主义

In the history study area of China,the history books usually introduce the Nonrecognition Policy same as "Stimson Doctrine",but in fact "Stimson Doctrine"is only a case of the Nonrecognition Policy.

"不承认主义"外交政策是美国多次使用的一项政策，而且与中国有着密切的关系。但是中国史学界对它的介绍和评价，存在一定的片面性。这主要表现在：1 。许多中国史学著作把美国"不承认主义"政策与"史汀生主义"相提并论①；2 。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

Kunio Yanagita's Nihonjinron is"self"construction of rational cultural nationalism, which differs from the"self"construction of occidentalism, nationalism, fascism and postwar democratism, and the"other"construction of cultural anthropology. It is a new pattern of constructing the new-era Japanese national cultural identity.

柳田国男的日本人论是相对理性的文化民族主义的"自我"建构，它与西化主义、国粹主义、国家主义、法西斯主义、战后民主主义的"自我"建构和文化人类学的"他者"建构不同，是建构新时代日本民族文化认同的一种新的模式。

Chinese writers have been marginalized over the past century in various ways; for mainland writers from 1949-1979, the marginalization resulted from ideology; for Chinese writers neglected in the canon of world literature, the cause was Western ethnocentricity; and for specific writers, the sanctions have resulted from the prejudice of Orientalism and of Occidentalism.

上个世纪以来，华人世界的许多作家们由于种种原因被社会边缘化了。比如说，中国大陆的作家在1949-1979年间，由于意识形态的政治原因，被边缘化了。由于西方文化中心主义的原因，中国的作家们被挡在了世界文学的大门之外。另外一些作家不幸沦为"东方主义"和"西方主义"辩论的牺牲品。

Chapter two: Concentrate on several forms of oneiromancy, such as omen, dream notification, reaction and so on. Chapter three: The dream novel of the Tang Dynasty and mysticism. Chapter four: The dream novel of the Tang Dynasty and symbolism.

这样，全文共包括五章：第一章，考究古人对梦的观念的理解；第二章，集中探讨以占梦为主的几种预示形式；第三章，唐代梦小说与神秘主义；第四章，唐代梦小说与象征主义；第五章，唐代梦小说与抒情主义。

Many mental trends and expressions of children such as the theory of aim, panpsychism, realism, and so on, are all derived from egocetrim.

儿童的目的论、为主义、灵论、在论、逻辑主义等精神倾向，都堪称是对于自我中心主义的直接演示或曲折反映。

This article aims to set out basic outline of Schmitt's conception of constitution, and examine his critique on democracy, parliamentarism,"Rechtsstaat", liberalism and pluralism in order to figure out optional clues by reflecting the causes and possible solutions to the problems of contemporary constitutionalism.

本文的目的即在於探究史密特对於宪法概念之理解与界定，藉此审视史密特如何基於此等宪法理论而对於民主、代议体制、市民法治国思想、自由主义、多元主义等当代宪政主义思想之核心内涵进行批判，试图从中获致反思当代宪政主义所面临难题之成因与解决可能途径的另类线索。

The author is surprised to find out that the contents of legal realism are abundant and consist of legal skepticism, legal functionalism and particularism of rules.

笔者在研究中惊奇地发现，法律现实主义具有丰富的内涵——规则怀疑主义、法律功能主义和规则细化主义莫不在其囊中。

In the view of symbolism, a more real and eternal world is hidden deep inside the appreciable impersonality world, which could be comprehensive only by the instinctive gnosis, while the highest task of the creators is to artistically deliver this kind of mystery. Real artist is destined to possess perceptivity differing from the common people, to master the grotesque and gaudy nature and life and create unique charming arts by reaching the bourn of human-object combination.

在这两部作品都能强烈感受到象征主义的哲学----神秘主义，象征主义认为，在可感的客观世界深处，隐藏着一个更为真实的、真正永恒的世界，人们只有凭本能的直觉才能领悟。

For example, the anti-ontology with the aid of that the world is changable continuely; the perspectivism instead of the represenatation theory of the foundationalism; the theory of the power s compound and explain dispelled the depth mould etc.

尼采哲学的新特点主要表现在：以"世界是生成的"观点来反对本体论；以"透视主义"取代基础主义反映论；以"力的复合和阐释"消解本质主义的"深度模式"等等。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。