主要作品

The last period of Shakespeare's work includes his principle romantic tragicomedies: Pericles, Cymbeline, The Winter's Tale and The Tempest; and his two plays: Henry VIII and The Two Noble Kinsmen.

最后一个时期的作品主要有浪漫悲喜剧：《伯里克利》《辛白林》《冬天的故事》与《暴风雨》。他最后两部剧是《亨利八世》与《两位贵族亲戚》。

The last period of Shakespeares work includes his principle romantic tragicomedies: Pericles, Cymbeline, The Winters Tale and The Tempest; and his two plays: Henry VIII and The Two Noble Kinsmen.

最后一个时期的作品主要有浪漫悲喜剧：《伯里克利》《辛白林》《冬天的故事》与《暴风雨》。他最后两部剧是《亨利八世》与《鲁克里斯受辱记》。

Schumann is the dominant influence here; it's hard not to detect a bit of the earlier composer's Konzertstück for four horns, and other works, in some of Strauss' more declamatory passages, especially the beginning.

舒曼是主要的影响力，它很难不察觉的早期作曲家的4个角Konzertstück位，和其他作品，在施特劳斯的多诵读一些段落，尤其是开始。

In the part of introduction, it presents Defoe's status in the history of English literatu...

引言部分主要介绍笛福在英国文学史上的地位、研究现状以及叙述学对叙事作品描述层次的划分的相关理论，并提出本文所要探讨的论题。

Hence, this study applies art history's vantage point to probe into essence of aesthetics and forms that can be derived from this series of these unique statues; furthermore along with the historical viewpoint, this research is also delving into influences and inspiration of these memorial statues towards entire society during the whole period, and eventually making an attempt to make an approach to historical interpretation.

因此，本研究主要将透过美术史学的观点，探究这一系列独特的义人纪念塑像作品在造型与美感上可能具有的意义；并且将这一论证过程根植於历史学的观点上，考察它们在整体时代、社会脉络中所占据的位置，最后尝试为其赋予具有历史意义的诠释。

A Tale of Two Cities has been regarded by many critics as the least Dickensian one among all Dickenss masterpieces. Some critics even considered the novel a failure that should be outside the Dickens canon.

双城记》被很多批评家认为是一部最不具有狄更斯写作特点的小说，因为这部作品的重点不是刻画人物而是编织情节，而且表现人物主要手段也不是对话而是事件和行为，这些都与狄更斯以往颇受欢迎的风格大相径庭。

One of the earliest works of Christian tradition, if not the earliest after the Sacred Scripture, the "Didache" or "Teaching of the Apostles", is chiefly of a moral-theological nature.

最早的一个作品的基督教传统，如果不是最早在圣经中，"十二使徒遗训"或"教学中的使徒"，主要是一种道德神学的性质。

The singletons are principally in museums, so Victor Pinchuk, a Ukrainian steel billionaire who acquired the record-priced diptych (and now owns a reputed 30 or so Gurskys, over 50 Hirsts and about a dozen by Koons), was willing to bid through the roof.

而《99美分》只有两种版本：单幅照片和双连画版。单幅作品主要都陈列于美术馆中，因此维克托·皮初克注释③，乌克兰的钢铁亿万富翁，心甘情愿地出天价拍下了这破高价纪录的双连画。

There, mass production and reproduction had come to the forefront of ordinary life: newspapers, printed labels, the overlay of posters on walls - the dizzily intense public life ofsigns, simultaneous, high-speed and layered.

那里， 大众作品和复制成为最主要的惯例生活：报纸，印刷标签，墙上的海报—热情的令人头昏眼花地大众的生活标志，同时的，也是高速度且分层的。

It is based on female's experiences and their responses to life, affirming self value, rebuilding self consciousness of females, getting back their social status and praising their contributions to society and culture. This thesis is going to analyze 3 major novels of Margaret Drabble which are created at different times during the second feminist movement: A Summer Bird-Cage, The Radiant Way and The Middle Ground.

本文主要围绕英国当代小说家玛格丽特·德拉布尔的三部核心作品——《夏日鸟笼》、《人生中旅》、《光辉灿烂的道路》，以伍尔夫、波伏瓦的女权主义思想和女性主义批评的理论与方法为工具，以女权主义运动第二次高潮为社会背景，分析其中的女性主人公的生命历程，从婚姻、事业等方面入手，著重探讨知识女性在20世纪六、七十年代的生存环境、生活境遇，总结概括玛格丽特·德拉布尔的写作风格和特点。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。