主要作品

There have been imported Ring productions in Asia – in Beijing and Tokyo, for instance – but this was the first mounted with a local orchestra and a preponderance of local soloists. Six outsiders assisted with the major roles, most impressively Linda Watson as Brünnhilde and Robert Hale as Wotan (James Morris had been engaged but was indisposed).

亚洲此前已引进过《指环》系列作品——比如北京和东京——但由本地管弦乐团配乐，并由本地演唱家占据主导，这还是第一次。6位外籍人士协助出演主要角色，其中最令人印象深刻的是，饰演布仑希尔德的琳达·沃森以及饰演沃旦的罗伯特·赫尔（该角色此前定由詹姆斯·莫里斯出演，但他由于身体不适退出）。

For readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achill es,whose otivations render him a not particularly likable hero.

其主题〔若借鉴梅纳德。迈克的两个分类范畴的话〕是&人生作为外部景象&，因为读者的注意力被作品那形形色色的事件所分散，主要是从外部来观察其主人公奥德修斯的；然而，富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&：读者被要求与阿基琉斯的心灵产生共鸣，而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

This work combines the music style of Romanticism and the Norway music tradition, besides to have entered the impressionism and actualism music style Creation gimmick and unique artistic style having embodied Grieg all-round but distinct melting.

这部作品主要将浪漫主义的音乐风格与挪威音乐传统相联系，另外还融入了印象主义与现实主义的音乐风格，全面而鲜明地体现了格里格的创作手法和独特的艺术风格。

The thesis holds that it is their literary charm and aesthetical values that exert great influence in China.

论文认为，勃朗特姐妹的作品之所以在中国能够产生较大的影响，主要是因其自身具有的文学魅力和美学价值。

However, as in many of Arnes works, Whittingtons Feast suffers from a poor text, largely because it is merely a line-by-line imitation of Alexanders Feast .

然而，正如在阿恩的作品，惠廷顿的节日，从一个贫穷的文本遭受很多，主要是因为它只是一条线，由线的亚历山大之盛宴模仿。

This article will focus on discussing the aristology of Jia Bao-Yu in "Dream of the Red Chamber" and reference Chinese and Western literature to present the implication of main characters' life experience using the texture of sweet-yogurt and the sent of rose water.

本文将以《红梦》中宝玉的饮食情境作为主要讨对象，并在中西文学作品的照下，显示小藉由蒸酥的绵密口感，与玫瑰清的嗅觉芬芳，隐喻主人公情爱世界的生活体验。

On the basis of the native culture,he establishes a narrative model of farcical imitation to dispel and avianize the Western main-current narrative model counter-discursively.

本论文主要探讨了索因卡戏剧作品中表现出的具有后殖民性的两大特征：本土性与政治性。

In different develop phases, the color art characteristics of expressive diathesis is apply which is lay particular stress on different way, the different artist in the coevality are also have each characteristic that makes opus include individuality and time spirit with mostly ingredient among .

在不同的绘画发展阶段对色彩艺术特点的表现因素的应用也各有偏重，就是同一时期不同的画家也都有各自的特点是使作品具有个性及时代精神的主要因素之一。

The Pipaji is one of the drama works of the Chinese first-rate, there are a lot of articles or works about it since Ming Qing ,.Method that that is different, angle that is different, there is some contestation problems under basically and affirmative premise, such as how to evaluate the mian role Caibojie, how to judge its topic, how to evaluate its praise or its mistake in melodies and writings .and the contend for Pipaji and Xixiangji, the relation of Pipaji with Ming and Qing dramas etc. It\'s general concentration of these problems is text originally of analysis and hold up.

《琵琶记》是中国古典戏剧的名著，明清以来有众多的文章、专著论及到了这部作品，方法不同，角度各异，在基本肯定的前提下一直存在一些争议性的问题，如对其主要人物蔡伯喈的评价，对它的主题的判断、对其音律和辞采的褒贬、《琵琶记》与《西厢记》的优劣之争、《琵琶记》与明清传奇的关系等相关问题，这些问题一般集中在对其文本的分析和把握上。

But, therefore warm and indifferent of Yu Hua's work is to originate from self's contradictious existence that the intention creating the main body embodies out in course mainly hand in hand.

而余华的作品之所以温情与冷漠携手，主要是源于创作主体心路历程里体现出的自身的矛盾的存在。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。