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On the aspects of reality, typicality, and artistic method, the paper makes discussion on the creating of the character s in the novel "the Family" by Bajin.

文章主要从人物形象的逼真、典型性二方面,并从艺术方法的角度,探讨了巴金小说《家》的人物创造问题。

The beauty of her character was such an afford for thought, and her figural is not only reflected in the natural rich and expressive, but also manifests itself in the hearts of its people.

这一人物形象显得如此丰满,如此的耐人寻味,主要是体现出&人物性格的二重组合原理&。

The third part elaborated the Dong Fang shuo story main characteristic: 1st, the Dong Fang shuo story evolution path from simply to complex again tends to quietly, the character image from to is really unreal. 2nd, the story both carries on the history and to have violates, creates the character image intrinsic contradictory. 3rd, and Martial emperor of Han dynasty's subtle relationship is complex. 4th, the real Dong Fang shuo compares with the history in, in novel image although all-resourceful, slightly reveals actually frailly, insufficiently is plentiful.

第三部分论述了东方朔故事的主要特点:1、东方朔故事演变轨迹由简单到复杂再趋向于沉寂,人物形象由真实到虚幻。2、故事既承袭历史又有所违背,造成人物形象的内在矛盾性。3、与汉武帝的关系微妙复杂。4、与历史中真实的东方朔相比,小说中的形象虽然神通广大,却略显单薄,不够丰满。

The third part elaborated the Dong Fang shuo story maincharacteristic: 1st, the Dong Fang shuo story evolution path from simply to complex again tends to quietly, the character image from to is really unreal. 2nd, the story both carries on the history and to have violates, creates the character image intrinsic contradictory. 3rd, and Martial emperor of Han dynasty's subtle relationship is complex. 4th, the real Dong Fang shuo compares with the history in, in novel image although all-resourceful, slightly reveals actually frailly, insufficiently is plentiful.

第三部分论述了东方朔故事的主要特点:1、东方朔故事演变轨迹由简单到复杂再趋向于沉寂,人物形象由真实到虚幻。2、故事既承袭历史又有所违背,造成人物形象的内在矛盾性。3、与汉武帝的关系微妙复杂。4、与历史中真实的东方朔相比,小说中的形象虽然神通广大,却略显单薄,不够丰满。

Has the main feminine characters tragedy also to have the secondary feminine characters tragedy, has marital, the love tragedy also has the birth, the disposition tragedy, their tragedy of all forms, mutually interwove in the same place constituted a feminine elegy symphony.

其中有主要女性人物的悲剧也有次要女性人物的悲剧,有婚姻、爱情的悲剧也有生育、性格的悲剧,她们的悲剧形形色色,互相交织在1起构成了1首女性悲歌的交响曲。

Has the main feminine characters tragedy also to have the secondary feminine characters tragedy, has marital, the love tragedy also has the birth, the disposition tragedy, their tragedy of all forms, mutually interwove in the same place constituted a feminine elegy symphony.

其中有主要女性人物的悲剧也有次要女性人物的悲剧,有婚姻、爱情的悲剧也有生育、性格的悲剧,她们的悲剧形形色色,互相交织在一起构成了一首女性悲歌的交响曲。

To analyze people's music image, the article mainly discusses three main arias which show the development of Chan Juan's character; to exhibit figural extemporizes, the article analyzes various techno-lays such as vocality volume, timbre and breath in term of the movement of Chan Juan's emotions.

本文在梳理歌剧创作背景的基础上,聚焦于婵娟的人物刻画和艺术形象的塑造,并通过重点分析剧中展现婵娟人物性格发展脉络的三个主要咏叹调来具体展开讨论。本文还依托剧情,按照婵娟的感情变化,在歌唱的气息、音色、语言、形体表演处理等各种技术层面上对婵娟的演唱处理进行了全面总结。

The symbol color of Confucian ethic affects the color development of Chinese figure painting, esp. on the figure's dress. Buddhism has developed closely with the magnificent style of "Royal academic painting" in Sui and Tang Dynasties. While in Song and Yuan Dynasties, literati painting type that focus on adding washes of ink or color to a drawing affected by Taoist ideas holds the mainstream of the position in painting ciders and all lasts to modem times.

儒家的伦理象征色影响了中国人物的色彩发挥(主要是对人物服饰的影响),佛教与隋唐之际金碧辉煌的&院画&风格的形成有关系;到了宋元,受道家思想影响的水墨渲淡为主的文人画风占据了画坛的主流地位,并一直影响到近现代。

His works are mainly concerned with the lower class people, especially the historical suffering and present predicament of East European Jews and American Jewish immigrants. The ordinary people depicted in Malamud\'s novels are very similar to the schlemiels in traditional Jewish literature. They suffer a lot in their life, and thus want to escape from their shameful past and try to seek a new ideal life. However, they can not break away from their Jewish heritage they once deserted at the bottom of their heart. At last, they learn to live a life of imprisonment and adhere to an ethic of conscience, responsibility, love, and mercy.

他的作品主要以社会最底层的人物作为描写对象,尤其展示了东欧犹太人和美国犹太移民的历史遭遇和现实困境,这些小人物就类似于传统犹太文学当中的傻瓜式人物施勒密尔,他们多灾多难,渴望逃避过去,追求梦想的新生活,但在内心深处与他逃逸的传统无法分割,最终学会生活在一种自我禁锢的环境里,执着于良知、责任感、怜悯、和爱。

The rightful actions of the positive characters are concentrated on the sparking points of one's life.

元杂剧《赵氏孤儿》主要冲突和正义人物之间的冲突交织在一起,人物性格的内部冲突与外部冲突交织在一起,正面人物的正义行为全都凝聚在人的生命的光点之中。

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然而,要让一个真正的引用,你需要提供详细的个人和财务信息。