为...而...

Tactics; temporize.

为争取时间而拖延使用拖延战术；为争取时间而拖延

Some people believed that, is living is for oneself joyful, therefore they to one's heart's content seek pleasure; Also some people believed that, therefore is living is can live well for the periphery person is living they with every effort for other people, makes the contribution for the society; Also some people believed,The human lives th is in order to know why oneself is living, therefore they seek unceasingly, discovery.

有的人认为，活着是为了自己快乐，于是他们纵情寻欢；也有的人认为，活着是为了周围的人能够更好地活着而活着于是他们尽力为他人，为社会做贡献；还有的人认为，人活一世就是为了知道自己为什么而活着，于是他们不断求索，发现。

But the fact is that a single live parts = 200 copies of the business card printing and membership card making greater product market, the market because the existence of traditionary radiotheropy and severely restricted, machine digital business card printing and membership card making is in response to this area that it can be a screen business card printing and membership card-making enterprises to provide a fast, high quality, high added value solutions.

然而事实却是单个活件≤200份的制卡和会员卡制作品市场更为庞大，这个市场因为上述传统制作局限的存在而受到很大的限制，宽幅数码制卡和会员卡制作正是为应对这一领域而产生的，它可以为网版制卡和会员卡制作企业提供快捷、高品质、高附加值的解决方案。

All beings as the root of tree, all Buddha and Bodhisattvas as the flower and fruit, Bodhisattva give all beings the benefit of water of compassion, should blossom and come to fruition of all Buddha.

一切众生而为树根，诸佛菩萨而为华果。

The experimental results show that the spectral width caused by using overall affix is 0.28 nm, and the linearity of using two-spot affix increases by 1.89%.

由实验结果得出，在压力为0~4N测量范围内，采用全粘附耦合引起的FBG反射光谱的展宽约为0.28nm；采用两点粘附耦合后，谱宽不随压力而变，而线性度较之全粘贴耦合时提高了1.89%。

Bothstand design, created five years, the initial form it is in school Industrial Arts Institute to design a youth group spontaneous studios, Practice has studied design knowledge in terms of return for lending city's overjoyed up to today's two-up design has never changed is insisting on creative and continue to serve, There is adhering to understand design schools to design a youth every one of the hidden potential of the need to motivate design platform BOTHSTAND design for the design of many of the requirements of the professional practice Enterprises, units and the design of institutions are given the ability to respond.

双立设计，创立5年，最初的形态实是在校工艺美术学院一群设计青年的自发工作室，实践所学设计知识而不计回报，为妆点城市黛眉之笔而欣喜，走到今天的双立设计从未改变的是坚持创意，坚持服务，还有就是坚持理解设计院校每一个设计青年暗藏的设计潜力需要激发的平台，双立设计为诸多对设计提出实践要求的专业企业、单位及设计院校给与力所能力的回应。

While Sansho Dayu, with its labour camps and tyrannous overseers, can be interpreted as a direct response to Japan's own actions during the era of militarism, the distant historical setting similarly encourages viewers to read it as a generalised examination of man's inhumanity to man, valid for all times and places.

而包含有劳动营以及暴虐监工的《山椒大夫》，则可被解读为是对日本在军国主义时代自身做法的直接回应，遥远的历史设定同样激励着观影者们将此理解为：对一种放之四海或万代而皆准的、人对人之残暴行为的一般性研究。

An indignant denial; incensed at the judges' unfairness; a look of outraged disbelief; umbrageous at the loss of their territory.

愤怒的拒绝；为法官的不公平而怨怒；愤怒、怀疑的表情；为丧失了他们的领土而怨怒。

For the Buddhists, there are five great duties: not to kill any living creature, not to steal, not to act unchastely, not to lie, not to drink intoxicating liquor.

为佛教徒，有5大职责：不要杀死任何生物，而不是为境外窃取，不采取行动的unchastely ，而不是谎言，不是喝烈酒。

Idas and marpessa presently arrived at a riverside,where idas put down his beloved to enjoy a bit of rest and food and drink.they spent the night in a temple nearby.when morning came,idas found that marpessa had been stolen by apollo.he ran after the immortal god-apollo,feeling quite ready to fight and die for his love.apollo held his unescapable arrows .idas went forward with his sword.the duel was about to start when suddenly they heard a thunder bolt round about,and zeus himself arrived to stop the unequal contest.he gave the maiden the choice between immorality and eternal glory on one side and on the other a mortal life of faithful love mixed with endless cares and griefs .fearing infidelity on part of a god ,marpessa turned down the sweet promises of apollo and chose for her companion in life one capable of a like fate.apollo left in bad spirits; idas felt on top of the world .

不久伊达斯和玛彭莎来到江边。伊达斯放下情人歇息以恢复精力。他们在附近一寺庙中过夜。早晨醒来，伊达斯发现阿波罗将玛彭莎偷走了。他追赶那长生不老的太阳神，准备与他的战斗，为爱情而献身。阿波罗握着百发百中的箭，而伊达斯手持短剑迎面而上。决斗即将开始。突然，他们周围响起了雷电声。原来是宙斯赶来制止这场不公平的决斗。宙斯让玛彭莎作出选择：要么长生不老，享受永久的荣耀；要么对爱情忠贞不渝，而过一种充满忧虑和悲伤的凡人的生活。由于怕神对爱情不忠，玛彭莎谢绝了阿波罗甜蜜的许诺。她选择了能同甘共苦的人作伴侣。阿波罗垂头丧气地走了。伊达斯则感到万分喜悦。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。