为...而...

Let us animate and encourage each other, and show the whole world that a free man contending for liberty on his own ground is superior to any slavish mercenary on earth.

让我们互相激励，向全世界展示，在自己的国土上为自由而战的人要比地球上任何为金钱而战的乌合之众崇高。

This scheme takes glass acrylics as the main material and frustum while lamps, light and shadow as the main shaping means. We believe that we should use a kind of "flowing" beauty to express the sense of freedom and good order, integrate materials and techniques and take full use of simple ways so as to give people a sense of dizzy smoothness not a kind of ostentatiousness.

本案中以玻璃压克力为主材，为截体，而灯、光、影是主要的造型手段，我们认为要将一种"流动"的美表现出淋漓有序的感觉，利用材料和技法的相辅相成并通过朴实的手法自然的实现，才可能使人感受到一种眩目中的流畅，而不是一种浮华。

To commemorate the 18th anniversary of the June 4 massacre, we ask that you join us to dedicate a bunch of white flowers to the Flying French outside the Cultural Centre. A simple and gentle gesture of mourning that speaks a thousand words: respect for those who gave up their lives for the fight of freedom.

为纪念六四事件十八周年，我们仅呼吁各方友好，於六四当日前往位於尖沙咀文化中心外，已故法国艺术家凯撒作品《自由战士》脚下，献上一束白花，透过最简单而意味深长的方式，向十八年前在天安门广场上殉难的人们、和所有曾为自由而牺牲的人们，作出最衷心的致敬。

Despite all the glamour and glitz of the Oscars there is a good reason for people to be there,not for the films,but for the dresses.

尽管奥斯卡光芒四射，但出席颁奖典礼的人不仅仅为电影而来，更多的是为服装而来。

No He won't have it , he knows his whole back city's ropes It don't matter, he's dope He knows that, but he's broke He's so stacked that he knows When he goes back to his mobile home, that's when it's Back to the lab again yo This whole rap shit He better go capture this moment and hope it don't pass him You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo The soul's escaping, through this hole that it's gaping This world is mine for the taking Make me king, as we move toward a, new world order A normal life is borin, but superstardom's close to post mortar It only grows harder, only grows hotter He blows us all over these hoes is all on him Coast to coast shows, he's know as the globetrotter Lonely roads, God only knows He's grown farther from home, he's no father He goes home and barely knows his own daughter But hold your nose cuz here goes the cold water His bosses don't want him no mo, he's cold product They moved on to the next schmoe who flows He nose dove and sold nada So the soap opera is told and unfolds I suppose it's old potna, but the beat goes on Da da dum da dum da da You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo No more games, I'ma change what you call rage Tear this mothafuckin roof off like 2 dogs caged I was playin in the beginnin, the mood all changed I been chewed up and spit out and booed off stage But I kept rhymin and stepwritin the next cypher Best believe somebody's payin the pied piper All the pain inside amplified by the fact That I can't get by with my 9 to 5 And I can't provide the right type of life for my family Cuz man, these goddam food stamps don't buy diapers And it's no movie, there's no Mekhi Phifer, this is my life And these times are so hard and it's getting even harder Tryin to feed and water my seed, plus See dishonor caught up bein a father and a prima donna Baby mama drama's screamin on and Too much for me to wanna Stay in one spot, another jam or not Has gotten me to the point, I'm like a snail I've got to formulate a plot fore I end up in jail or shot Success is my only mothafuckin option, failure's not Mom, I love you, but this trail has got to go I cannot grow old in Salem's lot So here I go is my shot.

