主要作品

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来透视凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

Dita Amory, the show's chief curator, explains that these, and indeed all the pictures painted before 1923, were deliberately omitted.

展览的主要负责人已表明有意不选1923年前的所有作品，但是她也觉得把画家55岁后的作品定义为旧印象派是强词夺理。

Thirdly, there is a detailed review of the new ideas and styles in post-modernist landscape architecture, including new understanding on the relationship between function and form, the combination of classical and modern, the pursuance of the allusionism and meanings, the recognition of genius loci and contextualism.

而后现代园林多元化的设计风格主要从设计形式和设计内涵两个方面来分析，多元化的设计形式主要包括布局与构图、造型形式、材料和技术、色彩关系等四个层面，而多元化的设计内涵主要包括对传统的借鉴与对现代艺术的借鉴的两个层面，对设计作品进行多角度、多层次的分析和阐述。

The dissertation essentially probes into two kinds of behaviors of the main characters based on the thoughts of "Swordman" by Jin Yong. It starts with the main characteristics of Jin Yong's works, and then explores the dark side of the true human nature by analyzing respectively both the behaviors, fight for power and retreat from dominance, the two important themes represented in "Swordman."

本论文主要在从金庸《笑傲江湖》中的思想意涵，探讨其主要人物的两种行为模式，论文先分析金庸作品的主要特色，再根据《笑傲江湖》中两个最重要的主题──权力斗争与归隐山林两者来分别探讨，藉此两种行为模式，发掘真实人性的阴暗面。

Unless the national legislation provides to the contrary, the provisions of paragraph (2) above shall not be applicable to authors of scenarios, dialogues and musical works created for the making of the cinematographic work, or to the principal director thereof.

除非本国法律另有规定，本条第二款b项之规定不适用于为电影作品创作的剧本、台词和音乐作品的作者，也不适用于电影作品的主要导演。

Chapter 2 mainly discusses the commonness of the group, and studies the necessities of their creation commonness and how the assigned sculptures became the main way of the commonness emerging. Chapter 3 is mainly about the creation individuality of the group, and explores the characteristics and the development of their individuality. Chapter 4, from the angle of feminie study, discusses the feminie quality and femenie spirit in the works of the eight sculptresses. Finally, the writer tries to sum up the significance and value of the group study.

论文的第一章介绍了女雕塑家群体的概况，分析了群体形成的原因，并概括了群体的总体特征；第二章主要研究女雕塑家群体的艺术创作共性，分析了影响她们艺术创作共性的必然因素，由此探讨了任务性雕塑如何成为她们艺术创作共性显现的主要途径；第三章主要分析女雕塑家群体的艺术创作个性，探讨了她们艺术创作个性的特征和创作个性发展的多方面途径；第四章是从女性的角度来考察，讨论了她们艺术作品中的女性品质和女性精神；最后，本文总结了女雕塑家群体研究的意义和价值。

For a long time, the materials of foreign music works chosen in normal university Solfege teaching are mainly the traditional works based on tonal system, namely, the works in Baroque era, Classical era and early and middle Romantic works.

长期以来，高师视唱教学所选用的国外音乐作品的素材以建立在调性体系基础上的传统音乐作品为主，主要是巴洛克时期、古典主义时期及浪漫主义中早期的音乐作品。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来****凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

Emphasizing Chinese piano opuses' importance from the view of difference between western and Chinese cultures.

第三章：加强中国钢琴作品的学习本章主要内容是中国钢琴作品有其自身的独特性，并从中西文化差异的观点出发，强调中国钢琴作品的重要性。

Mr. Wang Chang has participated in national exhibitions and award-winning, major achievements include: 1999,"the snow-covered gold wind map" was the second capital of the Arts Award for outstanding works Fair,"olgensis First Snow" by the Hong Kong Heritage Museum collection,"Beyond the Great Snow Ji" and three works appeared in the "Contemporary Painting" book,"Snow Hokkoku Ji" by Mr. Ma Ji master comic collection; in 2000,"the North snow bath" is of Jiangsu Wu arts collection,"village day" selected works focus on the Chinese Artists,"Guardian of the North" building seventy-fifth anniversary of the National Excellence Award Exhibition; in 2002,"no place to look for Changbai Waterfall" National Landscape Exhibition selected; in 2004 "the dream of Everest," paintings by the Jilin Province Art Research Association Gold Award; in 2005 "the dream of Everest," the fourth school to participate in snow and ice show; in 2006,"Rural Snow" Exhibition of Fine Arts to participate in the State of Belarus; in 2007,"snow" is the Chinese Cultural Institute collection.

王昌先生多次参加全国性大展并获奖，主要成就有：1999年《雪域金风图》获第二届首都艺博会优秀作品奖，《长白初雪》被香港文化艺术馆收藏，《塞外雪霁》等三幅作品入选《当代绘画艺术》画集，《北国雪霁》被相声大师马季先生收藏；2000年《北国浴雪》被江苏吴门艺术机构收藏，《山村正月》入选中国美术家作品集中，《北国卫士》获全国建军七十五周年艺术大展优秀奖；2002年《长白瀑布无处寻》入选全国山水画大展； 2004年《珠峰之梦》获吉林省书画艺术研究会金奖；2005年《珠峰之梦》参加冰雪画派第四届展；2006年《乡雪》参加白俄罗斯国家美术大展；2007年《融雪》被中华文化学院收藏。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。