主要作品

Under the influence of those conception , modern art appears a tendentiousness of pursuing"newest art"and self-expression.

在这种观念的影响下的现代艺术明显地产生出一种对"新"的追求和强烈的自我表达欲，呈现出了一个从作品到人的行为到概念的逻辑进程，而二元论世界观导致的存在论层面上的"大写的艺术"的消逝，是现代艺术产生这样的变化的最主要原因。

Kabalevsky's piano works for children provides stable and unchanged signature during each piece. The music is mainly based on pure one-part form、binary form and ternary form with major composing strategies of repetition and sequence, which shows his belief of applying the regularity and pure nature of music to music education.

三、卡巴赖夫斯基儿童钢琴作品均未在进行中改变拍号、曲式组织有九成二是单纯的一、二、三段体，并以反覆与模进为主要写作手法，可见其善用音乐本身的规律性与单纯，实践以音乐本质进行教学的主张。

This thesis will deal with the influence of asceticism on love in The Scarlet Letter and The Thorn Birds. The influence reflects mainly in the leading characters Dimmesdale and Ralph.

本篇论文将从《红字》和《荆棘鸟》两部作品中的主要人物丁梅斯代尔和拉尔夫来看宗教禁欲主义对他们内心的摧残和折磨，从而导致的悲剧。

This thesis will deal with the influence of asceticism on love inThe Scarlet Letter and The Thorn Birds. The influence reflectsmainly in the leading characters Dimmesdale and Ralph.

本篇论文将从《红字》和《荆棘鸟》两部作品中的主要人物丁梅斯代尔和拉尔夫来看宗教禁欲主义对他们内心的摧残和折磨，从而导致的悲剧。

This thesis will deal with the influence of asceticism on loveinThe Scarlet Letter and The Thorn Birds. The influencereflectsmainly in the leading characters Dimmesdale and Ralph.

本篇论文将从《红字》和《荆棘鸟》两部作品中的主要人物丁梅斯代尔和拉尔夫来看宗教禁欲主义对他们内心的摧残和折磨，从而导致的悲剧。

My current series references Tang dynasty silver ware, Song dynasty qingbai ware, and tinsmithing traditions.

我现在做的系列作品主要是受唐朝银具，宋代青白瓷和传统白铁技术。

Vicenza's show contains detailed models of the major buildings and is leavened by portraits of Palladio's teachers and clients by Titian, Veronese and Tintoretto; the paintings of his Venetian buildings are all by Canaletto,no less.

维琴察的展览会还展出了大师主要代表建筑作品的精细模型，出自提香、韦罗内塞和丁托列托( Titian，Veronese and Tintoretto )之手的他的老师们和顾客们的肖像画，全部由卡纳莱托绘制的他的威尼斯建筑的画作。

The full text mainly revolves the modelling image selected by my own graduation creation work, namely "feel for" this condition, and attempts to gain some heuristic demonstration and understanding about this kind of uncomfortableness.

全文主要围绕我毕业创作作品所选取的造型形象，即"摸"这一状态，试图得到一些关于这一不适感的具有启发式的展示和理解。

This dissertation will take the research method of text intensive reading and macro analysis. First, it will concretely analyze the two main genres of characters in Luling"s creations—intellectual heroes and understratum heroes. Then it will macroscopically generalize the common characteristics and elements of the "heroes". Finally it will discuss the formation and change of the "hero idea of Luling himself and primarily deal with the influence of foreign literature on his creation of 1940s.

本文主要采用文本细读与宏观把握相结合的方式，先通过具体形象的解读来具体分析路翎作品中的两大类"英雄"形象--知识分子与底层，再从宏观上总结和概括"英雄"具备的共同特征与要素，最后追溯路翎自身"英雄"观的形成以及转变，并初步梳理路翎四十年代创作与外国文学的一些渊源与关系。

All the major characters are confronted with various degrees of unidentifiable disturbance and fright,which represent the intrinsic connection with Faulkner s time perspective.

作品中的主要登场人物都不同程度地遭遇到了莫名的不安和恐怖，而他们的这一命运特征恰恰是和贯穿这部小说的福克纳的时间观有着深刻的内在联系。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。