主要作品

Objectives: Produce academic work Offer courses in the field of law and technology Foster interdisciplinary contacts with other faculties at Dalhousie and elsewhere Produce the Canadian Journal of Law and Technology, a peer-reviewed national online journal providing coverage of legal issues relating to information technology from a Canadian and international perspective Organize seminars and colloquia.

信息与技术研究机构的主要活动包括：创作学术作品，提供信息与技术方面的课程，培养跨学科之间的联系与合作，制作加拿大信息技术与法专刊，这个刊物是在线的，主要是以加拿大实际与国际视野相结合，提供与信息技术相关的法律问题的报道，组织学术会议和专题座谈会。

It is quite common to modernize and foreignize the plays in style with a view to exploring their social significance in a multi-dimensional society. Yet the language is basically unchanged with some modifications in costume and setting. Moreover, playwrights have produced new plays based on the characters and roles of Shakespeare's pl...

在风格上现代化异域化已习以为常，目标是尽量发掘对当代多元化社会的意义；但故事语言基本不改，主要改服装背景；剧作家以莎剧人物及莎剧演员为题也创作了富有新意的作品，对我们的启示主要不在如何搞莎剧而是如何创造性地利用自己的古典。

Liu Liguo's works in the mid 90s mainly combined exquisite ancient porcelain bottles with vulgar human hips to create a kind of Chinese-style pop art.He intended to criticize the developing culture of consumption society in the 90s,and at the same time to ironize the phenomenon that the fashionable western pop art had become a vulgar farmer-style art in China.

刘力国在九十年代中期的作品主要是将中国传统代表高雅的古代瓷瓶与恶俗的身体臀部组合在一起，他的观念主要是制造一种中国式的波普艺术，对九十年代正在形成的消费社会的文化进行批判，同时也对时髦的西方波普文化在中国变成一种农民式的低俗波普进行反讽。

People could see some new features during this period such as images going with events.Part Three probes into the themes and philosophy in Historical Ode. The diversity of poets" ideologies has resulted in complicated themes and intricate philosophy in their works. Generally speaking, themes and philosophy among the poems were expressed in three forms: Chanting in the Wind, that is, the poets give voice to their ambitions and concerns among the words with optimistic attitudes; Bitter of Lofty Ideal Frustrated: poems of this kind usually take up pessimistic themes expressing poets" bitter suffering and their failed ambitions and among these poems signing for the misfortunes of some female has taken a large portion; Detached Stance toward Fame and Wealth: Secluding from the world and seeking political ambitions are two opposing elements in an antimony which have coined the peculiarity of ancient literati.

第三章：咏史诗的主题哲思诗人带着对历史的主观感悟进行咏史诗创作，使咏史诗的主题哲思呈现纷繁复杂的现象，汉魏六朝咏史诗的主题哲思主要有：长啸清风—英雄抱负的乐章：在传统儒学熏陶下形成的历史责任感和积极入世心态往往使文人将其对国家、民族的关怀和对自身建功立业的渴望流露在他们所寄托的文学作品中；世事迪遣—壮志难酬的苦闷：入世受阻后诗人往往从对英雄的追慕转向对不幸人物的同情，悲情主题是咏史诗中较多的一种，表现作者壮志难酬的苦闷和怀才不遇的伤感的形式是多样的，其中又以对不幸女性的吟咏居多，这主要是因为诗人和悲剧女性命运和情感上的类同使然；遗荣守真—无与外物的逸响：遗荣守真的隐逸思想和政治关怀的入世态度作为一组对立面共同构筑古代士人的理想情趣，&仕&与&隐&的抉择冲突作为文人生活中不断上演的主旋律，常常通过咏史诗体现出来。

Especially the master and his three apprentices are not only the core of the novel but also the main object of research.

尤其是唐僧师徒四人不仅是作品的主要核心，也是人们研究的主要对象。

This chapter also serves as a guide to the versicle-related literature, including those appearing in periodicals and theses. Chapter Three compares various anthologies of versicles and discusses their selection, including their authors.

第三章〈台湾小诗选析探〉先比较各家小诗选的编选，包含出版起源、编选标准、编排方式、编选者背景，再以量化统计之结果，讨论主要入选作家与主要入选作品。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

The novel aims at criticizing severely Puritanical asceticism, suggesting Hawthorne's further thinking over the "original sin""good and evil""soul salvation""total depravity" by analyzing the four main characters in the novel. The novel concerns the consequence caused by the sin and people's attitude towards sin rather than the sin itself. He believes man can do good deeds to get rid of evil in his heart.

本文旨在通过小说中四位主要人物的分析，阐明作品所表现的深刻思想内涵：通过与邪恶的搏斗，人可以获得道德上的完善，从而批判了清教主义所倡导的&原罪&&善恶&&拯救灵魂&&彻底堕落&的说法：小说作者主要关心的是原罪导致的后果及人们对待原罪的态度，而不是罪孽本身，他认为由于爱而犯下罪过可以得到忏悔拯救。

The novel aims at criticizing severely Puritanical asceticism, suggesting Hawthorne's further thinking over the "original sin""good and evil""soul salvation""total depravity" by analyzing the four main characters in the novel. The novel concerns the consequence caused by the sin and people's attitude towards sin rather than the sin itself. He believes man can do good deeds to get rid of evil in his heart.

本文旨在通过小说中四位主要人物的分析，阐明作品所表现的深刻思想内涵：通过与邪恶的搏斗，人可以获得道德上的完善，从而批判了清教主义所倡导的&原罪&&善恶&&拯救灵魂&&彻底堕落&的说法：小说作者主要关心的是原罪导致的后果及人们对待原罪的态度，而不是罪孽本身，他认为由於爱而犯下罪过可以得到忏悔拯救。

The first is the introduction of narratology and characteristics of TV program of in-depth news reporting as narrative works.

第一章主要为叙事学理论介绍和电视新闻深度报道节目作为叙事作品的特性；第二章主要是对电视新闻深度报道中叙事者的分类；第三章是关于电视新闻深度报道中叙事者的结构方式和叙事者的功能。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。