主观地

If, then, the determining ground of the judgement as to this universal communicability of the representation is to be merely subjective, that is to say, to be conceived independently of any concept of the object, it can be nothing else than the mental state that presents itself in the mutual relation of the powers of representation so far as they refer a given representation to cognition in general.

只要关于表象的普遍可传达性的判断的规定基础是主观的，也就是说不涉及来自表象的概念，那么除了心意状态，它不可能是别的，这一心意状态是在想象力的相互关系中呈现的，想象力一般性地把既有的表象和知性相关联。

Therefore, the construction unit would like to remain invincible in the tender, the successful bidder would want to not only profit, it is necessary to consider the subjective and objective factors to study the bidding strategy and skill, the more competitive of the tender offer.

所以，施工单位想在投标中立于不败之地，既想中标又想盈利，就要考虑各种主观和客观因素，研究投标策略和技巧，提出更有竞争力的投标报价。

Copulative" had the saying of "Get image from viewing objects ","Set the image to express the concept,""Image here is an image ,is a symbol.

意象"简单地说，就是寓"意"之"象，就是用来寄托主观情思的客观物象。

You believe that you are being quite fair-minded, but your subjectivity is warping reality out of shape.

你认为自己特别地公正，可是你主观已经在歪曲事实了。

These words elucidation very fascinatingly a philosophy truth:Only subjective with objective mutually unify, then can success.

这段话很精彩地说明一个哲学道理：只有主观和客观相统一，才能成功。

Quot;These words elucidation very fascinatingly a philosophy truth:Only subjective with objective mutually unify, then can success.

quot；这段话很精彩地说明一个哲学道理：只有主观和客观相统一，才能成功。

In You Jin's work, Chaotic Code include the following meanings: first, color, light and lines are the main language characteristics, and the precise, ordered and mechanical depicting techniques stand out the random order and weaken traditional pictorial expression; second, in objective representation of images, garbled symbols emphasize a certain unreal sense of subjective construction with the representation of transient images; third, the atmosphere of the picture represents sublimation and ballyhack, bustling, calm and gloomy, which emphasizes the stimulation of visual sense; fourth, the subject of chaotic code indicates floweriness, change, and grotesque idea, implying that the hidden trouble of danger, horror, unsteadiness and peril potentially exists in the rapid developments of current society and the advancement of technical information.

看由金的作品，"乱码"包含了以下意义：一，在语言特征上，以色彩、光、线为主，以严谨、有序、机械的刻画手法，呈现乱中有序的特点，削弱了传统绘画性表现；二，在表现物象上，以虚幻的影像呈现，强调一种主观营造的非现实感觉；三，画面氛围，呈现着绚丽繁华、冷静沉郁、升华毁灭的氛围，强调视觉感官的刺激；四，表达主题，营造一种绚丽繁华、瞬息万变、光怪陆离的表象，暗示当代社会的快速发展及科技资讯的发达，潜在地存在着危险、恐怖、不稳定、不安全等的隐患。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

The language course is in the teaching process, should according to the student's actual circumstance, take classroom teaching as means, create sex geography solution and use teaching material, use flexibly various teaching strategies, guide a student in the word, phrase, sentence surmise, foster consciousness and habit of independent study in the mastication of text, article, chapter, stir up the interest that the student studies thus with subjective can move sex, attain the real exaltation of its language level.

语文课程在教学过程中，应根据学生的实际情况，以课堂教学为手段，创造性地理解和使用教材，灵活运用多种教学策略，引导学生在字、词、句的揣摩中，文、篇、章的咀嚼中，培养自主学习的意识和习惯，从而激发学生学习的兴趣和主观能动性，达到其语文水平的真正提高。

We are not listening when we relativize the Faith, heedlessly molding those doctrines of Christ, which are inseparable from Truth, to fit our own subjective desires.

当我们以相对主义的眼光来看信德，不经意地重塑基督教义来契合我们主观愿望的时候，我们没有聆听。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。