主要作品

Williams and Kubel poster art and has work selected international poster exhibitions such as Chaumont Poster Biennale, The Poster Museum at Wilanów, Homage á Henryk Tomaszewski, 20th International Poster Biennale in Warsaw, 1st + 2nd Korean International Poster Biennale, 26 Letters, ISTD, British Library, London Design Week, 6th International Poster Triennial in Toyama. In 2005 williams and Kubel were awarded the Overall Award from International Society of Typographic Designers for a series of typographic posters and recently they won a Graphis Platinum and a Gold Award from Graphis Poster in USA.

A2/SW/HK 主要从事印刷品、视觉识别、海报、字体设计和立体设计，对海报设计也很感兴趣，其作品多次入选各种国际海报展，如肖蒙海报双年展、维拉努夫海报博物馆、纪念亨利·托马耶夫斯基展、第20届华沙国际海报双年展、第一、二届韩国国际海报双年展、英国26字母计划、大英图书馆，伦敦设计周，第6届日本富山国际海报三年展。2005年威廉姆斯和库贝尔设计的一系列字体海报被国际字体设计师协会授予全场大奖，最近获得美国《图形》海报年鉴的白金设计奖和金奖。

Primarily a jurist, an expert in Greek, a first-rate authority on Roman authors, an historian, and a poet, he nevertheless attained his chief renown through his philosophical and Hebrew works -- especially through his "Rudimenta Hebraica"-- in the composition of which he secured the assistance of Jewish scholars.

主要是法学家，一位专家在希腊，一流的权威的罗马作家，历史学家和诗人，但他实现他的首席通过他的著名哲学和希伯来文的作品-尤其是通过他的& R udimentaH ebraica&-组成的，他担保的协助下，犹太学者。

To the author, today's postmodern consumer society enables people to appreciate and consume works of art in an aesthetic way, hence the birth of iconographical writing with images as the major means of representation. For it might satisfy the aesthetic needs of the broad reading public. But icon-critics should be endowed with greater ability to read and interpret pictures or images.

作者认为，当今的后现代消费社会使得人们需要审美地来观赏甚至消费艺术作品，因此以图像为主要表现媒介的语像写作的应运而生便是一种历史的必然，它可以满足广大读者/观赏者的审美需求。

With the collection of literature and analysis of ideas examined in the first three chapters, this creation will clearly illuminate the idea and expression of this creation. The themes, ideas, stories, styles in Chapter IV and V are analyzed and interpreted by the iconographical approach. The final version culminates 32 pages of sketch production, coverage, copyright page, title page, and content pages.

经过以上三个章节的资料搜集、文字整理与理念分析，更确立了本创作所要传达的理念与表现方式，在论述的第四、五章进入主要创作的主题、理念、故事、风格等相关论述，并透过图像学等学理基础，对作品进行详尽的内容分析与诠释，最终总计完成三十二页的插图绘制，及封面、扉页、版权页、书名页、内页等版面编排设计。

In an introduction to his more refined version, he wrote, I have been told by some anciently conversant with the stage, that it was not originally his , but brought by a private author to be acted, and he only gave some Master-touches to one or two of the principal parts of characters; this I am apt to believe, because 'tis the most incorrect and indigested piece in all his works; it seems rather a heap of Rubbish than a structure.

&在介绍了他的更完善的版本，他写道，&有人告诉我一些anciently熟悉的阶段，这不是最初他，但所带来的私人作者采取行动，他只是提供了一些主涉及到一个或两个主要部分的特征，这我很容易相信，因为'炎最不正确的，并且在所有indigested件他的作品；似乎相当一堆垃圾比结构。

"Jinshang" mainly introduced us their the road of entrepreneurship.we can see their success wasn't smooth,they undergoed so much hardships.

晋商这一作品主要介绍了其创业之路，从中我们可以看出它的成功并不是一帆风顺的

As the leader and the main actor of "Critical Point Theater Phenomenon", the almost most longevous little, avant-garde, experimental theater group, Hueiling has continually experience about theater manufacture and the performance near 20 years.

作为几乎是台湾历史最悠久的小剧场团体&临界点剧象录&的团长及主要演员，有将近二十年的持续剧场制作及演出经历。在巅峰时期于剧团经营的&生活剧场&与&白水艺文空间&曾经有一年推出超过15 个全新作品，上演近乎100 场次的演出纪录。

In those texts, when the text is narrated through the sight of the chief child, one narrative voice comes from the third person dramatis personae who is both focus-person and narrater in the story, another narrative voice hails from the writer.

其中，以主要儿童的眼光来叙事的作品，一种声音来自既是故事聚焦者又是叙事者的第三称主人公，另一种声音来自作者。

The most famous writings bearing his name are the First, Second, and Third Books of Enoch, ranked among the large body of literature termed apocryphal and pseudepigraphical, meaning that they are noncanonical (not accepted into the body of recognized books of the Bible) and are-in the case of the pseudepigrapha-attributed to some person of note and written in the style of genuine biblical books.

最著名的著作就是以诺一书，二书和三书，把大量方面划分为次经和伪经，意思是说它们不在经典之中（并不圣经主要部分所接受），是属于圣经的模拟作品的情形——归结于一些人模仿真实圣经方式来记录和书写。

The three so-called pseudepigraphical works were allegedly written by or under the influence of the antediluvian patriarch Enoch, who was taken up to heaven by the Lord, an event described in the Book of Genesis (5:24); pseudepigraphical writings are those that are noncanonical (meaning not accepted into the body of biblical books) and were composed in a style intending to resemble or appear as authentic biblical literature, often assuming the title of some personage known to the audience.

三篇所谓的伪经依其申述是在大洪水之前的以诺族长影响之下写成的，以诺被神提升到天堂，是创世纪（5：24）描述的事件；伪经作品是不列入正典中的书（意味着并不被圣经主要部分所接受），以一种预计中类似可信圣经文献的风格来编写，或者以可信圣经文献面貌来出现，经常采用一些众所周知的著名人物作为标题。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。