无 他不会有，他知道他的整个回城的绳索它不处理此事，但他的涂料他知道，但他的突破他的，所以堆叠他知道当他回到他的手机在家，就什么时候，它的回到实验室又摇摇这整个说唱为Shit 他最好去捕捉这一刻，并希望它不通过他您更好地失去了自己在音乐，时刻你拥有它，你最好永远不会放手你只能获得一杆，千万不要错过你的机会，以打击这个机遇而来的一生中只有一次的心灵灵魂的逃亡，透过这个洞，它的溃烂这个世界是矿井为录取令我国王，因为我们走向一个新的世界秩序过正常的生活，是borin ，但superstardom的接近邮政砂浆它不仅日益困难，只有长大白热化他的打击我们所有这些锄头，是所有对他的海岸到海岸的表演，他知道作为globetrotter 寂寞的道路，只有上帝知道他的成长到离家远，他的父亲并没有他回家，勉强知道自己的女儿但对于你的鼻子cuz这里有云冷水他的老板不希望他没有谟，他的冷战产物他们转移到下一schmoe谁流向他的鼻子鸽派和出售纳达所以肥皂歌剧是告诉，并逐步落实我想它的旧potna ，但在街上巡逻下去大达达姆弹达达姆弹达大您更好地失去了自己在音乐，时刻你拥有它，你最好永远不会放手你只能获得一杆，千万不要错过你的机会，以打击这个机遇而来的一生中只有一次的心灵没有更多游戏，我是改变你们称之为愤怒催泪这mothafuckin屋顶起飞一样二日犬笼我是playin在beginnin ，心情，一切都变了我是咀嚼起来，吐出一片嘘声起飞阶段但我一直rhymin和stepwritin未来的CYPHER 最好相信有人的payin该pied伯尔所有的痛苦内扩增事实我不能得到我的9至5月我不能提供适当类型的生命，因为我的家庭 cuz男子，这些goddam粮票不买尿布它的不看电影，有没有mekhi phifer ，这是我的生命这些时代，所以很难和它变得更难 tryin到饲料和水我的种子，加上见荣辱赶上了bein父亲和表面唐娜宝宝妈妈戏剧的尖叫和太多，我想留在现场的一个，另一个果酱或不得到了我的一点，我想蜗牛我必须制订一项阴谋前列我结束了在监狱或打针成功是我唯一的mothafuckin选择，失败的不是妈妈，我爱你，但这个线索已经去我不能老在塞勒姆的地段所以在这里，我去的是我的了一枪。

Grecian laurel for this season, but is luxuriant, loves for this day, but happy.

月桂树为这个季节而茂盛，爱为这一天而美好。

Many life time parks will be remember by people because of its special building.these building or rise straight from the ground, or open to spread chen, its generous grand view all sighs the people of this world for the view.they since is the symbol of the meeting topic in a life time park, become a life time park again in the meantime would the thing turn of the permanence is memorial.the 埃菲 the 尔 iron pagoda of france are an example of the typical models.in 1889, paris will build up topic tower-埃菲尔 iron pagoda for a life time park.in the days to come, the 埃菲尔 iron pagoda became the permanent symbol of frances then.but"99 half-hardy expositions in world in kunming"s same in our china left a thing to turn for us of the permanence is memorial-kunming a life time 博 park.

许多届世园会因其独特的建筑而被人们记住。这些建筑或拔地而起，或开放铺陈，其恢宏壮观无不令世人叹为观止。它们既是世园会主题的象征，同时又成为世园会物化了的永久纪念。法国的埃菲尔铁塔就是典型的一例。1889年，巴黎为世园会建立了主题塔——埃菲尔铁塔。日后，埃菲尔铁塔便成为了法国的永久象征。而我们的中国"99昆明世界园艺博览会"同样为我们留下了物化的永久纪念——昆明世博园。

Hazlitt赫斯特 Other men live to eat, while I eat to live.

别人为食而生存，我为生存而食。

Such are those to whom some state is given either for money or by the favour of him who bestows it; as happened to many in Greece, in the cities of Ionia and of the Hellespont, where princes were made by Darius, in order that they might hold the cities both for his security and his glory; as also were those emperors who, by the corruption of the soldiers, from being citizens came to empire.

那些依靠金钱或者由于他人的恩惠赐与而获得某一国家的人们就是这样的人。在希腊的伊奥尼亚和赫莱斯蓬等城市，就有许多这样的事例。在这些城市里，他们是由大流士立为君主的，为的是使他们为着大流士的安全和荣誉而保有这些城市。还有那些依靠收买军队，从平民跃登宝座的皇帝们亦复如此。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.

黑尔就义在8个街区之外，5个街区之外的出版社办公室中厄内斯特？海明威(1899-1961，美国著名作家)曾挥拳击中马科斯？伊斯特曼（海明威同时代美国政治家）的鼻子，在4英里外瓦尔特？惠特曼(1819-1892，美国诗人)曾奋力为《鹰报》撰写社论，34个街区之外是威拉？凯瑟(1873-1947，美国作家)在纽约为内布拉斯加拓荒者著书立传时居住的街道，玛瑟琳曾经常在一个街区之外的马戏场扮演小丑，36个街区之外是历史学家乔高德在大庭广众下踢烂收音机的地方，哈里？福射在13个街区之外杀了斯坦福？怀特（1906年），5个街区之外是我曾做引座员的大都会歌剧院，而在112个街区之外老克拉伦斯？戴(1874-1935，美国作家)在主现节教堂洗去他的罪过；也因而，我此刻置身的房间可能迎接过无数显赫人物，一些人是在令人窒息的炎热下午到来，孤独而隐退，散发着莫名的自我。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。