为了

To accomplish what we do,we have to stave off all distractions ,and give up many special pleasure for the work we do.

为了完成我们的工作，我们必须避开一切困扰，为了我们的工作，我们放弃了许多的快乐。

Ambition is to life just what steam is to the locomotive.

吃饭是为了生存而不是生存为了吃饭。

Dear Stepdaughter: You are so right, and not just for America's history, but for our personal family histories.

亲爱的养女：妳说的很对，而且这样做不仅是为了美国历史，也为了自己的家族历史。

At the same time, it produced a series of imaginings that became deeper and deeper – it was like a hypothetical point that allowed me to be completely immersed in the actual cultural background. Various human weaknesses have certain solemn and stirringly dramatic elements. In order to adapt to the basic visual experience, in order to allow the audience to easily accept and enjoy the underlying elements of the work, I intentionally left white spaces, they looked like hints in a guessing game. The viewer who understands would have a good laugh after becoming suddenly enlightened. This enables the viewer and me to have a sort of conspiratorial relationship, its meaning does not reside in the painting itself, but in the shared cultural background of myself and the audience as well as the shared attitude of such a cultural background. This makes it believable, a hidden bridge, often in a somewhat clear yet somewhat mysterious moment, two strangers who have never met are able to achieve a profound understanding, like that happiness of suddenly catching someone when playing hide and seek as a child ...

同时，阐发了一系列的联想，并使之不断地深入，它就像一个假设的点，将我置身于整个现实文化背景之中，这里人的种种缺陷带有某种悲壮成分的戏剧性，为了适应基本的视觉经验，为了使观众一目了然地接受并乐于体味作品中的潜在因素提供某种线索，我留有一些空白，它类似猜谜游戏中的启示，能使会心的观众茅塞顿开后一场哑然失笑，能使我和观众之间形成一种合谋关系，其意义不在画面本身，而在于我和观众之间存有共同的现实文化背景，以及对这种文化背景所持有的共同态度，它也就是有了可信性，就像冥冥中桥梁，常常在时而明晰时而神秘的一瞬，两个素昧平生的陌生人之间突然达到了心领神会的境地，如同儿时捉迷藏游戏中突然捉到对方时的开心……。

Prudence, indeed, will dictate that governments long established should not be changed for light and transient causes; and accordingly all experience hath shown that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed.

为了慎重起见，成立多年的政府，是不应当由于轻微和短暂的原因而予以变更的。过去的一切经验也都说明，任何苦难，只要是尚能忍受，人类都宁愿容忍，而无意为了本身的权益便废除他们久已习惯了的政府。

Resembling carrying sunbonnet on the head then is not for sunshade , and that unlined upper garment that connect a cap also is not for drive cold , what Cameroon person needs is the pleasure that try to be unique forever .

就像那顶太阳帽并不是为了遮阳，而那件连帽衫也并不是为了御寒，喀麦隆人需要的永远是别出心裁的快感。

I will stand on my feet,for Sura,for all you.

我将要坚持我的脚步，为了修罗，为了你。

I am a survivor not only for myself, but for my family and for Michael too.

我是一个幸存者，不仅仅是为了我自己，更是为了我的家人，还有迈克尔！

Remember, our main purpose is not for searching, but for the SWAG BUCKS$$$$ If I really need something, I still use google.

我们用这个网站的目的不是为了搜索，而是为了赚钱！我还是用google 来搜索正经东西的

In these two models,it issuggested that the method of the stiffness matrix symmetrize for the state of sliding contact in orderto making use of FEM's resolver,resolving the large problems,lowering computer memory spaceand increasing efficiency.

在上述两种接触单元模型中，为了利用FEM软件包的求解器，为了解决大型问题，降低计算机内存占有量，提高机器效率，对于滑动接触状态提出了一种使刚度矩阵对称化的方法。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。