主义

It is neither absolutism nor mysticism, nor nihilism, but full of logics and dialectics.

它既不是所谓的绝对主义，也不是什么神秘主义或虚无主义，它的论证形式充满了逻辑与辩证法的意味。

However, relativism is not the fundamental denial of absolutism but the passive development of absolutism.

但是，相对主义科学观却不是对绝对主义科学观的根本否定，而是绝对主义科学观的消极发展。

Epochs of Cubism, Abstractionism and Pop Art have all been those in the post-realistic era .

艺术上的立体主义、抽象主义与通俗艺术都是后现实主义时代的三个艺术时期。

Some people doubt if abstraction or figurativeness that arose after the conceptualism are still the self-dependant opposing concepts. Based on this, they have questioned that modern abstractionism is an obsolete belief.

有人质疑在观念主义之后，抽象或具象是否还能够作为自足的、对立的概念，那么当代抽象主义已是一种过时的信仰？

Farther, this chapter tries to hold a dialogue between the native and the West on a new level of Sino-western mutual understanding, thus, the chapter, with the basic idea of"comparison equals dialogue", launches a discussion focusing on four features: the widely-ranged introduction from anti-alienation spirit, modern humanitarianism and individualism in Western modern art to the anti-Confucianism in Chinese cultural tradition; the seek for the essence of Western modern abstractionist art in Chinese traditional intellectual art atmosphere; the decoding of Western modern non-rationalism based on native cultural tradition; and the discussion on relations between"The Harmony Between Heaven and Man"and Western postmodernism.

于是本章基于"比较即对话"的观念，围绕四个问题展开了讨论：从西方现代艺术的反异化精神、现代人道主义、个人主义说到中国的"反儒文化"传统；在中国传统文人艺术境界中寻找西方现代抽象艺术的真谛；对西方现代非理性主义进行基于本土文化传统的解读；探讨天人合一精神与西方后现代主义的联系。

"Symbolism, impressionism, surrealism, theatricalism, expressionism, and absurdism are used to express aspects of the sensibility."

为表现这种情感的各个方面，人们采用象征主义，印象主义，超现实主义，夸张派，表现主义和荒诞派的手法。

Having employing Brechtian devices in general, her plays become the new buds of Brechtian theatre in England. Moreover, Churchill has widely experimented with some components of surrealism, absurdism, postmodernism, and even the cruel theatre. She has apparently developed her characteristic style and artistic spectacle.

凯萝。邱吉尔的舞台剧创作在总体上继承了德国戏剧大师布莱希特的叙事剧传统，是布莱希特戏剧传到英国后在英国的气候和土壤中绽出的新蕾，同时又突破了传统的叙事剧风格，融入了超现实主义、荒诞派戏剧、后现代主义乃至阿尔托的"残酷戏剧"的艺术因素，贯注了凯萝。

"Symbolism, impressionism, surrealism, theatricalism, express ionism, and absurdism are used to express aspects of the sensibility."

为表现这种情感的各个方面，人们采用象征主义，印象主义，超现实主义，夸张派，表现主义和荒诞派的手法。

I distinguish between two minimalisms: at one extreme there is the research which seeks the essence through emulation, and at the other extreme, there is academicism— a formula: it is found in shops, shoes, furniture and restaurants that are all minimalist.

我区分了两种极少主义：一个极端是通过争相效仿以追寻本质的研究，而另一个极端是一种学院式作风——一种程式：可以在完全是极少主义式的商店，鞋，家具和餐厅中反映出来。

Is it time now for our entertainment and media to lend themselves finally as they ought to, to serve as constructive tools to ingrain in the heart and soul of the masses that wastefulness and cancerous consumerism triggered by Capitalism's at times over-excessive advertizement system of induced materialism will need to be curbed within the limits and boundaries befitting of the station of humanity and conducive to a balanced and equitable system of wealth creation and sustainable world development.

是时候让娱乐和媒体发挥他们应有的作用了。媒体要以建设性工具的形象植根于民众的脑海。在这个广告泛滥，物质主义盛行的资本主义时代，民众形成了过度浪费和日益严重的消费至上主义。媒体应该将其控制在一定的限度内，以达到有利于人道主义精神，公平公正的社会财富创造体系和世界的可持续发展的目的。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。