主流

This unique viewpoint has developed over time as his experience as a cultural nomad has broadened. His nomadic artistic style is diametrically opposed to an orthodox style of mainline art. His style is in a constant state of dissociation with no borders, no controls, and no limitations.

他的这种泛亚洲视点是基于个人像一个文化游牧者的经验，因为游牧性的艺术是与正统的、主流的艺术相对立的，它处于一个没有边界的游离状态，是不确定的，是没法被编制的，是难以约束的，它不断摧毁确定的边界。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

He has first and foremost argued that relationship between Taiwan and Chinese new literatures is one between the mainstream and distributary,and put forward his contestation about the Taiwan language construction from the angle of cultural affiliation and unification.

他将"五四"文学火种引入台湾，与日本奴役下的台湾旧文坛激烈交战；他最早明确指出台湾新文学与祖国大陆新文学的支流与主流关系，并且从文化归属与统一的角度提出台湾语言建设的主张。

As the mass emerging of new words, the disyllabic word-formation methods had added more forms, all these led to the change of the basic features of vocabulary.

但是在新词的产生上，单词的这些发展己经不是词汇变化的主流形式，新词的产生己经让位于通过词形扩展的方式形成的双音词。

As explained above,"non-activity,non-regulation" needs people to go with the power of life itself. For executants, this brings out challenges as they have to be alert with aperiodically appeared externalism and doctrinairism, adjust companies to follow the mainstream.

前面说过，无为而治要依据生活本身的力量，实施者其实也不轻松，须得随时保持着警觉，非常灵活地调整企业顺应主流，以打破随时出现的形式主义和教条主义。

Network economy could reduce costs of exchange and achieve economies of scope and economies of integration. The advancements of network economy urge it to be the mainstream over obstacles. It shifts situations between supplier and demander, changes the characters of demanding and factors of purchasing. Those engender new type of demand. Estate agencies, which integrate on-line and off-line services, will achieve dominancy in the market. In general, estate agencies have to shift from the necessary intermedia to assistant roles. Network economy supplies a gap of information deficiency in estate market and levels down the amplitude of estate economy cycle. Informatization of industry management enhances market efficiency, at the same time decreases systemic risks.

网络经济的进步性能够使其最终重重突破障碍而实现主流化；网络经济从本质上改变了房地产供求双方的主从格局，使需求特征及购买决策因素发生变化，也形成了新型房地产产品需求；网上服务与网下服务相结合的中介主体将主导中介市场，但总体而言房地产中介将由必要的市场环节转变为重要的辅助环节；网络经济改善了房地产市场信息信息缺陷局面，平缓了房地产经济的周期性波动，行业管理信息化提高了市场效率，也降低了系统风险。

The public choice theory and the mainstream economic compare on the analysis frame have the dominant character.

公共选择理论与主流经济学相比在分析框架上有显著特征。

Light molecular weight PAHs were dominant in selected PAHs, and the two plus three ring PAH were responsible for 86% of 16PAHs.

主流烟气中轻组分PAH，为主，其中(2+3)环PAHs占总量的86%。

At present, minority film in mainstream Hollywood films with domestic double squeeze the living space is getting smaller and smaller.

时下，少数民族电影在好莱坞与国内主流电影的双重挤压下生存空间越来越小。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。