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The development of tragicomedy corresponds to the change of social value.

中西悲喜剧的兴衰,与社会价值的变化直接相关。

The third chapter discourses upon the feature and the creation method of the tragicomedy.

第四章考察李健吾戏剧对中西戏剧资源的创造性接受与转化。

He recommended this kind of scientific method, had not merely evoked the conscientious consciousness that compatriots generally pay attention to the method, did it break the rigid mode of Chinese and Western culture intercommunion since the end of Ming Dynasty, late Qing to solve, overcome what textual criticism study tedious Qing Dynasty, recommend a kind of dauntless exploration spirit, make "Transvaluation of all values " become the loudest slogan of criticizing the traditional culture .

他对这种科学方法的提倡,不仅激起了国人普遍重视方法的自觉意识,解构了自明末、晚清以来在中西文化关系问题上所形成的&中体西用&的僵化模式,而且克服了清代考据学的繁琐,提倡了一种大无畏的探索精神,使得&重新估定一切价值&成为评判传统文化最为响亮的口号。

Based on real cases, this article first gives an account of the implication of resignation for blame. Then taking the Western system of resignation as the standard, it analyzes the characteristics of this kind of resignation in the following three aspects. First, the responsibility of the resignation can be attached only to political ones. Second, informal and unspoken nature is the characteristic of it on its manifestation. Third, this resignation system has a strong moral sense. The writer also lists a series of phenomena of unacclimatization while applying the system in China .

本文结合案例,首先阐析了引咎辞职的涵义;然后以西方的引咎辞职制度为标准,从一、引咎辞职的归责只能针对政治责任而非过错责任,二、非正式性、不成文性是领导干部引咎辞职制度在其表现形式上的特征,三、引咎辞职具有浓厚的道德色彩这三个方面,通过中西对照,详析了引咎辞职制度在中国出现的一系列&水土不服&现象。

Our results show that there is no obvious conditional convergence in china, that is, given the same level of human capital, market openness and other factors the economic provinces have demonstrated an unconspicuous growth convergence.

本文研究得出,中国地区间的经济增长,存在不明显的条件收敛的特征,即在具有相同的人力资本、市场开放度等结构特征的经济地区间不存在明显的增长收敛趋势,但是存在着很显著的&俱乐部收敛&特征,即按东中西划分的区域内部人均经济产出具有明显的聚集现象。

If you think about how Chinese ink painters practice their works, smoothly, unrestrictedly, together with that of the Western painters, romantically, freely, yes, both Chinese and Western "nobles of sprit" share this same idea: The World Is Flat!

想想中国文人画也是很随意,很畅神,很自由,再想想西方西洋文人也是很浪漫,很潇洒,也很自由,中西那些精神贵族们其实统统理念一致,世界是平的!

Third, most of Schwartz's energy went into the study of the history of Chinese thought, and his reflection on the western enlightenment was accomplished through his interpretation of the culture of Chinese thought. He used the method of "Weberian Verstehen" to interpret Mao Zedong, Yan Fu, Zhu Xi and even the pre-Qin thinkers of antiquity, thus he made many ground-breaking studies and interpretations of China's old tradition, the modern tradition, and the tradition inaugurated by Mao Zedong. Thus he provided rich academic resources for scholars in east and west, and, even more important, he can provide rich, manifold, detailed and deep local sources for the construction of the spiritual culture of China and for the moral culture of China, which are rapidly modernized.

第三、史华慈一生的精力主要用在中国思想史的研究上,他对西方启蒙的反思是经由他对中国思想文化的诠释而达成的,他对毛泽东、严复、朱熹到先秦诸子都采取别人难以企及的&韦伯式理解&,因此对中国的古老传统、中国近现代传统和毛泽东所开辟的传统,都做了了大量的开拓性研究与诠释,这不仅给中西学术界提供了丰富的学术资源,而且更主要的是可以给正在迅速现代化的中国思想文化与精神道德的建设,提供了极为丰富多彩且深刻细密的本土资源。

In the practice that our country develops in area economy, it is to pursue area first the policy of balanced development, the method that uses administration to the condition all sorts of resource department of wronger Chinese and Western tilts, although this makes our country east 3 earths area gets Chinese and Western balanced development, however, look from the development efficiency of countrywide whole, fare badly however.

我国在区域经济发展的实践中,先是推行区域均衡发展的政策,利用行政的手段将各种资源向条件较差的中西部倾斜,这虽然使我国东中西三大地区得到均衡发展,然而,从全国整体的发展效率上看,却不尽人意。

This text will specially analyze and compare linear difference between appraising rooms from the colouration features of tradition Chinese painting and the west painting in different periods.

本文将从各个时期中西绘画色彩的特点入手,对二者之间的联系与区别进行具体的分析与比较,对其色彩的差异及成因作一探讨。

Each of our products consults with the perfection curve, base on human body engineering elements, swing in with China and west culture distillation.

我们的每一件产品都参照完美的曲线,根据人体工程学原理设计,融汇中西文化精髓。

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网上数量巨大的代码例程。

MARY, QUEEN OF SCOTS 1542-1587 Oil on panel, 79.190.2 (311/8 × 351/2) By an unknown artist after miniature by Nicholas Hilliard, inscribed, c.

1542年,作为苏格兰国王詹姆斯五世和法国吉斯家族的玛丽之女,玛丽尚在襁褓之中便继承了父亲的王位。