为了什么

Loving does not at first mean merging, surrendering, and uniting with another person (for what would a union be of two people who are unclarified, unfinished, and still incoherent), it is a high inducement for the individual to ripen, to become something in himself, to become world, to become world in himself for the sake of another person; it is a great, demanding claim on him, something that chooses him and calls him to vast distances.

爱的要义并不是什么倾心、献身、或二人的结合（那会是怎样的一种结合呢？是一种糊涂的、不负责任的、轻率的结合）。它对于个人是一种崇高的动力，是去成熟并实现自身的圆满，去完成一个世界，是为了另一个人而完成一个自己的世界，这是一个艰巨的，不可妥协的目标，用坚定的信念，向远方召唤。

Loving does not at first mean merging surrendering, and uniting with another person(for what would a union be of two people who are unclarified, unfinished, and still incoherent),it is a high inducement for the individual to ripen to become something in himself, bo become world, to become world in himself for the sake of another person;it is a great, demanding claim on him, something that chooses him and calls him to vast distances.

爱的要义并不是什么倾心、献身或二人的结合（那会是怎样的一种结合呢？是一种糊涂的、不负责任的、轻率的结合）。它对于个人是一种崇高的动力，是去成熟并实现自身的完善，去完成一个世界，是为了另一个人而完成一个自己的世界，这是一个艰巨的、不可妥协的目标，用坚定的信念，召唤其走向更广阔的空间。

Loving does not at first mean merging , surrendering , and uniting with another person ( for what would a union be of two people who are unclarified , unfinished , and still incoherent ), it is a high inducement for the individual to ripen , to become something in himself , to become world , to become world in himself for the sake of another person ; it is a great , demanding claim on him , something that chooses him and calls him to vast distances .

爱的要义并不是什么倾心、献身或二人的结合（那会是怎样的一种结合呢？是一种糊涂的、不负责任的、轻率的结合）。它对于个人是一种崇高的动力，是去成熟并实现自身的完善，去完成一个世界，是为了另一个人而完成一个自己的世界，这是一个艰巨的、不可妥协的目标，用坚定的信念，召唤其走向更广阔的空间。

I not only thought these the pure Productions of Providence for my Support, but not doubting, but that there was more in the Place, I went all over that Part of the Island, where I had been before, peering in every Corner, and under every Rock, to see for more of it, but I could not find any; at last it occur'd to my Thoughts, that I had shook a Bag of Chickens Meat out in that Place, and then the Wonder began to cease; and I must confess, my religious Thankfulness to God's Providence began to abate too upon the Discovering that all this was nothing but what was common; tho' I ought to have been as thankful for so strange and unforseen Providence, as if it had been miraculous; for it was really the Work of Providence as to me, that should order or appoint, that 10 or 12 Grains of Corn should remain unspoil'd,(when the Rats had destroy'd all the rest,) as if it had been dropt from Heaven; as also, that I should throw it out in that particular Place, where it being in the Shade of a high Rock, it sprang up immediately; whereas, if I had thrown it anywhere else, at that Time, it had been burnt up and destroy'd.

当时，我不仅认为这些谷类都是老天为了让我活命而赐给我的，并且还相信岛上其他地方一定还有。于是，我在岛上搜遍了我曾经到过的地方，每个角落，每块岩石边我都查看了一遍，想找到麦穗和稻秆，可是，再也找不到了。最后，我终于想起，我曾经有一只放鸡饲料的袋子，我把里面剩下的谷壳抖到了岩壁下。这一想，我惊异的心情一扫而光。老实说，我认为这一切都是极其平常的事，所以我对上帝的感恩之情也随之减退了。然而，对发生这样的奇迹，对意料之外的天意，我还是应该感恩戴德的。老鼠吃掉了绝大部分谷粒，而仅存的十几颗竟然没有坏掉，仿佛从天上掉下来似的，发生这样的奇迹难道不是天意又是什么呢？再说，我把这十几颗谷粒不扔在其他地方，恰恰扔在岩壁下，因而遮住了太阳，使其很快长了出来；如果丢在别处，肯定早就给太阳晒死了，这难道不是天意吗？

I was sure that I was safe,but I wanted to say something,just a word or two,to show how unworried I was.

我确信自己是安全的，但又想说点什么，哪怕是一两句话，就为了表示一下我是多么满不在乎、清白无辜。

These six things will make your audience get their rear in gear to dash out to buy your product or service, choose you for a project or spokesperson, or pick up the phone right now to order whatever you are selling.

