主要作品

Wolfgang Amadeus Mozart (1756~1791) is a well-known exponent of a golden era of the Classicalism, and his piano work is recognized as the most difficult performance in all of the composers. The main problem is to grasp the style correctly.

内容提要：莫扎特是古典主义全盛时期的代表人物，他的钢琴作品被公认是几乎所有作曲家的作品之中最难弹的，而这主要体现在对其作品风格的正确把握上。

Although the basic material of archives collection and research arepublic information, the composition of such collection and research are theintellectual product of relevant researchers. The re-organization of archiveinformation which includes independent thoughts, ideas and editing making therelevant product creative and duplicable, thus it is protected by the Copyright Law. 8. The copyright protection of the archive composition in Internet, includingthe digital archive composition in Internet, disseminating right convinced in Internetand download archives composition. 9. The infringement of copyright and relevant liabilities in the archive useactivities.

档案馆室的编研工作是档案部门提供档案为社会服务的高级形式，档案编研工作的内容、编研目的、档案编研成果价值的实现形式等因素，决定了档案编研素材虽取自公共档案信息，但编研作品融入了档案编研人员的智力性劳动，正是对档案信息的重新整合而表现出的独立构思、独到的见解、独特的编排体例，使得档案编研成果具备了作为受《著作权法》保护的作品的最为主要的特点——独创性和可复制性，因而完全符合《著作权法》所保护的作品的条件。

The first part includes two chapters, discussing the engenderment and formation of the conception of Ligeti's structural thinking from a macro perspective, emphasizing the influences from history, culture and the whole musical context in the 20th century. The second part includes four chapters, discussing the techniques used in Ligeti's works from a micro perspective. The third, fourth and fifth chapters emphasize "structural processes", while the sixth chapter analyzes "structural shape".

上篇包括两章，主要对利盖蒂的结构思维观念从产生到形成进行宏观论述，着重探讨了20世纪的历史、文化、音乐创作大背景对利盖蒂结构思维发展的影响：下篇包括四章，主要对利盖蒂的结构思维表现手法进行微观分析，第三、四、五章从"技法形态"对其作品进行分析，第六章从"布局形态"对其作品进行分析，这一部分比第一部分偏重，也是本文的重点。

This kind of research is for the form factor and skills of the text instead of the whole works.

新批评主张对单个独立自足的作品进行研究，这种研究并非是针对整个作品的研究，而主要是针对作品中的形式因素与技巧方面。

The representative works of the erotic fictions of the Ming and Qing Dynasties mainly include "sensible" works like A Dream of Red Mansion and "erotic" or "free-minded" works like The Plum in the Golden Vase.

明清性爱小说代表作品主要是以《红楼梦》为主的"至情"类作品和以《金瓶梅》为代表的"艳情"或"任性"类作品。

The features of the "Red Fillet On Earth" is summarized to six unites of the opposites as follows:(1) the unity of the historic authenticity based on the documents and the art authenticity based on the unique painting skills;(2) the unity of the continuity of the development of the works as a whole and the independent appreciation of each single work;(3) the unity of the construction of the stories in the paintings and the clue of it;(4) the unity of the content of the stories and the style of the paintings;(5) the unity of the positiveness of the people depicted in the work and the negativeness of the environment in it;(6) the unity of the modesty of aesthetic pursuing and the enrichment of the painting.

笔者将该作品概括为6大特点：(1)基于文献的历史真实性与基于独特绘画技巧的艺术真实性之间的辩证统一；(2)宏观的整体线索上的连续性与微观的单幅作品的独立欣赏性之间的辩证统一；(3)复杂的外在叙事结构与有机的内在情节联系之间的辩证统一；(4)全面庞杂的故事内容与多样统一的绘画形式之间的辩证统一；(5)坚毅乐观的人物形象与严峻恶劣的环境态势之间的辩证统一：(6)质朴无华的美学追求与繁复丰茂的绘画本体之间的辩证统一。该作品的教育价值主要在于：不仅是一种难能可贵的绘画鉴赏的视觉教材，更是一个对青少年进行革命历史传统教育的经典视觉范本。

The writer takes Rubato as the targeted object, mainly applying the following theories, including musical analysis, musical performing, musical historiography, musical aesthetics, phonetics and something like to carry out researches and give an in-depth analysis from such three fronts as melody, rhythm, phonetic features in vocal music. In doing so, the writer concludes Rubato, as a flexible elements in the rhythm-organizing structure, is mainly used to bring out the balanced proportion of the musical works and finally to keep the balance of the mu...更多sical development, through filling up the missing parts of rhythm-organizing structures, on the basis of the logical dividing of the time on the musical part.

本文将以自由节奏Rubato为研究对象，主要运用音乐分析学、音乐表演理论、音乐史学、音乐美学、语音学等相关知识展开研究，从旋律、节奏、声乐语音几个方面进行全面而深入的剖析，从中认识到自由节奏作为节奏组织结构中的自由体，它的主要目的是：以音乐作品时间段的逻辑划分为基础，通过对节奏组织结构缺失部分的填补、塑造出音乐作品的匀称比例，从而达到音乐发展的平衡。

Therefore, depecage shall be adopted. The following rules are suggested: 1the existence, scope, duration and transferability of copyright and the unlawfulness in copyright infringement shall be governed by the law of the place where the works are effectively used. 2 Initial ownership of copyright works shall be governed by lex originis except works for fire, which should be governed by the laws that govern the employment contracts. 3 Contractual aspects of transfer of copyright through exploitation licenses or assignment should be governed by the laws chosen by the parties; in absence of choice, they shall be governed by the law of the country with which the contract is most closely connected (based on characteristic performance). 4 The legal consequences of the infringement shall be governed by the law expressly chosen by the parties; in absence of choice, it shall be governed by the law of common place of residence or main place of business; in absence of above common place, it shall be governed by the law of the country most closely connected.

因此，在具体的版权纠纷中，应当根据案件的性质做出具体的识别，相对应的，版权冲突规范也应当采用分割制的方法，现总结并建议采用下面的规范，即：1版权的客体、权利范围、保护期、可转让性和版权侵权行为构成依版权有效使用地法；2版权的初始归属依作品来源国法；但是雇佣作品的初始版权归属依调整雇佣合同的准据法；3版权的转让和许可合同适用依当事人选择的法，如果当事人没有选择，根据特征履行适用与当事人和合同有最密切联系的法；4版权的侵权责任问题应当依有关当事方明示选择的法律；如果当事人未做出选择，应当依据当事人共同的住所或者主要营业地法；如果没有当事人共同的住所或者主要营业地，应当依与当事人有最密切联系的法。

Performances of complete piano cycles feature prominently in his concert programming: Schubert's solo piano music, Beethoven and Mozart Sonatas, Bach's Well-Tempered Clavier, Grieg and above all, the complete works of Brahms, a composer with whom Oppitz has a special affinity.

他的音乐会曲目主要以完整的钢琴套曲为特色，其中包括舒伯特的全部独奏钢琴作品、贝多芬和莫扎特的独奏钢琴作品、巴赫的平均律钢琴曲、格里格的钢琴曲以及他特别喜欢的作曲家勃拉姆斯的全部钢琴作品。

Mao Zedong asks a person to revise his poetic term, basically be stem from these pair of work artistic quality hold, the discriminative; of style of and rather than revises work for other basically is the status that considers to beg the person that change.

毛泽东请人修改自己的诗词，主要是出于对这些作品艺术性的把握，而非文体的区别；为他人修改作品则主要是考虑求改者的身份。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。