之流

On the other hand, with low process temperature and high Ar flow, the structure is amorphous due to significant energetic particle impingement and less diffusion energy by substrate heating. Phase transformation through process heating and post heat treatment were also discussed.

特别的是，利用高温镀膜制程(550~600aC)及低Ar气体流率(10~15 s.c.c.m)之制程控制，可使结构形成结晶状态，相反地，若使用低温镀膜制程(500~550aC)及高Ar气体流率(15~20 s.c.c.m)之参数控制，则使结构偏向非晶质化。

Part one applies the FLO-2D Model, inputting actual rainfall data gathered during Typhoon Mindulle to model debris flow in Song-He District, compares the model results with data gathered by aerial photograph lineament analysis, and generally finds a good match.

本研究主要分为两部份，第一部份利用FLO-2D 二维数值模式，进行敏督莉台风实际降雨量於松鹤部落之土石流境况模拟，并藉由土石流灾后航照图，进行模拟结果及数据比对之判势，结果大致符合。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

In order to provide an overall understanding on the basic theory and previous researches of wood chemical rheology, the author discusses some respects on the basis of the common knowledge of deformation and flow, which served as the foundation of wood chemical rheology. These respects include the results by Stein and Tobolsky, such as the correlation between the change of polymolecular structure and stress relaxation, the classification of physical rheology and chemical rheology, the difference between the research on wood chemical rheology and other methods, as well as a kind of non\|continuous method to measure stress relaxation proposed by Tobolsky \%et al.

为了使国内木材科学界对木材的化学流变学的基础理论及其研究概况有一个比较全面的了解，作者在归纳了作为建立木材的化学流变学基础的、关于变形和流动一般理论的基础上，就Stein 和Tobolsky基于高分子构造变化与应力松弛之间的对应关系，关于物理流变学和化学流变学的分类，化学流变学研究与其他方法的不同之处，Tobolsky等关于不连续应力松弛测定方法等内容做了比较详细系统的介绍。

The cell retention and repopulation on these materials were observed in vitro.

在流变仪施予体外流场之后，可观察细胞在基材上之残存率与其后再长回之情形。

And the PLA/Chitosan/ACP barriers with additional 2 wt% chitosan still maintain 56.58 % antibacterial ability after eightieth day. The different composition of PLA/Chitosan/ACP composites was prepared by water washing solidification from NMP/water/lactic acid consolvent. After storing at room temperature for 48 hours and taking it out to obtain a shapable composites. To investigate the influence of ratio of composition with the shapable property of composites, it was analyzed by Rheometer, TGA, AFM, XRD. The result of the different APC content had different effect both water content and yield stress of composite materials. The yield stress decreased with ACP content while increases. It was derived that ions, released from ACP interact with amide groups of chitosan to form water-absorbing ionic clusters through chelating or electrostatic attraction.

另外，以聚乳酸/几丁聚醣作为基材并添加不同比例的非晶型磷酸钙，经过水洗固化后可得白色片状沉淀物，於室温下静置48小时后，复合材之体积呈现膨胀且具有可塑形之特性，以热重分析仪与流变仪分析样品之含水率与屈伏应力，结果显示不同ACP含量对复合材含水率与屈伏应力具有消长变化，而PLA/Chitosan/ACP之可塑程度与其所吸收之水份多寡有关，推测可能机制为ACP磷酸钙盐解离后之金属离子与几丁聚醣之胺基透过螯合作用或静电吸引之交互作用，形成具吸水性之离子团簇分散於疏水性之聚乳酸基材中。

After the function of cutting lashing and scraping produced by the strong force and then becoming granule and being scatted a part of the disposed liquid will spurt out from the spurting mouth at the upper of the container .

部分由具有高转速的独特的轮机与具有放射状折流板之作用的定子的被处理液就任由高速回转中的轮械与定子之间所产生的强力的剪断，冲击，刮流等过程，而被细粒化及分散，而由上方之喷出口往上喷出。

After the functin of cutting lashing and scraping produced by the strong force and then becoming granule and being scatted a part of the disposed liquid will spurt out from the spurting mouth at the upper of the container .

部分由具有高转速的独特的轮机与具有放射状折流板之作用的定子的被处理液就任由高速回转中的轮械与定子之间所产生的强力的剪断，冲击，刮流等过程，而被细粒化及分散，而由上方之喷出口往上喷出。

Allthe models satisfy the precision and strength requirements.6 CFD is employed to simulate the application of tube with static mixer in anindustrial furnace, in which a tube model library containing the geometricalmodel and physical model in common use is build.7 Disturbed flow in tube with static mixer is demonstrated in an experimentsystem designed and manufactured by the author. Fluid field is measured byuse of seven-hole probe method. An experimental system are designed and builtfor this purpose.

建立了一个由模型的几何、物理参数组定义的常用模型的模型库，提高计算效率，缩短放大研究周期。6、提出了基于速度的流场扰流效果的评价方法，将之应用于流场设计和扰流元件结构优化的评价中，获得了量化的评价结果。7、设计、制造流动显示实验系统，验证静态混合式炉管对流体的扰动效果：采用七孔探针流体力学实验方法，在流体力学实验测量系统中，对静态混合式炉管模拟流场的三维速度分布和流体、压力降等进行测量。

Qualitative results are obtained by using this method in fluid fielddesign and structure optimization of disturbing elements.5 Experimental models are made efficiently and accurately by RPM method. Allthe models satisfy the precision and strength requirements.6 CFD is employed to simulate the application of tube with static mixer in anindustrial furnace, in which a tube model library containing the geometricalmodel and physical model in common use is build.7 Disturbed flow in tube with static mixer is demonstrated in an experimentsystem designed and manufactured by the author. Fluid field is measured byuse of seven-hole probe method. An experimental system are designed and builtfor this purpose.

建立了一个由模型的几何、物理参数组定义的常用模型的模型库，提高计算效率，缩短放大研究周期。6、提出了基于速度的流场扰流效果的评价方法，将之应用于流场设计和扰流元件结构优化的评价中，获得了量化的评价结果。7、设计、制造流动显示实验系统，验证静态混合式炉管对流体的扰动效果：采用七孔探针流体力学实验方法，在流体力学实验测量系统中，对静态混合式炉管模拟流场的三维速度分布和流体、压力降等进行测量。

I can not make it blossom and suits me

我不能让树为我开花

When temperatures are above approximately 80 °C discolouration of the raceways or rolling elements is a frequent feature.

当温度高于 80 °C 左右时，滚道或滚动元件褪色是很常见的特征。