为.....而生活

Therefore Dai Shenghong's painting language has no predefined metaphors. Her direct narration transforms meaningful realistic scenario into simple image patterns "awkwardly" presented on the canvas. The painting style also goes hand in hand with the subject. In the reverberant sounds achieved by the rich and greasy black color, and forceful clumsy strokes by scrapers and brushes, these simple graphic elements break loose from academic style, and the early post-impressionism represented by Van Gogh and Gauguin vaguely emerges from behind.

因而，代生红的图像语言没有隐喻的"设定"，其通过直叙，将触动自身生活的现实情景转化为朴拙的图式，表露于画布，而其画风更是与主题相得益彰，在稚拙有力的刮刀、笔触与腻黑、饱满的色彩融合下，这些质朴的绘图语素，竟游离出了所谓学院的手法和派头，隐约浮现出早期后印象主义如梵高与高更的格调。

Scientists such as Bridgman and Schrodinger found 'the origin of science' in the fundamental requirements of our 'struggle for life' and the fullest exercise of our intelligence.

诸如布里奇曼和薛定鄂这样的科学家发现'科学的起源'存在于我们'为生活而奋斗'的需要之中，是我们智力的彻底践行。

Purpose I feel very good about what we do at Bunge because our purpose is to enhance lives, and this is what we do every day.

使命 我为我们在邦基所做的工作而感到自豪，因为我们的使命是提高人们的生活水平，这正是我们每天都在做的工作。

I used to do cabinetry and woodworking for a living but found I would just rather do it for fun.

我用做橱柜，木工为生活，但发现我只想做，而不是它的乐趣。

I, that is what they come to enrich our campus life.

我，正是为丰富我们的校园生活而来。

Soon, a whole day to get to know Christian vermouth chain artist Toulouse -(John - decorations Leguizamo), and the artist's life circle of "Moulin Rouge" nightclub-centered This is a full of sex, drugs, fanaticism and cancan crazy world.

不久，克里斯蒂安结识了一个整天苦艾酒不离手的艺术家图卢斯-劳特瑞克，而这个艺术家的生活圈子是以"红磨坊"夜总会为中心的，这是一个充满性、毒品、狂热和疯狂康康舞的世界。

On the contrary, the price ceiling is a binding constraint on the market, and there will be a shortage of this goods.

限政府为限制某些生活必需品的价格上涨，而对这些产品所规定的最高价格，限制价格一般低于均衡价格

Charles Chaplin卓别林 We are here to add what we can to life, not to get what we can from it.

我们要尽可能为生活增加一些东西，而不是从中索取什么。

I feel cheerless why is that one life can be that bad.

我为生活为什么要变成那么地悲惨而高兴不起来。

But even so, life in the White House was confining, and this made the home we bought in summer 1969 for our retirement in San Clemente even more special for us.

即便如此，生活在白宫还是受限制的。因此，1969年夏天，为隐居而在圣克莱门特买的那幢房子对我们越发重要。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。