主要人物

In the structural tactics respects, many means have been used in the movie narrations such as repetition, fraction, mixture and stick.

说谎的视点主要表现在影片中的人物的陈述不可靠、影片的逻辑不可靠和视听影像的不可靠。

The various sagas which sprang up about Alexander, chiefly among the Jews in Alexandria, and out of which the Alexander romance of pseudo-Callisthenes grew, the only explanation of which is that Alexander had once been the central figure in their future hope.

各种传奇故事，其中摆出来，大约亚历山大，其中主要是犹太人，在亚历山德里亚，出于何种亚历山大演义伪callisthenes成长，唯一的解释就是亚历山大曾经一直是焦点人物，在他们未来的希望。

Anyway, I got lots of blurry pics (and vids of one of the One Piece shows where the characters come out and give a hurtin' to some hapless pirates).

不管怎样，我得到了许多模糊的图片（还有一些OP现场秀的视频，主要说的就是OP里的人物出现然后痛击了一帮倒霉的海贼|||）。

Anyway, I got lots of blurry pics (and vids of one of the One Piece shows where the characters come out and give a hurtin' to some hapless pirates).

不管怎样，我得到了许多模糊的图片（还有一些OP现场秀的视频，主要说的就是OP里的人物出现然后暴打一帮倒霉的海贼|||）。

Campaigning politicians now have staffers in their entourage whose major function is to perform this service.

如今参加竞选的政界人物周围都有一群工作人员，他们的主要工作提供这项spin服务。

An appropiate number of slashers should be spawned as well, Thrantos and these slashers should target whatever is attacking them normally.

会有大量slashers小黄铁狗出现，Thrantos大蓝铁狗和slashers小黄铁狗主要攻击那些攻击它们的人物。

This kind of mysterious power in Cao Yu's Drama is showed as:uncanny polts,complicated connection ,complicated conflicts ,accidents and fatal coincidences which against expectation.Secondly, This kind of mysterious power also can't be change and resist.

命运以一副不可预料、不可认知、无法把握又不能掌控的神秘面貌展示在人们面前，命运这种神秘莫测的力量在剧作中主要表现为：故事题材的超常离奇、人物关系与冲突的错综复杂、事情发展的突然扭转、各种不可预料的致命巧合四个方面。

The forth chapter discusses characters in Jin's literary works. It includes monarch,minister, general, pipsqueak and female.

第四章主要论述了春秋时期晋国历史文学中出现的人物形象，其中包括国君形象、大臣将军形象、小人物形象和女性形象。

It is divided into three parts to discuss: In chapterⅠIt discusses the Yang Yazhou's film and teleplay creation of civilians orientation from the perspective of choose topics, all the film and teleplay of Yang Yazhou have chosen the pipsqueak for the main represent targets, focused on the demonstrating the state of survival and psychological changes of these figures in a Time of Change when the living conditions of China changed. Obviously, it accords with popular culture for publicity awareness of the requirements of the civilian population, and the current aesthetic habits of the civilians, at the same time, the consciousness of the topic choice made a tacit understanding with the reactive tendencies of reality of the world, and Chinese film movies, television dramas, and it is an excellent creative concept of inheritance and development in the Yang yazhou film and teleplay works. Stories often start around the family, family members and the major social relation of family members are described in detail. And the vicissitudes of life are similar to Motif of many folktales.

论文分为三章加以论述：第一章从题材选择的角度探讨了杨亚洲影视剧创作的平民化取向，杨亚洲的所有影视剧作品都选择了小人物为其表现对象，着力于展现这些人物在变革时代的中国当生活境遇发生改变时的生存状态和心理变化，这显然符合大众文化对于宣扬平民意识的要求，符合当下老百姓普遍的审美习惯；同时，这一题材选择上的自觉性也与世界电影史和中国电影、电视剧发展史中的现实主义创作倾向形成了难得的默契，是对一种优秀创作理念的继承和发展；在杨亚洲的影视剧作品中，故事往往围绕家庭展开，对家庭成员和家庭成员的主要社会关系进行了细致地刻画，并且他们之间的悲欢离合与我国民间故事中的诸多母题颇为相似。

Jinlian Pan, Pinger Li and Chunmei Pang are three major female characters that theauthor portrayed in "Jin Ping Mei".

潘金莲、李瓶儿、庞春梅是《金瓶梅》的作者着力刻画的三个主要女性人物，她们的性格复杂，遭遇坎坷，历代读者、批评家对她们的评价褒贬不一。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。