为所应为

The author mainly presents his ideas in this thesis from the following aspects: To perfect Chinese sports law, China should have its own sports arbitration system so that the law could catch up with the development of Chinese sports and international sports as well; Sports arbitration should aim at fairness and effectiveness; The popularity of sports arbitration institutions and the lawfulness of arbitration procedures and verdict effect make sports arbitration quasi-judicial; As long as sports arbitration is listed in the regulations of sports organizations, it could be applied for its compulsiveness; Sports arbitration is supposed to address the disputes caused by the disciplinary punishment, and that caused by the such major problems like the registration, circulation, and qualifications of the sportsman, and disputes caused by the contracts in sports activities; Mediation procedure and immediate arbitration procedure should be given special attention in the establishment of arbitration procedures; Sports arbitrators should be neutral in solving disputes, and should be a qualified sports worker.

本文认为，为完善中国体育法制建设，适应中国竞技体育发展的实际需求并与国际惯例接轨，中国应尽快设立体育仲裁制度；体育仲裁的价值目标应该是公正和效益；体育仲裁机构的民间性及仲裁程序和裁决效力的司法性，使得体育仲裁的性质具有准司法性；体育仲裁具有强制性的特征，只要体育组织的章程中有体育仲裁的规定，即可申请体育仲裁；体育仲裁的范围应限于竞技体育领域中因体育组织的纪律处罚所引起的纠纷，因运动员注册、流动、转会以及参赛资格等体育专业问题所引起的纠纷，因竞技体育活动中的合同关系所引起的纠纷。体育仲裁的程序建构要突出调解程序和快速仲裁程序；体育仲裁员必须确保中立并且其素质群中还应具备体育知识的素质。

The author mainly presents his ideas in this thesis from the following aspects: To perfect Chinese sports law, China should have its own sports arbitration system so that the law could catch up with the development of Chinese sports and international sports as well; The popularity of Sports arbitration institutions and the lawfulness of arbitration procedures and verdict effect make sports arbitration quasi-judicial; As long as sports arbitration is listed in the regulations of sports organizations, it could be applied for its compulsiveness; sports arbitration is supposed to address the disputes caused by the such major problems like the registration, circulation, and qualifications of the sportsman, and disputes caused by the contracts in sports activities; Mediation procedure and immediate arbitration procedure should be given special attention in the establishment of arbitration procedures; Sports arbitration should be neutral in solving disputes, and should be a qualified sports worker.

本文认为，为完善中国体育法制建设，适应中国竞技体育发展的实际需求并与国际惯例接轨，中国应尽快设立体育仲裁制度：体育仲裁机构的民间性以及仲裁程序和裁决效力的司法性，使得体育仲裁的性质具有准司法性；体育仲裁机构应具有民间性特征，体育仲裁员必须确保中立并具有体育知识素质；体育仲裁具有强制性的特征，只要体育组织的章程或规则中有体育仲裁的规定，即可申请体育仲裁；体育仲裁的范围应限于竞技体育领域中因体育组织的纪律处罚所引起的纠纷，因运动员注册、转会、流动以及参赛资格等体育专业问题所引起的纠纷，因竞技体育活动中的合同关系引起的纠纷等；体育仲裁的程序建构要突出调解程序和快速仲裁程序；体育仲裁也应具有类似于国际商事仲裁的"一裁终局"的效力；由于自身的缺陷，法院可以对体育仲裁裁决予以适当的司法审查，给当事人一个程序化的救济权利的机制。

The buyer must, subject to the provisions of A3, pay all costs relating to the goods from the time they have been delivered in accordance with A4; and all costs and charges relating to the goods whilst in transit until their arrival at the port of destination, unless such costs and charges were for the seller's account under the contract of carriage; and unloading costs including lighterage and wharfage charges, unless such costs and charges were for the seller's account under the contract of carriage; and all additional costs incurred if he fails to give notice in accordance with B7, for the goods from the agreed date or the expiry date of the period fixed for shipment, provided, however, that the goods have been duly appropriated to the contract, that is to say, clearly set aside or otherwise identified as the contract goods; and where applicable 7 , all duties, taxes and other charges as well as die costs of carrying out customs formalities payable upon import of the goods and, where necessary, for their transit through any country less included within the cost of the contract of carriage.

除A3a规定外，买方必须支付自按照A4规定交货时起的一切费用；及货物在运输途中直至到达目的港为止的一切费用，除非这些费用根据运输合同应由卖方支付；及包括驳运费和码头费在内的卸货费，除非这些费用根据运输合同应由卖方支付；及如买方未按照B7规定给予卖方通知，则自约定的装运日期或装运期限届满之日起，货物所发生的一切额外费用，但以该项货物已正式划归合同项下，即清楚地划出或以其他方式确定为合同项下之货物为限；及在需要办理海关手续时，货物进口应交纳的一切关税、税款和其他费用，及办理海关手续的费用，以及需要时从他国过境的费用，除非这些费用已包括在运输合同中。

During the detailed dissertation in this paper, it explains the meaning of the conception of "To perceive object voluntary and paint it" from the history and ideological background that make it be produced and considers that it is the principle of Chinese traditional painting ,relationship of main body and object which contained in it effect each other and being dialectic unity; Secondly, in the text it analyzes the characters of ancient scholars' painting between main body and object, then concludes that the characters of ancient scholar's painting are "not in pursuit of the similitude of appearance ","simple" and "formality".

