中长裙

There was something rather old-fashioned about our entire stay: the excessively polite guide who collected us in the morning; the beautiful girls in traditional costumes who served us numerous dishes at mealtimes; the cool linen clothes and brightly coloured umbrellas we needed to combat the furnace-like heat; the fountains which played in the courtyards in the Bamboo Garden in the evening. I felt like a character in a Forster novel, wearing a long skirt and brandishing a Baedeker.

在我们逗留期间，也感受到了其他更为浓郁旧式风格的东西，那位每天早上集合我们的特别热情的向导，用餐时端上无数美味的穿着旗袍的女孩们，那些帮助我们抵挡酷热的，凉爽的亚麻布衣服和亮丽的阳伞，还有傍晚在竹园里喷涌的泉水，我感觉自己仿佛置身于福斯特的小说中，身着长裙，手中挥舞着一本旅行指南，呵呵。

For example, you will of- ten read in fashion magazines "there is a trend toward longer skirts", it eans that several designers, in- cluding some leading ones, are showing longer skirts, leading retail- ers are buying them, and fash- ion-forward customers are wearing them.

例如，经常可以在时装杂志中读到这样的话，"下一季的流行趋势是裙子将变长"。意思是，有些设讣师包括顶尖设讣师，日前正展示着长裙作品，零售商们进货的时候在购买长裙，赶时髦的顾客们在穿着长裙。

Before October Revolution, the greatest change in Russian attires occurred in the upper class. In the early 18th century, aristocracies began to wear western-style clothes. Women were habited in blouses that were chest exposing and crinolined skirts provided with steel frames to support the drapery.

十月革命前，俄国变化最大的是贵族的服装。18世纪初，贵族们开始穿西服，妇女穿软直纹长裙。19世纪中，贵族男子流行燕尾服，妇女为袒胸衫和用细骨架支撑起来的钟式长裙。

"That," answered Helen, is huge Ajax, bulwark of the Achaeans, and on the other side of him, among the Cretans, stands Idomeneus looking like a god, and with the captains of the Cretans round him.

长裙飘舞的海伦，女人中闪光的佼佼者，答道：他是巨人埃阿斯，阿开亚人的屏障。那位是伊多墨纽斯，在联军的那一头，像神似地站在克里忒人里，身边拥围着克里忒人的军头。

More interesting is that it not only shapes, such as dancing, but also with people dancing colors Kandy dance is very similar to wearing at the time, in the upper part of white and red, the shape of dress for the pure white petals.

更为有趣的是，它不仅形状如舞姿，而且颜色也与人们跳康提舞时的穿着极为相似，中上部红白相间，形似长裙的花瓣为纯白色。

As a result , we regretfully have to cancel our order with you for the 200 'Suzanne' skirts.

因此，很抱歉我们得取消原定单中的200条苏择纳中长裙。

The collection, she said, drew inspiration from 'Dick Tracy' comic strips, and featured bright colors like a sapphire-blue crepe column corset dress, and an emerald stretch felt drape front frock. The final two looks, made of gazar, were adorned with abstracted and pixilated prints of the Dick Tracy comic. Ms. Beckham admitted that creating one of them-a cloud-shaped confection that was hand tacked to maintain its bouncy feel-'really was a nightmare,' and resulted in many sleepless nights

维多利亚表示，这个系列的灵感来自于连环漫画《至尊神探》，它运用了明亮的色彩，比如该系列中的宝蓝色绉纱露肩拖地长裙以及翡翠色弹力修身褶底连衣裙最后的两个款式，均由透纱制成，被饰以《至尊神探》漫画中抽象的点点图案维多利亚承认说，这其中有一件的设计过程&简直是个噩梦，&让她很多天都彻夜难眠这款像云彩一样的高级女装是用手工缝制的，为的是保持一种跳跃感

But the first decade of the 21st century has generally been defined by uncertainty and fluctuation, from the return of the mini, to the more austere midi showing on catwalks now.

但是，21世纪的头十年充满太多的不确定和波动的因素，所以T台上的裙子的式样也从迷你裙的回归而到如今更简朴的中长裙。

But the first decade of the 21st century has generally been defined by uncertainty and fluctuation, from the return of the mini, to the more austere midi showing on catwalks now.

但是，21世纪的前十年充满太多的不确定和波动的因素，所以伸展台上的裙子的式样也从迷你裙的回归而到如今更简朴的中长裙。

But the first decade of the 21st century has generally been defined by uncertainty and fluctuation, from the return of the mini, to the more austere midi showing on catwalks now.

但是，21世纪的前怞~充满太多的不确定和波动的因素，所以伸展台上的裙子的式样也从迷你裙的回归而到如今更简朴的中长裙。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。