为了什么

For those aching for some live bluegrass, old-time, and country music, it simply doesn't get any more authentic than The Redbucks. Performing their down-home repertoire of American roots music for over a year, this ensemble of fiddle, banjo, mandolin, guitar, upright bass and sweet, soul-wilting harmonies has made them one of Beijing's most in-demand bands. To celebrate their first album, All that Glitters, The Redbucks will play a CD release show at Yugong Yishan on June 5th, and then embark on a tour across China in July. The Redbucks guarantee a stompin' good ole time!

对于那些渴望蓝草、old-time和乡村音乐现场的人来说，没有什么比The Redbucks更真实了他们表演根植于美国的南方音乐已经超过一年，由小提前、班卓琴、曼陀林、吉他、贝斯形成的甜美的、渗入灵魂的和弦音，使他们成为北京最受欢迎的乐队之一为了庆祝他们的首张专辑《All that Glitters》，The Redbucks将于6月5日在愚公移山上演专辑首发演出，并即将在今年七月开始中国巡演

It seems that some people phone the hotlines in fun. They just want to let the listeners hear them. They don't care what the topic is, whether they themselves are interested in the topic or how silly they appear to be.

看起来是有些人打电话纯粹为了娱乐，他们只想让听众听到他们的声音，他们并不关心讨论的话题是什么，也不关心他们是否对这些问题感兴趣以及他们表现的有多傻。

Geach and other writers would have a point if "pain" in my idiolect did make some essential reference to myself, for then "what is similar to my pain but not mine" would presumably be contradictory.

Geach和其他作者有这么一个关键点，如果&疼&在我的习语中是本质上'指向自己'的，那么，为了&有什么类似我的疼但不是我的&会是矛盾的。

To make an image of God, in the shape or form of anything in this world, is to reduce the Creator to something less than his creation, and to worship such an image would be false.

使上帝的画像，在形态或形式，什么在这个世界上，是为了减少创建者不到他的创作，并崇拜这样一个形象的做法是错误的。

The power confided to me will be used to hold, occupy, and possess the property and places belonging to the Government and to collect the duties and imposts; but beyond what may be necessary for these objects, there will be no invasion, no using of force against or among the people anywhere.

赋予我的权力将被用来保持、占有和掌管属于政府的一切财产和土地。征收各种税款和关税；但除开为了这些目的确有必要这外，决不会有什么入侵问题——决不会在任何地方对人民，或在人民之间使用武力。

What's help of this isms if they are not for life?

如果不是为了生活，这些主义有什么用。

To help fill in some of the action, Burtt has cut in some crude animatics, storyboard art, placeholder text, Episode I footage, and photography of maquettes to give a sense of what this would look like finished.

为了完善部分动作场景，让观众了解完成版影片会是个什么样子，伯特加进了部分初级动画，情节串联板绘画，占位符原文，EP1镜头，以及初步设计模型或草图的摄影图片。

Marques Houston Smile for me, Girl your so beautiful to me, And I can be your fantasy, Give you anything you need, Baby won't you, Smile for me, Girl your so beautiful to me, And I can be your fantasy, Give you everything you need, Baby won't you smile Girl listen when I tell ya whats on my mind, To you I will devote my time, To you I'll never tell a lie, And there's so much that I just cannot guesture why, Why I can't get you off my mind, So girl you must show me that you can........

马奎斯阿马休斯顿微笑对我来说，你这么漂亮的女孩给我，我可以成为你的幻想，给你你需要什么，宝贝不会你，微笑对我来说，你这么漂亮的女孩给我，我可以成为你的幻想，给你你需要的一切，宝贝将不会你的微笑女孩听的时候我告诉亚最新对我的印象中，为了你，我将用我的时间，给你我永远不会说谎，还有这么多，我就不能知道为什么，为什么我不能让你从我的脑海，所以姑娘你必须告诉我，你可以。。。。。。。。

It's not my intention to sound xenophobic here, and naturally leniency must be granted to the fact that there is room for improvement in us all, but there is evidence stronger than some of the weak moustaches that at the age when it's deemed appropriate to come to terms with adulthood many young Chinese are giving the impression of adolescence.

我对什么是有价值的生存没有概念，但我总是不停地想，我在苏格兰的同龄人，是否会愿意在努力学习、做作业的同时，还要迎合长辈们离奇的愿望，比如让所有的孩子都去学钢琴——仅仅是为了让他们在派对中表演。

Actually, I have wracked my mind and heart for what I ought to say to you today.

事实上，为了确定今天应该对你们说些什么，我真是绞尽了脑汁。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。