交响乐团、新日本爱乐乐团、中国中央乐团、上海交响乐团以及俄罗斯圣彼得堡爱乐乐团

Petersburg Philharmonic, the MDR-Symphony-Orchestra, the Vienna Symphony, the Radio Symphony Orchestra Vienna, the Bruckner-Orchestra Linz, the Mozarteum-Orchestra Salzburg, the BBC-Orchestra London, the National Symphony Orchestra of Ireland, the New Zealand Symphony Orchestra, the China Philharmonic Orchestra, the State Philharmonic Rhineland-Palatinate, the Radio Symphony Orchestra and the State Orchestra of Saarbr焎ken, or the Dresden Philharmonic Orchestra.

威尔德纳指挥过诸多世界主要乐团,包括伦敦皇家爱乐乐团、圣彼得堡爱乐乐团、中德广播交响乐团、维也纳交响乐团、维也纳广播交响乐团、林茨布鲁克纳交响乐团、萨尔茨堡莫扎特学院乐团、伦敦BBC交响乐团、爱尔兰国家交响乐团、新西兰交响乐团、中国爱乐乐团、莱茵兰德-帕拉蒂内特国家爱乐乐团、萨尔布吕肯广播交响乐团和州立乐团以及德累斯顿爱乐乐团等。

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On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面,更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值,分为几个相等的区间作为横轴,并将各区间内所测定值依所出现的次数累积而成的面积,用柱子排起来的图形,也叫做柱状图。

You rap, you know we are not so good at rapping, huh?

你唱吧,你也知道我们并不那么擅长说唱,对吧?