在具体的论述中，本文从"应物象形"产生的历史条件与思想背景入手，还原"应物象形"概念的涵义，认为"应物象形"是关于中国传统绘画造"形"的准则，其中所包含的绘画创作主客体之间的关系是两相并举，互渗互化，辨证统一的；其次，文章对于文人画造"形"的特点和主客体进行分析，将文人画的造"形"特点归纳为："不求形似"、简约、程式化，并认为文人画造"形"严重偏向于主体，轻视客体；最后，文章分别将文人画造"形"的主客体与"应物象形"的主客体进行比较，得出结论：文人画造"形"不同于"应物象形"。

If any works shall become necessary as a result of any amendment or re-enactment of any law or governmental regulation relating to the Goods, taking effect after the date of this Agreement, AAA shall bear and reimburse STORER the agreed costs (which agreement shall not be unreasonably withheld and which the Parties shall use their best endeavours to reach before the commencement of such works) incurred by STORER for such works Provided that such works shall be used by STORER for the duration and purposes of this Agreement, and not less than three (3) months before the expiry or termination of this Agreement the Parties shall discuss whether such agreed costs shall be shared between the Parties, and

如果与货物相关的任何修改或任何法律或政府管制所导致成为必须做的任何工作在本协议日期后实施，对于仓储方为此类工作所发生的费用，AAA公司应承担并向仓储方偿付商定的费用（该商定不得被无理扣压并且在此类工作开始之前双方应尽各自最大的努力达成此商定），条件是此类工作应由仓储方在本协议期限内并出于本协议之目的而采用，并且至少应在本协议终止期三（3）个月前，双方应讨论此类商定费用是否应由双方承担，以及

And therefore, whatever form the common-wealth is under, the ruling power ought to govern by declared and received laws, and not by extemporary dictates and undetermined resolutions: for then mankind will be in a far worse condition than in the state of nature, if they shall have armed one, or a few men with the joint power of a multitude, to force them to obey at pleasure the exorbitant and unlimited decrees of their sudden thoughts, or unrestrained, and till that moment unknown wills, without having any measures set down which may guide and justify their actions: for all the power the government has, being only for the good of the society, as it ought not to be arbitrary and at pleasure, so it ought to be exercised by established and promulgated laws; that both the people may know their duty, and be safe and secure within the limits of the law; and the rulers too kept within their bounds, and not be tempted, by the power they have in their hands, to employ it to such purposes, and by such measures, as they would not have known, and own not willingly.

因此，国家无论采取什么形式，其统治权力都应依据业已公布且被接受的法律而不是临时的指令或犹豫不定的决义来进行治理；因为，假若人类用群众的联合的力量来武装一个或几个人，任其随心所欲地迫使人们服从其一时心血来潮所做出的种种过分的、无限制的命令或是毫无节制的、此时尚不得而知的意志，而同时却没有任何固定的措施来引导他们的行为或为之辩护，那么，人类将处于比自然状态远为糟糕的境地；既然政府所拥有的一切权力均旨在为社会谋福利，因而不应专断独行、随心所欲，因此，它必须依据明确规定且公诸于众的法律来行使；这样，不仅人民可以了解他们的义务，在法律范围内得到安全和保障；而且，统治者也可以受到法律的约束，而不致被手中掌握的权力所诱惑，进而利用它达到特定的目的，且采用特定的手段，而这样的目的和手段是他们本来可能不会知道、也不愿承认的。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

While detecting the patients with ureterolithiasis, if the width of renal pelvis is 0 mm, it is necessary to measure the width of another kidney and compare with them. If the width of ill renal pelvis is extended by 3 1 mm, the diagnosis of hydronephrosis can be established, then, combining with other signs, such as ureterectasis, the diagnosis of ureterolithiasis can be set up.

输尿管结石所致0 mm肾积水的发生率为 29 47％，超声诊断输尿管结石所致肾积水0 mm时应作两侧比较，当两侧集合系统宽度差别≥3 1 mm时，应考虑肾积水的存在，此时应结合临床、是否合并同侧输尿管扩张、合并结石等情况而作出肾积水的诊断。

During the detailed dissertation in this paper, it explains the meaning of the conception of "To perceive object voluntary and paint it" from the history and ideological background that make it be produced and considers that it is the principle of Chinese traditional painting ,relationship of main body and object which contained in it effect each other and being dialectic unity; Secondly, in the text it analyzes the characters of ancient scholars' painting between main body and object, then concludes that the characters of ancient scholar's painting are "not in pursuit of the similitude of appearance ","simple" and "formality".

在具体的论述中，本文从&应物象形&产生的历史条件与思想背景入手，还原&应物象形&概念的涵义，认为&应物象形&是关于中国传统绘画造&形&的准则，其中所包含的绘画创作主客体之间的关系是两相并举，互渗互化，辨证统一的；其次，文章对于文人画造&形&的特点和主客体进行分析，将文人画的造&形&特点归纳为：&不求形似&、简约、程式化，并认为文人画造&形&严重偏向于主体，轻视客体；最后，文章分别将文人画造&形&的主客体与&应物象形&的主客体进行比较，得出结论：文人画造&形&不同于&应物象形&。

You know, sometimes I'll go to an eighth-grade graduation and there's all that pomp and circumstance and gowns and flowers.

第二个教训是，我们为父所应做的是传给我们孩子对人应有同感empathy的人生价值。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。