这六个东西将使你后排观众得到齿轮冲出来买你的产品或服务，你选择一个项目或善尽现在还是拿起手机给你是为了卖什么。

Baby girl You know my situation And sometimes I know you get impatient But you dont put to on a show to get ovations Take it to court and go through litagations And I respect ya gangsta Treat you like a princess And put something on your neck to thank ya Shes my pinch hitta When the startin lineup aint playin right I come off the bench wit her It might sound like im gassin ya But it took time to get from the back seat to the passenger We been creepin and sneakin Just to keep it from leakin We so deep in our freakin That we dont sleep on the weekend Wifey A little bit uptight Wonderin why he comin home in the middle of the night Itll be alright if yall bump heads itll be a fight But i said itll be alright Come on I really wanna be with you be with you But I gotta be real with you real with you I cant leave you alone lone And I know I live and grown But i cant let ya go Your the one i want in my life want in my life Already got a wife got a wife Cant leave you alone lone And I know I live and grown But I cant let ya go You aint ever step out of line Or get out a pocket So i made sure canary sent out your locket To protect you, ill get out and cock it And you know the barrel of my gun is big enough to spit out a rocket Oh, you gonna play dumb if cops do come through I gotta keep the top up if my drop do come through But i know the boutiques and the shops you run through So i cop her one, and cop you one too You always get a daily page, weekly ring Plus you aint too shy to do them freaky things I aint gotta put a band on your finger I worry about you tellin the whole world im your new allen springer At first you were somethin i denied Something I would slide Just do somethin in the ride But shorty Theres something that you provide Cause the entre pain is good without somethin on the side You know I really wanna be with you be with you But I gotta be real with you real with you I cant leave you alone lone And I know I live and grown But i cant let ya go Your the one i want in my life want in my life Already got a wife got a wife Cant leave you alone lone And I know I live and grown But I cant let ya go Uh oh, i might be leavin the earth soon My girl gonna kill me if she smells the scent of your perfume Its gonna be a clip towards if I go back With stains of your lip gloss on my throwback She wont care if im a platinum rapper If she catch me with an empty magnum wrapper So keep it on the down low call the carsely You seen what happened with Mr. Big and R Kelly You know I get from you Anytime this chick is there for you Feelings imma share wit you Which makes it a Lil Mo clear for you x2 I really wanna be with you be with you But I gotta be real with you real with you

女婴 你知道我的处境有时候，我知道你不耐烦但你dont提出对表演获得掌声是否向法院经过litagations 我就帮遐把你像公主并提出一些对你的脖子谢遐畲族我捏hitta 当做起阵容并不是playin权我来替补，她风趣它听起来像即时几率遐但花时间从后座向乘客我们已经和creepin sneakin 刚刚把它从渗漏我们这么深的年freakin 我们dont睡上周末 wifey 有点紧张 wonderin为什么他搭档的家中半夜 itll予以好吧，如果男子跳车元首itll被扑灭但我说itll予以好吗来我真想与你与你但我干真正与你真正与你着我离开你独自独行我知道我的生活和成长但我让着去遐你的一个，我想在我的生命中希望我的人生已有一个妻子了妻子着离开你独自独行我知道我的生活和成长但我让着去遐你是不是有史以来走出线还是走出了口袋所以，我作了肯定的金丝雀寄出你的头发为了保护你，生病走出它公鸡你知道枪管的枪，我是足够大吐出火箭哦，你再拖扮演哑巴，如果警察不来，通过我干随时补足，如果我落不来通过但我知道，专卖店和商铺，你流经所以她的缔约方之一，并缔约方之一，你太你总是得到页每日，每周响另外你是不是太害羞做事情freaky 我并不是干把带手指我担心你tellin全世界即时你的新阿伦螺旋藻起初你somethin本人否认我将下滑刚做somethin在坐但shorty 照片theres东西，你提供造成entre痛是好的无somethin对方你知道我真想与你与你但我干真正与你真正与你着我离开你独自独行我知道我的生活和成长但我让着去遐你的一个，我想在我的生命中希望我的人生已有一个妻子了妻子着离开你独自独行我知道我的生活和成长但我让着去遐呵哦，我可寄至地球快我的女孩再拖杀了我，如果她的气味香，你的香水其再拖剪辑走向，如果我回去污渍与你唇光泽我倒退她で照顾，如果即时白金唱片如果她追上我用空枕包装所以保持对低下来致电carsely 你看到发生了什么大先生和r凯利你知道我从你随时这只小鸡有你投书感受分享您智慧这使它成为莫律清楚，你χ2 我真想与你与你但我干真正与你真正与你但我干真正与你真正与你着我离开你独自独行我知道我的生活和成长但我让着去遐你的一个，我想在我的生命中希望我的人生已有一个妻子了妻子着离开你独自独行我知道我的生活和成长但我让着去遐我真想与你与你但我干真正与你真正与你着我离开你独自独行我知道我的生活和成长但我让着去遐你的一个，我想在我的生命中希望我的人生已有一个妻子了妻子着离开你独自独行我知道我的生活和成长但我让着去遐

He would stick at nothing to preserve his privileges.

为了维护自己的特权，他什么事都做得出来。

He'll stick at nothing to get complete power.

为了揽取全权，他什么都干得出来。

A bigger problem may be the fear among political elites, some of whom will stick at nothing to stay in power and out of jail.

政治精英间的恐惧是一个更大的问题。他们中有些人为了掌权和不入狱什么都能做。&Berlusconi就是个例子。&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。